Not exact matches
Echo chambers of the far - left, where anyone who expresses the slightest dissension is ostracized for not being
in line with the rest of the «progressive» herd on all
sociopolitical issues.
In order to challenge his emphasis, the delegates from the Philippines issued their national group report, in which they agreed with him on the two essential characteristics of Asian theology: its «third - worldness» (sociopolitical liberation of the poor) and its «Asianness» (the religiocultural dimensions
In order to challenge his emphasis, the delegates from the Philippines
issued their national group report,
in which they agreed with him on the two essential characteristics of Asian theology: its «third - worldness» (sociopolitical liberation of the poor) and its «Asianness» (the religiocultural dimensions
in which they agreed with him on the two essential characteristics of Asian theology: its «third - worldness» (
sociopolitical liberation of the poor) and its «Asianness» (the religiocultural dimensions).
Because communication channels between officials and civilians are blocked
in China,
in recent years Chinese citizens have increasingly resorted to social media as a means for expressing interest
in polemical
issues and engaging with
sociopolitical mobilization.
Yet, while engineering / CS students at UC Berkeley (and
in the US more generally) are not known to be particularly engaged
in sociopolitical issues, engineering students at the University of Tehran have historically been at the forefront of freedom struggles
in Iran.
What began as a natural integration of my
sociopolitical beliefs with a sheer joy of art - making, has since developed into a full - fledged artistic praxis by which I integrate the human realm I come
in contact with
in the course of my travels - its individuals, cultures, and struggles - with its refuse,
in order to comment on and participate
in the
issues I feel most passionate about.
Southern Exposure's nationally recognized Artists
in Education (AIE) program brings together diverse youth, artists, schools and organizations to provide meaningful participation
in the visual arts, sparking a dialog on contemporary artistic practice and
sociopolitical issues.
Reflecting on various reoccurring
issues pertaining to race, class, and
sociopolitical experiences, some of the work
in this exhibition provokes critical thought from viewers while other work conveys humor and nostalgia to evoke interest.
Moreover, as she is a curator from Istanbul, she is very much interested
in the country's current
sociopolitical issues.
Inspired by the international migration crisis and tense
sociopolitical battles surrounding the
issue in the United States and worldwide, the artist has conceived of this ambitious, multi-site project as a way of transforming the metal wire security fence into a powerful artistic symbol.
Her work focuses on political oppression and gender, and
sociopolitical and ecological
issues in Latin America and internationally.
In the early 1960s, the bright line between art and political activism that had characterized the 1950s began to fade, as artists increasingly began to engage with
sociopolitical issues.
In a both ruthlessly direct and satirical - humorous manner, his groups of works address sociopolitical issues of our times and visualize political grievances and conflicts in societ
In a both ruthlessly direct and satirical - humorous manner, his groups of works address
sociopolitical issues of our times and visualize political grievances and conflicts
in societ
in society.
The nomadic nature of the trailer home is traced
in artists» drawings, prints, photographs, and video.This exhibition, which presents works by Vito Acconci, Michael Asher, Atelier van Lieshout, Terry Maker & Chris Rogers, Krzysztof Wodiczko, and Andrea Zittel, explores a range of
issues from utopian notions of freedom to the
sociopolitical critique of design and art
in the everyday.
As a national organization (Riks Fotograficentrum), its main goal was to promote and distribute information on photography as an artistic form with a pronounced engagement
in sociopolitical and documentary
issues.
Topics include exhibitions
in public spaces; the artist as curator; multidisciplinary exhibitions; the international art biennial and its role
in shaping contemporary art;
sociopolitical issues; and underrepresented art and artists, such as non-Western artists and performance work.
Brooklyn - based artist Kehinde Wiley creates large - scale figurative paintings as firmly rooted
in contemporary design, music, literature, and
sociopolitical issues as they are
in the history of portraiture.
We are
in a moment when the art world needs reminding that there are pressing
sociopolitical issues which innumerable artists are grappling with, but which rarely make it onto the apolitical auction block.
Tate Modern presents Soul of a Nation: Art
in the Age of Black Power, a landmark exhibition exploring
sociopolitical issues played out among and beyond African American artists from 1963 to 1983.
She is engaged
in a transdisciplinary practice that explores the relationship of art and architecture to
sociopolitical issues, spatial imaginaries, and technologies of display.
Pettibon's work coheres
in its constant critique of American
sociopolitical issues.
In many of her works from the 80s onwards, this same concept is brought to bear on a larger realm of
sociopolitical commentary, as she address
issues of war and violence against bodies other than her own.
In order to redefine the nature of events that have led this planet to it's current condition, artists Paul Insect, Bast, Rostarr and Saber, literally took an «Intermission» from current
sociopolitical issues to offer new perspectives for an optimistic future.