Sentences with phrase «soft shots in»

Sharpness usually satisfied, with only a smattering of soft shots in a few interiors.

Not exact matches

Gone are the straight - shooting bosses of yore: Today's business people tend to couch difficult messages in soft, minimizing language.

I have a soft spot in my heart for plucky li» l Natsume, and I think two of its SNES games would help to round out the lineup here and add in some two - player goodness: Wild Guns is a cooperative shooting - gallery type game with a Western aesthetic, and Pocky is an adorable top - down scrolling shooter starring a priestess and her tanuki pal.

In capturing the spectacle, the television cameras moved in soft fades between shots of the performers, the visual grandeur of the church, the preacher, and the faces of the attentive but passive congregatioIn capturing the spectacle, the television cameras moved in soft fades between shots of the performers, the visual grandeur of the church, the preacher, and the faces of the attentive but passive congregatioin soft fades between shots of the performers, the visual grandeur of the church, the preacher, and the faces of the attentive but passive congregation.

When it comes to Boulud's attention to the details of his empire, there appears to be no hierarchy of importance: The invite list to the upcoming soft opening in Vegas; the amount of cream in the pâté grand - mère used in a banh mi at the Épicerie; a visit to actor Bryan Cranston lunching at Bar Boulud; a call to a high - profile pediatrician on behalf of two married employees with a constipated infant; what to do with a shipment of fresh herring; the placement of speakers in a corner of the dining room at DBGB; the lighting of a photo shoot for a cookbook he's contributed to — all things big and small are apparently in Boulud's portfolio, and everything receives an equal share of energy and time.

He can not allow Barton to take bad shots and have 3 turnovers in a row... Jokic looks soft and doughy and hates contact in the lane more than anything else..

Last week against the Islanders, Savage, who has soft hands and a rocket shot, scored four goals and added two assists, more points than any Montreal player had gotten on the road since Joe Malone in 1917.

Morozov, who has soft hands and an accurate shot, enjoyed the most productive stretch of his career, scoring nine times in eight games before Lemieux was sidelined for the year with a hip injury.

In the box Ramsey falls down, ball with Ozil — with excellent skill he waits for Rambo to get back on his feet and then release a delightful timed soft pass to Ramsey for a clear shot at goal.

The way they missed all these chances was just bad, don't tell me stoke goalie was doing great the way I saw it the shots on him were really soft and weak, and the chance that giroud missed in the 75th min just proves that he's not good enough to lead a top level football club offences, I've always supported giroud before but now enough is enough, I still support him though because it's not his fault for being our first man it's wenger's fault, who proved to be the most deluded man I've ever seen

That stinging shot by Rosicky reminded me of that rocket against spuds at the lane last season!!!! And Le Coc, well, he showed those cave - dwellers another side of our game with him in the side... not as immobile as flamini and not as soft as Arteta... a combination of a good passer and a tough tackler... and he wins over 80 % of headed duels... i loved that step - over that resulted to a yellow to some rugby player too... what a win!!!

Stoke's goal resulted from a goalkeeping error by Adam Federici; Michael Kightly won the second ball from a knockdown in the penalty area, and, from the middle of the box, hit a soft dipping shot to Federici's near post.

The sophomore guard scored eight points in the first eight minutes after halftime, including a soft jump shot that made it 51 - 31 with 16:55 left.

Not long after, in the 67th minute, Arsenal were equal as Santi Cazorla found Giroud, who played a soft pass to Theo Walcott coming in from the right, who smashed a low shot to the far post past Reina to make the game level at 2 - all.

Shane Long took advantage of Dier's sliced back - pass and was in on goal, only to scuff a soft shot straight at Lloris, before Mario Lemina rattled a 20 - yard drive against the woodwork.

Physically slight but occasionally rash in his tackling, Coentrão is a commendably cavalier dribbler and possesses wonderfully soft feet as well as a fierce shot.

The coffee mornings stop, the soft play venues are quiet and facebook feeds are filled with pictures of cuddly new babies meeting family for the first time, toddlers running around on grass and the classic shot: child - in - an - aeroplane - seat (additional expat cachet for business class).

The video appears to be part of the ongoing soft launch of his statewide campaign in what would likely be a long - shot primary battle against incumbent Andrew Cuomo, who is seeking a third term.

Genial and soft - spoken, Essex shoots down Duesberg's ideas about ARVs by saying: «There are now 15 or 20 different drugs that act in 8 or 10 different ways, and the only thing they have in common is that they inhibit the virus from replicating and lower the viral load to negligible levels.

«On certain shots, like the free throw and the 3 - pointer, you want a slower speed on the ball for that soft shot that has a better chance of landing in the basket than a faster ball with no spin.»

This gorgeously soft coral was shot in Papua New Guinea, part of a vast region known as the Coral Triangle, which encompasses the waters of Indonesia and the Philippines and extends as far as the Solomon Islands.

Having a soft or flaccid phallus down there and shooting blanks that we discussed in an earlier post are the most embarrassing situations that a man can get himself into.

