Sentences with phrase «soft fields of paint»

Instead, they are usually soft fields of paint floating next to each other.

Not exact matches

In 1966 he painted a group of soft toned colored fields often broken by three parallel horizontal lines of approximately two inches in width, floating or stacked on the surface.
As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.
His fields of color can, at times, suggest interior spaces and their soft, flickering light is not unrelated to the French master's painting.
Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and suggestive forms of «Paesaggio» (1980), the floating irregular shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»
The curator wrote that this work is one of her «favorite paintings... soft and muted and really capturing the feel of the fog settled in over the fields
Viewers must cautiously walk the narrow and dark path between the wall and canvas, following the painting's soft fields of muted beige gradations, outlined and entangled by the white, red and black lines traced with her signature oil sticks.
This multi-media exhibition features work ranging from soft sculpture, to abstract color field paintings to landscapes of human bacteria.
And many of today's painters combine high and low sources: in her case, soft porn filtered through Baroque and Color Field painting.
A vertical painting almost 6 feet tall in which sour yellows and greens predominate, it betokens Rothko's transition from an early style full of Surrealist curlicues cavorting on tinted grounds to his signature abstract manner of levitating soft - edged bars of color within fields of contrasting hue.
The color hues were much softer and at first glance, it recalled the abstract painting or color field styles of Ellsworth Kelly and a more lighter Mark Rothko.
It includes, from the same period or earlier, Ad Reinhardt's black paintings, Robert Rauschenberg's white paintings, Robert Irwin's line paintings and Ralph Humphrey's frame paintings, which surrounded much more spatially ambiguous fields of soft color with bands.
This piece is hand - painted in shades of pale green, white and soft brown on a yellow field.
This chest of drawers was painted first with a coat of Primer Red and then in Lem Lem, a soft warm green inspired by the colour of allium fields in Ethiopia.
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