Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, Londra 2008 «Fia Backstrom:
That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, Londra (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, Londra 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlino 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlino (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlino (performance) 2007 «Experiment Marathon», Serpentine Gallery, Londra (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul ed Atene (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlino 2007 «Köln Show2», European Kunsthalle, Colonia
FIA BACKSTRÖM «POETRY CLUB» — AFTER CLOSING EVENT POETRY CLUB: an event in Fia Backström's exhibition «
That social space between speaking and meaning.»
Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom:
That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne
SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That
social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
«We were visualising
the social spaces between people,» Kim says.
Not exact matches
The key will be to create, in any future anonymous
social networking experience, a balance
between a safe, productive
space and one that promotes free speech.
For those in the personal / business finance
space:
Between social media and the recent success in the Fintech industry alone (i.e. payment solutions, invoicing, etc), there is a lot to keep tabs on in the coming year.
Rather, «a dialectic is in order, a dance
between time (Jesus) and
space (Christ);
between the
social / personal and the cosmic;
between the prophetic and the mystical.
This will provide
space for the nuanced discussions
between what sociologist Robert Nisbet called the «laissez - faire of
social groups.»
Thanks to this separation, self - governing collective actors - guilds, towns, universities, professions - could grow in the
social space «
between throne and cathedral.»
Both grew without external sponsorship, embraced youthful mobile populations, gave a public role to women, featured voice over text, exploited open
spaces in the
social system, aggressively globalized their message, adapted to local settings, attracted the marginalized, and established clear yet selective boundaries
between themselves and the surrounding culture.
With the erosion of religious, ethnic and
social connections and the rituals and practices they provide to confront mortality and bereavement, more and more of us must reinvent, from the leftovers and borrowings of our various traditions, the wheel that works the
space between the deaths that happen and the deaths that matter.
Second, it reinforced for me what I've always thought is the main difference
between corporate
social meda and the work we do in the electoral / advocacy / non profit
space: Our audiences are way more engaged and invested in us than the audience of a corporate brand.
Thus, for Hegel bourgeois civil society is not the
space for freedom of expression and association, instead, he reminds us that civil society is not only the distinct product of a modern
social formation (middle class and capitalism) but also an alienated reality, torn
between the demand of private individual and the state.
Setting aside the chance that
social media consultant Sullivan may have helped serve as a conduit
between the Trump campaign and the Russians, it looks as though he's quite familiar with questionable online tactics in the political
space:
Although we celebrate Hardie as the founder of the Labour Party, he also operated in the
space between competing variants of liberalism: its radical, individualistic strands and a more collectivist
social liberalism.
Groopify explains: «We firmly believe that
social is a major catalyst in getting more people to meet offline and that this bridge
between online / mobile and offline will be the next big revolution in the dating
space.
It's got daily challenges, it's got
social spaces shared
between players, and it's even got little numbers that pop out of enemies when you damage them.
In Headquarters, the game's
social space which supports up to 48 people, will give players activities to kill time
between matches.
There are disjunctions and disarticulations within and
between different
social spaces of the superstructure and we must work within those, in
spaces of the legal and ideological systems that can be transformed in the interests of
social and economic justice.
«In the journal paper, I talk about those in terms of the way the time is used, the classroom
space and resources within the
space are used, and the
social control in terms of the interactions
between the educator and the child, [and] from child to child as well.»
Before school,
between classes, and after school, these
spaces provide areas where class discussions continue,
social skills are built, and informal interactions occur.
I aimed for students to think about the connections
between the
social world and the
spaces within which it exists.
The authors discuss the relationship
between space and
social life from different perspectives and provide many illuminating examples of computer - based spatial analysis methods in archaeology...
This afternoon we learn the basics of Colombian Salsa, known as Cali style in a private lesson by 2 local dancers, then enjoy a dinner of Caribbean and Colombian specialties at Interno Training Restaurant, a
social reintegration project that offers an innovative
space for reconciliation
between female prisoners and civil populations.