Lumbar pain is best described as either a shooting pain or soft, constant pain in the lower back.

You are still getting a bold shot of color on your eyes and working the colorful cat eye trend, but you are doing so in a much softer, sophisticated way that is appropriate for both day and night.

When you shoot in manual mode, you have the control of your exposure to give you that soft, light, almost blown out look, OR you have the ability to create darker images like a silhouette in front of a sunset.

I am writing this post sitting on the sofa here in Doha with my best friend while watching the film LOLITA, one of my favourite films that inspired me for this shooting where I am wearing a super soft pink fur vest.

Pink fur vest was shot in St. Moritz, soft, super soft by Volpi.

I personally like shooting in soft light.

Approximately five seconds after leaving the shop, the beautiful, soft curls she gave me fell into a frizzy stick - straight disaster, just in time for me to shoot my outfit post.

A gorgeous Editorial shot inside luxurious Radio Bar of ME London Hotel in which I show you my take on summer: An all in black, minimal avant - garde outfit with a soft bohemian flare...

You all know I have a soft spot for St. John (especially after this shoot at Grand Central in their ball gown skirt), so it's no wonder their spring collection is full of favorites like this dress, that have me dreaming up new shoots around the city.

From Michelle Garibay Events — «The photographer for this urban farm - to - market wedding inspiration shoot, Ashely Bee, wanted to create a fresh, botanical - inspired design in a city setting with the hardness of metal and wood paid with soft, organic elements.

He's shooting for the soft underbelly of the industry and has actually gotten traction in Michigan and significant interest in five other states.

I thought some of the film appeared a little soft in wider shots.

You have the standard talent tree which lets you invest points in stealth, combat and healing across a variety of different skills, like soft landings or shooting arrows from walking tight ropes.

Shot in soft honey hued yellows and baby blue pastels, there is no doubt you are stepping into a hyper - realized, dreamlike East coast college campus, and whether or not you're familiar with that world (or its sensibilities) will largely determine your enjoyment of the film.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Fine object detail is sharp and defined in close - up shots, and fluctuates from slightly soft to pristine in wide - angle / sweeps.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

It's shot, mostly in glamorous extreme close - ups, by Janusz Kaminski, making Rudd and Witherspoon look like 40s movie stars adorned in soft - glow Technicolor.

Oliver Stone tosses in some touches that help: Charlie Sheen reprises his Bud Fox role for a brief encounter with Gekko, there are some terrific shots of NYC and we get Sylvia Miles back as the Realtor — this time helping Jake dump his loft in a soft market.

Miss Peregrine's Home for Peculiar Children also reunites Burton behind the camera with his Dark Shadows and Big Eyes cinematographer Bruno Delbonnel, whose knack for creating glossy visuals through his film work (by utilizing soft shadows / focus shooting techniques) looks to serve Burton's upcoming film well - in particular, during those scenes that take place in the fantastical setting where Miss Peregrine and the «Peculiars» live.

Downey Jr.: On the Howard Hughes stages in Playa [Vista], a couple of days before we started shooting, we were just running around being an insurance risk, literally playing soft air - gun games with each other because there was so much anticipation of how it was going to go.

Shot in often soft focus B&W, artificially aged to look like a survivor of yesteryear, and filled with absurd imagery (bunny rabbits leap into the trench in the midst of battle) and unfathomable twists, this is a farce with a tragic dimension and a singular vision that defies categorization and description.

But the most sadistic moment, purely in terms of twisting the knife in the viewer's sensibility, is the shot of a young boy standing in the doorway to the barn, looking in, the soft animal toy he's holding silhouetted in the light from behind.

Generally speaking, the image still looks soft, though some shots do boast an uptick in clarity, especially in the more composed, interior scenes.

Shots that rely on available light appear softer than others; compression is invisible throughout — as it should be, since the studio abandoned a DTS track in order to increase image quality.

His previous two movies bombed at the box office — it isn't too difficult to see why though: they feature pretentious soft focus shots of deserted landings (like the one seen in French Lieutenant's Woman) set to Samuel Barber's Agnus Dei.

It's one of the best sequences in the series to date, kicked - off with an incredible tracking shot before all hell breaks loose; alas, that energy dissipates during a bizarre title sequence that combines a Roger Moore - era naked lady montage with a touch of almost Lovecraftian soft - core tentacle scored to Sam Smith's tepid theme song, «Writing's on the Wall».

In the middle of shooting his third feature, Soft in the Head, he decided to steer the improvised film's narrative arc in a new direction, retreating to the roof of the apartment building where he was shooting to scrawl out story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaboratoIn the middle of shooting his third feature, Soft in the Head, he decided to steer the improvised film's narrative arc in a new direction, retreating to the roof of the apartment building where he was shooting to scrawl out story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaboratoin the Head, he decided to steer the improvised film's narrative arc in a new direction, retreating to the roof of the apartment building where he was shooting to scrawl out story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaboratoin a new direction, retreating to the roof of the apartment building where he was shooting to scrawl out story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaborator.