Sentences with phrase «social realist art»

Alston's work was influenced by the social realist art of the 1930s, the politically - charged work of the Mexican Muralists, and by jazz and nightclub culture.

This is an impressive first film, and it will be interesting to see if Legrand's path takes him towards more cut - and - dried horror, or the chin - strokey, cynical social realist art movie at which directors like Michael Haneke excel.

Not exact matches

This early contè crayon drawing is a strong addition to WCMA's collection of American art and the first major social realist work by an African - American artist before 1950.

An American social realist painter, Moses Soyer expressed loyalty to the shapes of nature and aversion to the abstractions of art to the very end of his life.

The exhibition begins with the artist's earliest drawings, made in Los Angeles while studying at Otis College of Art and Design under the legendary social realist painter Charles White.

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

Complex and seductive, their references include color field, social realist, and surrealist painting; 1960s and»70s counter-culture graphics; 1970s feminist art; and bodily forms and fluids.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TSocial Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tsocial and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Philip Guston was a painter and printmaker who began as a social realist painter, associated with the mural movement involving artists such as Diego Rivera and working for the Works Progress Administration's Federal Arts Project in New York City during the 1930s.

At Otis Art Institute in Los Angeles he studied with social realist painter Charles White.

Inspiration for the Social Realists came from the Ashcan School (many of them had studied with Ashcan artist John Sloan at the Art Students League in New York) and from the Mexican murals pioneered by Gerardo Murillo (1875 - 1964).

To contextualize our work, we will examine the emergence of Realism in the nineteenth century; survey different realist movements from art history, including naturalism and social realism; and analyze how, over time, painters have adopted realist conventions to their own ends.

Well, this is something that I'm sort of curious about because then Art Front wouldn't have been kind of a straight social realist thing?

Over the course of nearly two decades (1931 — 49), Levy exhibited contemporary photography and works by Surrealists, Cubists, Social Realists, and Neo-Romanticists, such as British artists Paul Nash and Henry Moore; he also screened experimental films and showed posters, cartoons, and original watercolours by Walt Disney, which would have been characterized as «low» art forms.

Benjamin Abramowitz died in 2011 leaving a legacy of visual art that ranges from abstraction and social realist paintings to iconic sculptural forms.

Art Radar checks out this new mentorship program whose creators are Filipino social realist painters, Alfredo Esquillo and Renato Habulan.

The Galerie St. Etienne is currently exhibiting «All Good Art is Political» the show titled after a quote from Toni Morrison, displays prints and drawings by Kollwitz, a German social realist who died in 1945, and Coe, an English antiwar, anti-capitalist, and pro-animal-rights illustrator who lives in upstate New York.

The best artists Johnson finds in the show, like Hammons, must continue to toe the line between Duchamp and a social realist like Romare Bearden in order to be recognized in the mainstream art world.

Depicting themes and settings as varied as bar scenes, motherhood and the plight of the artist, New York — based artist Nicole Eisenman (born 1965) fuses contemporary subject matter with art - historical influences ranging from Renaissance chiaroscuro to twentieth - century social realist painting.

By the time we became social realists, we knew that American themes were not going to lead to a great national art — not only because the themes themselves were hopelessly duplicitous, but because the forms we used to embody them had become hopelessly obsolete.»

Fusing centuries - old art - making conventions and a multitude of art historic influences — including impressionism, German expressionism, and twentieth - century social realist painting — with contemporary subject matter, she depicts settings and themes as varied as bar scenes, motherhood, and the plight of the artist.

North of the border in the United States, the Lithuanian - born social realist painter Ben Shahn (1898 - 1969) was also a successful fresco painter, with a number of public arts projects to his name.

Art of the WPA era is frequently associated with traditional social realist imagery, such as breadlines and Hoovervilles.

This individuality left him somewhat vulnerable to obscurity in an art market that expected black artists to adhere to social realist portrayals of African American everyday life.

Born in Ohio, Beattie studied at the Cleveland Institute of Art and was trained in a social realist style.