Rather setting up a tired artist versus critic battle, the event articulated
the sociopolitical power artists wield by taking writing into their own hands.
Not exact matches
But the theological error that underlies this idealization of violence leads them into a new, a
sociopolitical Manicheanism which (like the earlier, metaphysical Manicheanism) is also an idealism, a simplifying resource to help people participate in a complicated world where, they know, they had better do what the
powers that be recommend and take sides.
But while I value their
sociopolitical analyses and share their anger at the complex forces that make sane mothering almost impossible these days, I find little in their books to give me strength and hope for the journey — the strength and hope that are exactly what mothers need to resist the
powers the authors describe.
The themes —
power structures, corporate wrongdoing, feminist rage — resonate in so many of 2017's
sociopolitical developments, including Hayek's real - life account of facing Harvey Weinstein's abuse and rage.
Lauren Adams (Baltimore, MD) Lauren Adams creates artwork that explores the histories of
power, labor, and material culture to make connections that resonate with current
sociopolitical issues.
In his mixed - media works, notions of war, spirituality and
sociopolitical imperialism are reoccurring themes, which shrewdly parallel an equally repetitive contemporary pursuit of accumulation and
power.
Since then, The New School has continued to invite artists to create works for the university, recognizing the
power of public art to spur
sociopolitical dialogue.
The exhibition explores ideas such as submission and revolt, both on a personal level — the dynamic of sexual relationships, for instance — and on a social level, where
sociopolitical, economic and ideological
power is at play.
The group exhibition invites seven international artists to examine the
power of the image in the contemporary world, but «the real task for them is to filter the images, to recognise the systems that images operate within, to follow their paths of circulation in the contemporary (art) world, to predict their abilities and the
sociopolitical, aesthetic and ethical dimensions images acquire as they traverse different realms of reality».
Tate Modern presents Soul of a Nation: Art in the Age of Black
Power, a landmark exhibition exploring
sociopolitical issues played out among and beyond African American artists from 1963 to 1983.
At the center of her artistic practice are
sociopolitical concerns related to, among others, women's place in society, art and its
power structures, post-modernism and corporate media.
Together we examine the psychological implications, amalgamation of language, customs, architecture, etiquette, race, distribution of
power and wealth within
sociopolitical constructs which share similar origins.»
In this new body of work, notions of war, spirituality, and
sociopolitical imperialism are prominent motifs, which parallel an equally repetitive contemporary pursuit of accumulation and
power.