About The Gateway Project Space The purpose of the Gateway Project exhibition space is to host
socially engaging exhibitions and community programs to cultivate critical social dialogues.
Not exact matches
Situating itself within current art historical and political debates, the
exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance,
socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.
18th Street Art Center's 2010 catalogue features the work of emerging and prominent local and international artists and curators, whom we have worked with; art
exhibitions that have revolutionized the meaning of
socially engaging public art; our ground - braking events that have attracted over 3,000 visitors to the 18th Street complex within the last year, and much more!
18th Street Art Center's 2010 catalogue features the work of emerging and prominent local and international artists and curators, whom we have worked with; art
exhibitions that have revolutionized the meaning of
socially engaging public art; our ground - braking events that have attracted over 3,000 visitors to the 18th Street Arts Center within the last year, and much more!
He has been director of SPACEX, Exeter from 1999 — 2005, where he curated more than fifty
exhibitions and projects focussing on
socially -
engaged and context - led ventures.
Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of
socially -
engaged dinners, an
exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.
Another very different kind of
socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the
exhibition with its entrance on 115 Delancey Street.
As hinted at in the
exhibition title, Axell
engages with both contemporary stereotypes of femininity as well as centuries old role ascriptions and correctively intervenes in persistent gender relations: reflecting on art history — such as Venus iconography, Leda with the Swan depictions and distinguished portraits like Leonardo da Vinci's Mona Lisa — she subverts historically sedimented, male perceptions of femininity and renegotiates the
socially constructed image of women as either «angel in the house» or femme - fatale.
UCS is committed to championing
socially and critically
engaged contemporary developments in photography through our publications, programme of talks and
exhibitions.
This research ‐ based,
socially engaged method is an innovative approach to
exhibition organization and artistic creation.
Talking to Power / Hablándole al Poder is a survey
exhibition that presents all of Bruguera's long - term,
socially engaged art projects to date.
Her
exhibition, «Social Paper: Hand Papermaking in the Context of
Socially Engaged Art,» co-curated with Jessica Cochran, was funded by the Crafts Research Fund and the Clinton Hill Foundation, among others.
Other institutions — for example, Yerba Buena Center for the Arts, which, until 15 August, is showing an impressive
exhibition called Take This Hammer: Art + Media Activism from the Bay Area — grapple with these issues by featuring the
socially engaged art of regional artists.
BLACK ICE SPACE GALLERY, PORTLAND MAINE April 7th - May 13th, 2017 An joint
exhibition with Shoshannah White that explores the tactile and evolving arctic landscape through sculpture, frottage, photography and drawing http://www.space538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new
socially -
engaged project that records the negative space between clasped hands of Syrian newcomers to Canada
The
exhibition, curated by Kaytie Johnson, highlights radical, alternative, and
socially -
engaged practices as responses to and reflections on the devastating and far - reaching effects of social, political, and economic events of the decade.
Between May and July 2016, No Longer Empty presented Jameco Exchange, a site - responsive
exhibition and
socially engaged education platform that revolved around the art of storytelling about a place: Jamaica, Queens.
This Friday, Art League Houston employs both an
exhibition and a publication to examine the process, practice, and identity of
socially -
engaged artists who are shaking things up between art and pedagogy.
She curated
exhibitions including Social Paper, the first
exhibition considering hand papermaking in a
socially engaged art context, and Among Tender Roots, the first retrospective featuring Mexican artist, Laura Anderson Barbata's work.
Currently on view at Yerba Buena is Talking to Power / Hablándole al Poder, a survey
exhibition of radical, Cuban artist Tania Bruguera's long - term,
socially engaged art projects to date.
Upon graduation, Julian worked on the production team for the landmark
exhibition of
socially engaged art Living as Form with acclaimed arts non-profit Creative Time.
Not conceived as a reenactment of a specific
exhibition, Colab Redux did not present Colab in light of its radical contributions to
socially engaged art history.
March 2017: Group
exhibition with the
Socially Engaged Craft Collective at the C3 Initiative gallery in Portland, OR.
Nicholas Cohn Art Projects curates
exhibitions and organizes art happenings dedicated to
socially engaged visual arts.
The organization created an ambitious
Exhibitions Program, developing projects with international artists that focus on site - specific, immersive and
socially engaged work.
With more than 100 projects on display, selected by an international team of twenty curatorial advisors, eight newly commissioned works, and a web archive of more than 350 projects, the
exhibition - was conceived as a broad attempt to take stock of
socially engaged art.
An independent curator currently based in Beirut, Amanda has focused her curatorial projects on
socially engaged practices and
exhibitions that critically address modes of production and
exhibition in the art world today.
