Sentences with phrase «society at university»

Featured in Bill Moyer's PBS Special, «Healing and the Mind», Jon Kabat - Zinn, Ph.D., is executive director at the Center for Mindfulness in Medicine, Health Care and Society at the University of Massachusetts Medical Center.

Inspired by the vision of a more awakened and compassionate world, for 39 years the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School has pioneered Mindfulness - Based Stress Reduction (MBSR) and the integration of meditation and mindfulness into mainstream medicine, health care,...

Afterword writer Saki Santorelli, EdD, MA, is executive director of the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School and author of Heal Thyself.

Inspired by the vision of a more awakened and compassionate world, for 39 years the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School has pioneered Mindfulness - Based Stress Reduction (MBSR) and the integration of meditation and mindfulness into mainstream medicine, health car...

She teaches the mindfulness - based stress reduction (MBSR) and mindfulness - based cognitive therapy (MBCT) programs and is certified as an MBSR instructor by the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School.

She holds a Postgraduate Diploma in Mindfulness - Based Approaches from the Centre for Mindfulness Research and Practice, School of Psychology at Bangor University (UK) and was trained through the Center for Mindful Self - Compassion, the Oasis Institute, Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School and the Institute for Mindfulness - Based Approaches in Germany.

So you set up your own finance society at university, why does that mean you'd be an excellent candidate for their scheme?

If you're interested in events management or planning, joining a society at university could give you the chance to develop relevant skills.

«I was on the board of the consultancy society at university, which further demonstrated my interest,» says Adina Raetzsch, a consultant at Arthur D. Little.

Joining an entrepreneurial society at university is a good place to start — you could even set one up if it doesn't exist.

For example, if you are applying for work experience with a consulting firm, you could refer to your membership of the Consulting Society at university.

However, if you were part of a relevant society at university, or had a leadership position in your sports team for example, definitely include it as these are transferable skills and societies in particular demonstrate an interest in the wider industry you are applying to work in.

During his visit Sharkey also gave the inaugural lecture of the Philosophy Society at University College Dublin on 9 April.

Overall, women represent only 27.1 % of all federal and state judges, according to the Women in Federal and State - Level Judgeships report by the Center for Women in Government & Civil Society at the University at Albany.

Author: Brian Williams is a research librarian for criminology, law and society at the University of California, Irvine.

He is Honorary Professor of Climate Change and Society at the University of Copenhagen and is a member of Britain's Royal Commission on Environmental Pollution.

Dr Glen Peters is a senior researcher at the CICERO Center for International Climate Research in Norway, and Dr Oliver Geden is head of the EU / Europe Research Division at the German Institute for International and Security Affairs in Berlin, and research associate at the Institute for Science, Innovation and Society at the University of Oxford.

Dominic Kniveton is professor of climate science and society at the University of Sussex, UK.

He also serves as a non-residential scholar at American University's School of International Service, a Fellow at the Center for Science, Technology and Medicine in Society at the University of California - Berkeley, and a Senior Scholar at the Centre for International Governance Innovation (CIGI) in Canada.

Recent and upcoming exhibitions include Picture Fiction: Kenneth Josephson and Contemporary Photography at the Museum of Contemporary Art, Chicago (2018); KLEIN / OLSON at The Renaissance Society at the University of Chicago

From 1994 — 2016, he was the Director of Education and Associate Curator at the Renaissance Society at the University of Chicago, a non-collecting museum devoted to contemporary art.

Oehlen has been the subject of solo exhibitions at a number of international institutions, including the Museum Wiesbaden, Germany (2014); Museum Moderner Kunst, Vienna (2013); Kunstmuseum Bonn, Germany (2012); Musée d'Art Moderne de la Ville de Paris (2009); Arnolfini, Bristol, and Whitechapel Art Gallery, London (2006); Museum of Contemporary Art, North Miami (2005); Kunsthalle Basel (1997); IVAM Centre del Carme, Valencia, Spain (1996); the Renaissance Society at the University of Chicago (1995); and Kunsthalle Zurich (1987).

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Her projects at MOCA included large - scale historical survey exhibitions as well as retrospectives and solo exhibitions of William Leavitt (2011, co-curated with Bennett Simpson); Martin Kippenberger (2008); Lawrence Weiner (2007, co-organized with the Whitney Museum of American Art and co-curated with Donna de Salvo); Barbara Kruger (1999); Christopher Wool (1998); Felix Gonzalez - Torres (1994, co-organized with the Hirshhorn Museum and Sculpture Garden, and the Renaissance Society at the University of Chicago and co-curated with Susanne Ghez and Amada Cruz); and Roni Horn (1990), among others.

