If you recall, The Village was
sold as a horror film when in fact it was a drama.
Not exact matches
For over a decade,
sold out audiences have enjoyed Rocky
Horror - like participation consisting of hilarious traditions such
as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the
film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off
as a non-sequitur.
Haunting suffers for its need to be
sold as a straight - up
horror film, and the fact it has been seemingly retrofitted
as such.
A tongue - in - cheek
horror film from director Glenn McQuaid, I
Sell the Dead stars Dominic Monaghan (perhaps best known for his role in Hetty Wainthrop Investigates)
as a grave - robber who recounts his various adventures to a priest in the hours before he is due to be executed.
Among the other fiction
films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance
as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered
as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to
sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's
as much mirage
as actuality; and two
horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
And the rest of the cast, including Chirqui, Jeremy Sisto, and Lindy Booth, all come across
as cool and actually
sell us on them being close friends, so there's a bit more emotion in some of them getting taken down versus other
horror films where the «friends» seem to have just met a week or two before.