Whereas de Kooning embraced active, dynamic brushwork in such milestones as Woman I, 1950 - 52, Diebenkorn's compositions bring together
soft planes of color that undulate and flow within the frame.
Not exact matches
In «The First
of May,» a large canvas from 1960, he paints a landscape
of soft colors dominated by a towering
plane tree whose branches and leaves are rendered in a swirl
of strokes evoking Mr. de Kooning's gestural style.
Their shaped canvas fits together into rectangles that deny the shaping, while warm
colors and
soft modeling in turn disturb the picture
plane with the illusions
of a third dimension.
Ippolito continued to open up the picture
plane in his oil on linen 1980s works with the
soft diffusions
of color and suggestive forms
of «Paesaggio» (1980), the floating irregular shapes
of «One June Morning» (1988) in a blue / lavender mist, the opposing edges
of shapes hanging on within the blue field
of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «
color as light.»
At the same time, Adams's
planes of color — from solid to dusty to layered — feel illuminated from with; they give off a
soft glow (there is that word again,
soft).