Major exhibitions include the Renaissance Society at the University of Chicago (2007); Kunsthalle Zurich (2007); Dallas Museum of Art (2006); Stedelijk Museum voor Actuele Kunst (2006); Walker Art Center, Minneapolis (2004); and the Institute of Contemporary Art, Boston (2004).

The Renaissance Society at the University of Chicago is a contemporary art museum committed to supporting ambitious artistic expression.

Chicago: The Renaissance Society at the University of Chicago.

Recent exhibitions include: «Miyoko Ito: MATRIX 267,» Berkeley Art Museum and Pacific Film Archive; «So I traveled a great deal...,» Matthew Marks Gallery, New York, organized in collaboration with Vincent Fecteau; «Lutz Bacher: The Secret Garden,» Yale Union, Portland, Oregon; «Let Us Celebrate While Youth Lingers and Ideas Flow,» the Renaissance Society at the University of Chicago; and «Night (1947 — 2015),» The Glass House, New Haven, Connecticut.

curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL

Juror: Hamza Walker is the Director of Education and Associate Curator for the Renaissance Society at the University of Chicago.

Barrada's work has been included in exhibitions at the Walker Art Center in Minneapolis, Tate Modern, the Renaissance Society at the University of Chicago, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, New York's Museum of Modern Art, and the Wiels Contemporary Art Center in Brussels, among others.

Co-production of Centre Pompidou, Musée National d'Art Moderne, The Renaissance Society at the University of Chicago, and The Bohen Foundation.

His work has also been exhibited at Palais de Tokyo, Paris; Museum of Contemporary Art, Chicago; Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; American Academy in Rome; Eastern State Penitentiary, Philadelphia; Institute of Contemporary Art, Philadelphia; The Studio Museum in Harlem, New York; The Renaissance Society at the University of Chicago; and Contemporary Arts Museum Houston, among many others.

Along with solo exhibitions at the Hammer Museum, Los Angeles, and The Studio Museum in Harlem, New York, Beasley's work has been included in group shows at the San Francisco Museum of Modern Art, The Renaissance Society at the University of Chicago, IL, The Museum of Modern Art, New York, and the 2014 Whitney Biennial.

(catalogue) Persona, The Renaissance Society at the University of Chicago, Chicago, IL; Kunsthalle Basel, Basel Switzerland 1995 It's How You Play The Game, Exit Art, New York; curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo Strung Into the Appolonian Dream... an exhibition of a private collection, Feature, NYC, NY Seven Llongish Wodden Sculptures, Feature, New York, NY 1994 The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design, Milwaukee 1993 A Sequence of Forms: Sculpture by Illinois Artists, Chicago Cultural Center, Chicago, IL Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler, Contemporary Arts Center, Cincinnati, OH; Urbana - Champaign, IL; I Space, University of Urbana - Champaign Gallery, Chicago, IL 1992 Drawing New Conclusions, Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL 1991 Office Party, (March) Feature, New York, NY Power: Its Icons, Myths and Structure in American Culture 1961 - 1991, Museum of Fine Art, Richmond VA: curated by Holliday T. Day (catalogue) 1990 Toward the Future Contemporary Art in Context, Museum of Contemporary Art, Chicago Awards in the Visual Arts, New Orleans Museum of Art, New Orleans, LA; Southeastern The Thing Itself, Feature, New York, NY (brochure) New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA; curated by Elaine A. King (catalogue) Half - Truths, The Parrish Art Museum, Southhampton, NY; curated by Marge Goldwater 1989 On Kawara: Date Paintings 1966 - 1988, The Renaissance Society at the University of Chicago, Chicago, IL Signs of Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian; Fundacao Luso - Americana Para O Desenvolvimento, Lisbon, Portugal; curated by Judith Russi Kirshner.

ILLINOIS Krannert Art Museum and Kinkead Pavilion The Renaissance Society at the University of Chicago Museum of Contemporary Art Chicago

Together with the two other institutions involved in this series of exhibitions, i.e. the Renaissance Society at the University of Chicago and the Aspen Art Museum, the Kunsthalle Bern will publish a book on Sone's work with texts Philippe Pirotte, Hanna Schouwink, Hamza Walker, Benjamin Weissman and Heidi Zuckermann Jacobson.

