The concept of never losing data could materially alter the way
society views identity, privacy, and security.
Not exact matches
In this essay, I have referred only to the book of Genesis and thus have chosen not to mention the prohibitions against homosexuality included in Leviticus, for it seems to me that what is at stake now is not homosexuality, which is a fact, a reality, whatever my
view of it as a rabbi might be, but the risk of irreversibly scrambling genealogies, questions of legal and social status (the child - as - subject becoming child - as - object), and
identities — a confusion that would be harmful to
society as a whole and that would lose sight of the general interest in seeking the advantage of a tiny minority.
In the new works on
view at Hauser & Wirth, Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on contemporary
society, while also revisiting misconceptions of black
identity and gender as seen in previous works.
Through a variety of mediums, these artists deal with themes such as
identity, the intersection of art and technology, challenging how
society views gender flaws, and exploring the human experience and landscape through space, memory, and environment.
Housewife, on
view at Sargent's Daughters in Lower East Side, includes a series of participatory sculptures that invites the audience to engage in performances that reenact house work, while questioning the presumptions about female
identity and womanhood in
society.
The works span two decades of wide - ranging explorations into individual and collective
identity as
viewed through the lens of history.Today, these artworks wield an ever greater urgency as a reminder that unchecked prejudice can cripple a
society.
Noted for his unfixed and non-prescriptive
views of geography and
identity, imagery and pictorial strategies, Rana has exhibited at various public and private institutions, including Mohatta Palace Museum, Karachi; Singapore Art Museum; Hong Kong Art Center; Cornerhouse, Manchester; Musée Guimet, Paris; Queensland Art Gallery, Brisbane; Fotomuseum Winterthur; Whitechapel Gallery, London; Saatchi Gallery, London; Lower Belvedere, Vienna; the Asia
Society, New York; National Fine Arts Museum, Taichung; House of World Cultures, Berlin; and Fukuoka Museum of Art.
His apparently split art - world
identity between member and opposer is better understood if his work is
viewed not as institutional critique, though it contains a heavy dollop of that, but rather as a dissection of
society's deep - set use and abuse of art and culture.
The works in «Prejudice at Home: A Parlour, a Library, and a Room» explore individual and collective
identity viewed through the lens of history, challenging the prejudices of
society.
Gender
identity and gender expression may, at first, be confusing because
society is accustomed to
viewing gender as «a clear - cut characteristic».
In what some may
view as an ironic coincidence, Judge Kozinski is scheduled to appear this Saturday on a breakout panel titled «Rights in Conflict: Sexual Orientation, Gender
Identity and Religious Liberty» at the American Constitution
Society National Convention in Washington, D.C. (see page 4 of this PDF file).
«There are undoubtedly many circumstances in which the
society can be confident that shielding the parties»
identities is sufficient to protect solicitor / client privileged material, but, in our
view, such confidence is unwarranted here,» the panel wrote.