In the post resurrection gospel narratives describing Jesus» appearance to his disciples we notice again and again that the accounts speak of him in terms of
the solid bodily form of Jesus: He eats with them, invites Thomas to place his hand in his wounds, he breaks bread with the disciples on the road to Emmaus, he eats breakfast by the lakeside.
The works generate a compelling relationship between the
solid black
forms within the prints and the viewer's
bodily experience of them, and open up a dialogue with the dense, metal surfaces of the artist's sculptures within the Nasher Collection and beyond.»