The third annual Creative Time Summit launched the
exhibition Living as Form, the first - ever survey of
socially engaged art, which was itself informed by the range of work presented at previous Summits.
Group
exhibition with the
Socially Engaged Craft Collective at the C3 Initiative gallery in Portland, OR.
The
exhibition was juried by Erika Lynne Hanson, assistant professor of fibers and
socially engaged practice at ASU, and ASU MFA fibers candidate Molly Kroehn.
The
exhibition is comprised of three components: an ongoing series of
socially -
engaged dinners, an
exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.
In addition to the
exhibition of photographs, The 8th Floor will present a handful of
socially -
engaged dinners over the course of the show, and will release a book, scheduled for publication in 2018, comprised of transcriptions from various dinner conversations over the years.
SFU Galleries support conceptual and experimental
exhibitions and programs that explore ways in which contemporary art is
socially and politically
engaged.
She has been focusing her curatorial projects on
socially engaged practices and
exhibitions that critically address modes of production and
exhibition in the art world today.
Founded in 1983 by local photographers as a challenge to media representation of the city's experience of conflict, our
exhibitions, publications and collaborative and community photography projects continue to reflect a
socially engaged ethos, while responding to contemporary currents in photography and politics further afield.
Presented in conjunction with the
exhibition Strange Currencies, The Galleries at Moore host a conversation between Mexico City - based artist and activist Minerva Cuevas and Creative Time Chief Curator Nato Thompson about the effects of
socially engaged art practices.
In addition to expanding the content of the
exhibition, each collaborating venue organizes site - specific,
socially engaged, commissioned projects or events that connect to the theme and «activate» the show.
She has curated
exhibitions including Social Paper: Hand Papermaking in the Context of
Socially Engaged Art with Jessica Cochran, and Revolution at Point Zero: Feminist Social Practice with Neysa Page - Lieberman.
The
exhibition brings together renowned international artists and
socially engaged practitioners with over a dozen regional artists from the Fargo - Moorehead area to transform the museum into an active hub and resource center.
In collaboration with 25 curators from around the world, Nato Thompson has selected 48
socially engaged projects as the foundation of this
exhibition, which will expand as it travels.
For her first solo
exhibition at Simon Lee Gallery, Paulina Olowska will show a group of new paintings which continue her exploration of feminist and
socially engaged themes, of shifts in cultural perspective between East and West and of the female figure as archetype.
It is the first major
exhibition of RedLine's 2017 program and
exhibition series, (dis) Place; a year - long
exhibitions, place - making, and
socially -
engaged art projects.
Arts in health, Collaboration, Community, Curatorial, Design, Diversity,
Exhibition, Fair, Online, Project, Research, Residency,
Socially Engaged, Studio / project space, Studio practice, Talk / Seminar
Activism, Art therapy, Arts in health, Community, Design, Early years education, Education project,
Exhibition, Further education, Higher education, Project, Public art,
Socially Engaged, Studio / project space, Technical / Fabrication
18 Holden Street Gallery —
Exhibitions include the «Phylogeny Projects» a group show curated by Derek Parker and Anne Roecklein and «Art into Life, Life into Art: Matei Bejenaru's
Socially Engage Art Practice» curated by Izabel Gallieara.
Regarding Wilson's works dealing with fluid identities and self - representation, the INOVA
exhibition focuses on the artist's experimental practices to examine past and currents attitudes towards feminism, activism, and
socially engaged art.
Presenting
socially engaged art exploring land and place, the
exhibition includes artwork by artists Ryan Feddersen, Megan Gafford, Brian House, Cannupa Hanska Luger, Daisy Patton, Becky Wareing Steele, Tory Tepp and the Rocky Mountain Land Library.
Collaboration, Commission, Community, Curatorial,
Exhibition, Practice - based research, Project,
Socially Engaged, Studio practice, Talk / Seminar
Nice Work If You Can Get It was the first
exhibition in a five - part series entitled (dis) Place, a year - long platform of programs,
exhibitions, events, and
socially -
engaged art projects that will explore the many complicated layers of what makes a «place.»
Activism, Adult education, Art therapy, Art tour, Arts in health, Auction, Built environment, Collaboration, Commission, Community, Consultancy, Curatorial, Design, Diversity, Documentation, Early years education, Education project,
Exhibition, Fair, Film production, Funding / Award, Further education, Gallery education, Higher education, Online, Open studio, Practice - based research, Primary education, Project, Public art, Publication, Research, Residency, Screening, Secondary education,
Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication, Training / Professional Development, Writing
Activism, Arts in health, Diversity,
Exhibition, Open studio, Practice - based research, Project, Public art,
Socially Engaged, Studio / project space, Studio practice, Training / Professional Development