Not exact matches
In this Out of the Kitchen project, we're trying
to map the intangible
social network that makes up Andrew Tarlow's restaurant group, from the 15 - year - old Diner
to this year's brand - new Achilles Heel and She Wolf Bakery, and as we strike out into the world of personal
relationships and anecdotes about all these people and places, it occurred
to us that these
relationships occupy physical
space, too.
The following principles guide and define our approach
to learning and teaching: • Every child is capable and competent • Children learn through play, investigation, inquiry and exploration • Children and adults learn and play in reciprocal
relationships with peers, family members, and teachers • Adults recognize the many ways in which children approach learning and
relationships, express themselves, and represent what they are coming
to know • Process is valued, acknowledged, supported, nurtured and studied • Documentation of learning processes acts as memory, assessment, and advocacy • The indoor and outdoor environments, and natural
spaces, transform, inform, and provoke thinking and learning • School is a place grounded in the pursuit of
social justice,
social responsibility, human dignity and respect for all THE CREFELD SCHOOL 8836 Crefeld Street Philadelphia, PA 19118 215-242-5545 www.crefeld.org 7th - 12th grade The Crefeld School is a small, independent, coeducational school, serving approximately 100 students in grades 7 - 12.
While it's true that giving your partner
space is healthy in a
relationship, instead of smothering him or her, if the
space is permission
to paint the town red and post it on
social media in the arms of another, it's going
to go down badly.
Criminal groups make initial contact with potential victims through online dating sites and
social networking sites, and will try
to move the «
relationship» away from monitored online
space before defrauding people of what can amount
to large sums of money.
Psychologists and
relationship experts tend
to agree that online dating is a more effective way of screening potential mates than at a chance meeting at a bar or
social space.
Now that streaming media and digital devices have made every subway ride the potential equivalent of a 1917 trip
to the Rialto — without the preceding comedy short or the velvet curtain, sure, but you can carry a movie in your pocket — it's easy
to see that, whether the needle ticks up or down on box - office sales in 2018, our
relationship to the movie theater as a
social space has changed for good.
Learning
spaces that promote socially catalytic interactions, where students can engage in
social skills and
relationship building, connect classroom
spaces to common areas where students and staff can meet informally.
According
to this study, primates (including humans) have only a fixed amount of cognitive
space for
social relationships, which means that the average person can maintain only about 150 friends at a time.
A person's identity is a composite picture of one's ideas, beliefs, infinite longings, abstractions, glances in mirrors, personal
relationships, size, height, weight and color; one's library card, driver's license,
social security number, bank account, acquired names; one's occupying one
space as opposed
to another, one's wearing of certain clothes as opposed
to others, one's taste in food, one's sex.
Many visual artists, like myself have a tendency toward introversion which can make live
social engagement in the flesh very challenging; one advantage
to social media engagement is that it allows shy or socially awkward people
to have some comfort
space between themselves and other people while remaining in active
relationship with «strangers».
It aims
to strengthen human
relationships by engaging with the public realm - the streets, the open
social and culture
space.
Looking at this old footage, Trecartin is stricken by how much our
relationship to the camera has evolved, particularly rhetorically: «People always think that the work is about the internet and
social media, but I think it's more about how our behaviour has changed, and our language skills, and what our tools are, and our understanding of ourselves and our bodies and what the potential inventive
space of that can be in
relationship to our humanity as we grow these extensions of ourselves.»
Their
relationships to social, political and philosophical expressions of feminism are as diverse as their work in sculpture, painting, drawing, video, installation, collage, assemblage and the wearable — yet all six directly consider the literal and allegorical ways in which the female body occupies both physical and semantic
space in the modern world.
The works in this exhibition — the earliest made in the early 1970s and the most recent completed in 2007 — replicate, modify, and critique Modernist aesthetics, illuminating form's
relationship to history, subjectivity, and
social space.
Taking its title from anthropologist Mary Douglas's analyses of how disturbances arise in the city's physical contours and
social order, Matter Out of Place presents new work by New York — based artists who observe, represent, and activate public sites, generating alternative
relationships to such strictly defined
spaces as the housing project, park, and museum lobby.
Bach performs the role of the musician
to push beyond
social expectations - renegotiating sound,
space, and the
relationship between the audience and performer.
Her concept - generated and research based practice is concerned with the
social and political dimensions of everyday
spaces, the strategies
to conceptualize resistance, the poetics of ideologies, and the
relationship between temporalities and subjectivities.
This visual push - and - pull reflects an impulse
to question the
relationship between interior (personal)
space and exterior (
social)
space.
Inviting the viewer
to enter a
space charged with symbolic elements, from the more obvious
to the more covert, that configure the multiple realities and readings which give life
to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important
to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of
social media; a long
relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.
It is a piece that necessarily traces the
social implications of the newly minted
space within the larger
space of Gates» practice, and Chicago itself, using Gates»
relationship to Mayor Rahm Emanuel as its central lens through which
to look at the implications of the artist's practice, and the position between private and public wealth his work straddles.
Kogelnik, well known for her distinctive style, bright color palette, and close
relationship to second - wave feminism, employed a variety of media in her investigations into politics,
social critique, the
space age, and the human body.
His work addresses
social, political and communications issues, the
relationship between public and private
space within
social frameworks, and the investigation of channels of information and the ways in which they may be used
to censor central information or promulgate ideas.
Rather than grouping the artists geographically, the exhibition explores the thematic and material
relationships between the artists
to address themes that transcend particular locations such as peace and
social violence; race, power, and identity; informal economies and corporate impact on the environment; memory; architecture, light and
space.
Art and Black Los Angeles 1960 — 1980, this full - day symposium explores the
relationship and parallels between the African American artistic communities in Los Angeles and New York through examining the
social and cultural atmosphere of the 1970s in both cities, the significance of the Just Above Midtown artist
space to the New York community, and the influences these artists have on their contemporaries.
99 Days is comprised largely of images of people and their
relationships to social space, the urban environment, solitude, the campaign trail and commercial culture during these politically heightened times.
Artist Statement Through my practice, I aim
to recall the complex web of
relationships between
social and natural activity, focusing on the significance and narrative potential of the anthropic ecosystem, present in the context of public
spaces.
Lowry and the Painting of Modern Life reveals how Lowry developed his structure of the city based on his personal
relationship to social space.
Group sessions are a supportive
space where you can recognize and practice the skills you need
to work through
social anxiety, be closer
to other people and feel happy and safe in your
relationships.
Most importantly, the
social conventions about the privacy of domestic
space protect parenting practices from outside scrutiny and make it challenging for public policy
to intervene
to improve the outcomes that are related
to domestic family
relationships: emotional maturity, attachment and self - regulation.