They represent something of a mix
between hotels and hostels, providing
social spaces to meet other travellers, with some even including shared buffet - style meals in the price.
Then, enjoy a dinner of Caribbean and Colombian specialties at Interno Training Restaurant, a
social reintegration project that offers an innovative
space for reconciliation
between female prisoners and civil populations.
These stylish retreats strike a fresh balance
between social and sensual, exuding an easy California elegance in well - conceived private
spaces that playfully reinterpret the region's timeless agrarian roots.
Social areas include al - fresco lounge and dining
spaces, with comfortable beanbags to lounge in -
between dives and a covered dining area where freshly prepared international and local cuisine is served.
New
Social Space — Visit a brand new space in The Reef, set within the asteroid belt between Mars and Jupiter, with new vendors offering unique rewards, new bounties and
Space — Visit a brand new
space in The Reef, set within the asteroid belt between Mars and Jupiter, with new vendors offering unique rewards, new bounties and
space in The Reef, set within the asteroid belt
between Mars and Jupiter, with new vendors offering unique rewards, new bounties and more.
In Headquarters, the game's
social space which supports up to 48 people, will give players activities to kill time
between matches.
Many visual artists, like myself have a tendency toward introversion which can make live
social engagement in the flesh very challenging; one advantage to
social media engagement is that it allows shy or socially awkward people to have some comfort
space between themselves and other people while remaining in active relationship with «strangers».
Born in 1973 in Chicago, where he continues to live and work, Gates attempts to bridge the gap
between art and life have lead to a body of work which initiates and encourages
social interaction, creating vibrant urban
spaces which act as grounds of
social and political change.
Combining elements of the found, the photographic, the cinematic, the architectural, and the
social, Gaillard provokes visual or associative connections
between ancient ruins and neglected contemporary
spaces, attempting to recuperate the past in the name of a devalued present.
Ann Messner is a New York based artist whose work, since the late 1970s, has focused on the relationship
between the individual body and the larger
social body as encountered within public
space or discourse.
The
Spaces Between addresses the
social and economic reality that has taken shape in Cuba in recent years.
Image credit: Stephen Willats The
Space Time Traveller 2010 Courtesy of the artist and Victoria Miro Gallery London Stephen Willats examines connections
between personal narratives and
social conditions through themes of...
Since 1992 his subject matter has increasingly focussed on institutional
spaces and the relationship
between social control and societal structure.
Both his artwork and his architecture are based on the
social interactions
between people and the blurring of public and private
space.
His subject matter has focused on institutional
spaces and the relationship
between social control, societal structure and ever more sophisticated levels of interpretation.
Since 1992 his subject matter has focused on institutional
spaces and the relationship
between social control, societal structure and increasingly sophisticated levels of interpretation.
For over twenty - five years, Peter Halley's geometric paintings have been engaged in a play of relationships
between what he calls «prisons» and «cells» — icons that reflect the increasing geometricization of
social space in the world in which we live.
Her work often tackles the problematics of occupying
space and engages the complex spatial and
social dynamics
between everyday objects, bodies, landscape, and elements of built
space.
Among recurrent themes in her work are the relationship
between freedom and power, economy and the public
space,
social change, and limits of action.
Spatial divisions
between «inside» and «outside» impact how the art world describes, identifies and validates artists featured within the exhibition,
Social Geographies: Interpreting
Space and Place.
Collaborators since 1995, Elmgreen & Dragset create unusual installations and performance pieces that draw connections
between art and architecture, public and private
space, and a myriad of
social issues.
Stockholder has long broken down the boundaries
between painting, sculpture, and architecture to explore the body in
social and cultural
space — using found objects intertwined with profusions of vivid colors.
Establishing a
space for different relations
between art and the
social is political in my understanding.
The institution is thereby conceived as a
social space that facilitates contemplation and exchange
between different protagonists and cultures, consistently challenging its audience.
Bach performs the role of the musician to push beyond
social expectations - renegotiating sound,
space, and the relationship
between the audience and performer.