Sentences with phrase «soft paint brush»

Use a soft paint brush to apply it directly over the sanded areas.

better to brush on with regular soft paint brush or use foam brush?

Use a clean makeup brush or unused soft paint brush to apply to a clean face.

Not exact matches

It should be done with a soft hand, and a fine brush, like watercolor highlights, not a bucket of paint dumped on the canvas.

For the Boho Parents: Brush Dance Baby This watercolor inspired invitation and its feathery aesthetic features splashes of soft colors, culminating in a whimsical hand - painted feel.

Our popular miniature hand - painted artwork now gets a cozy makeover on a soft ground of brushed cotton flannel bedding.

At first I thought about painting the whole thing berry and then dry - brushing the white on top of it, but I knew that would give it a softer look and I was going for BOLD.

The softer, slightly blurred ones were either painted wet into wet or I painted the line onto dry paper and swiftly softened it by running a damp brush along it.

The genesis of the applied technique lies in his interest in Art Informel, where he used the sweeping, swirling path of the brush marks that were clearly visible, opposed to soft blurring that was used in his photo - paintings.

She painted with large brushes and sponges to achieve the canvas's saturated blue - blacks and soft oranges, suggesting a late evening atmosphere.

If I used brushes that were a little softer I could put more paint on, I guess.

I say all that because painting survives on variety and contradiction, beyond the familiar passions over soft brushes and hard edges.

The first is darkly tonal and composed of soft - edged, loosely interlocking or overlapping patches of colour executed with swift strokes of a lightly loaded brush, the paint seeping and staining into the unprimed canvas.

Smooth blending comes down to a combination between the softness of bristle and the wetness of paint, so a sable brush will always give a softer blend than a hog due to the softness of the hair.

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»

Marguerite Someone has said that about Gerhard Richter... the way he gets his sense of movement is he paints it and then he goes over with a soft... probably a badger hair brush... and I don't do that, I use that technique if say I was doing marbling, so I know about that technique If you are painting something and its not quite correct, the easiest way to make it look... well... it's like doing a charcoal drawing.»

Once you dab it on, and while the paint is still wet, blend it with a soft, plush roller brush.

You only need to apply one coat of paint and then you put on the Soft Wax — choose from Clear or Dark, depending on the look you require — with a cotton cloth or a brush to provide a protective seal.

For a scheme that's a touch more elegant and easy on the eye, why not reach for your brushes and soft, pastel shades of paint?

If distressing with sandpaper, when I'm finished I actually pull out my vacuum cleaner and my soft bristle brush attachment and run it lightly over the piece to remove any paint dust.

Tap wet paint into the pattern with a soft, round watercolor brush.

When the paint is dry, get rid of any excess dirt by dusting your piece with a soft brush or even using your fingertips and the palms of your hands.

Once the paint was dry I taped off the decorative applique (see below) and sort of feather dusted on the gold (which is actually a gilding wax) with a small soft artists brush.

I have heard all good things about Annie Sloan's brushes, but I use soft rags — old t - shirts, cut up work well to apply and buff the wax and angled Purdy brushes to apply the paint.

I decided to go tropical with a soft green dry brush paint technique and a Flamingo.