Major solo exhibitions of her work have been presented by institutions including the Institute of Contemporary Arts, London in 2015; Museum der Moderne Salzburg, Austria in 2014 (traveled to Museum für Moderne Kunst (MMK 1), Frankfurt in 2015); The Museum of Modern Art, New York in 2013 (traveled to the Museum of Contemporary Art Chicago; Dallas Museum of Art, both in 2014); Whitechapel Gallery, London in 2009 (traveled to Museum Ludwig, Cologne); Museum Abteiberg, Mönchengladbach, Germany in 2002 (traveled to Kunsthalle Zürich in 2003); The Renaissance Society at the University of Chicago in 1992 (traveled to Portikus, Frankfurt; Palais des Beaux - Arts, Brussels; Städtisches Galerie im Lenbachhaus, Munich, both in 1993); and Rheinisches Landesmuseum, Bonn, Germany in 1988 (traveled to Kunstmuseum Winterthur, Switzerland; Museum Boijmans Van Beuningen, Rotterdam, both in 1989).

His work has been shown in many other solo and group exhibitions at institutions in the United States and abroad, including Pasadena City College; Guadalajara City Hall; The Renaissance Society at the University of Chicago; Kunsthalle Bern, Switzerland; the Aspen Museum of Art, Colorado; Hiroshima City Contemporary Art Museum; and the Japanese Pavilion at the 50th Venice Biennale.

This fall, inaugural advisory board members, including MCA Chicago Curator Naomi Beckwith and Hamza Walker, director of education and associate curator at The Renaissance Society at the University of Chicago and co-curator of Made in L.A. 2016, will select the first recipient of the Texas museum's prize, which is to be awarded every two years.

Teen Paranormal Romance Installation View, 2014 Courtesy of The Renaissance Society at the University of Chicago

, The Sixth Day: A Survey of Recent Developments in Figurative Sculpture, with a text by Richard Flood, Chicago: The Renaissance Society at the University of Chicago, 1983, pp. 3 - 5, 21.

Recent solo exhibitions include Deste Foundation Project Space, Slaughterhouse, Hydra, Greece (2015); Slought Foundation, Philadelphia (2015); Guggenheim Museum, New York (2015); Schaulager, Basel (2014); The Renaissance Society at the University of Chicago, Chicago (2009); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2008); and Stedelijk Museum, Amsterdam (2007).

Yutaka Sone was published on the occasion of three solo exhibitions in 2006: Yutaka Sone Forecast: Snow at The Renaissance Society at the University of Chicago; Yutaka Sone: X-Art Show at the Aspen Art Museum, Colorado; and Yutaka Sone: Like Looking for Snow Leopard at the Kunsthalle Bern, Switzerland.

Recently, a fifteen year perspective of his work was mounted as a joint venture between the Institute of Contemporary Arts in London and the Renaissance Society at the University of Chicago.

Huyghe's two - channel video The Third Memory (1999), commissioned by The Renaissance Society at the University of Chicago and later exhibited at the Centre Georges Pompidou, Paris, takes as its starting point Sidney Lumet's 1975 film Dog Day Afternoon, [8] starring Al Pacino in the role of the bank robber John Wojtowicz.

, Matthew Marks Gallery, New York 2013 The Living, Kunstverein München e.V., Munich 2012 Galerie Max Hetzler, Berlin Museum Dhondt - Dhaenens, Ghent, Belgium 2011 Come Helga, This Is No Place For Us II, Maureen Paley, London 2010 The Renaissance Society at the University of Chicago Art Institute of Chicago 2009 Feelings, Matthew Marks Gallery, New York Serpentine Gallery, London (catalogue) 2007 Large Concretised Monument to the Twentieth Century, Chiswick Business Park, London (Permanent installation) Come Helga, This Is No Place For Us, Galerie Max Hetzler, Berlin Matthew Marks Gallery, New York 2005 Zoo Story: An exhibition of animals in art — for the young and young at heart, Fisher Landau Center for Art, New York Pas de Deux, Matthew Marks Gallery, New York Galerie Daniel Buchholz, Cologne 2004 Dark Passage, Kunsthalle Zürich (catalogue) Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne 2003 Donald Young Gallery, Chicago The Boiler Room, The Saatchi Gallery, London SHE, Maureen Paley, London 2002 Fleischvater, Modern Art, London 2000 The Agony and the Ecstasy, Maureen Paley, London 1995 Manliness without Ostentation..., the Agency, London 1993 I Have Every Vice in the World, Dolphin Gallery, Oxford Selected Group Exhibitions: 2018 Anna Fasshauer Michail Pirgelis Rebecca Warren, Kunstverein Reutlingen, Germany Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK.

The exhibition then travels to the Renaissance Society at the University of Chicago in the spring of that year.

New Orleans, Louisiana; the Tate Modern, London, England; the Whitney Biennial, New York City; The Renaissance Society at the University of Chicago, Illinois; and the Studio Museum in Harlem, New York City.

Major solo exhibitions include «The Density of the Actions» at The Renaissance Society at the University of Chicago in 2015 (her first solo show in the US), and at Victoria Miro Gallery in London.