This, in part, comes through Marvel's
solid casting of the film, namely in the charisma of Benedict Cumberbatch as Strange.
Not exact matches
Featuring a strong ensemble
cast and
solid camera work, the
film starts out as one kind
of story before metamorphosing into a bittersweet tale
of retribution that never fails to engage.
Very Bad Things features a pretty terrific
cast; while it features no real «big time» stars other than Cameron Diaz - who only achieved that status upon the release
of Mary, which happened after this
film was already done - it offers a very
solid list
of quality actors.
I enjoyed the energy
of the
film, and the
cast is pretty
solid throughout, but there's a big problem that is inherent to the idea that we have to make these
films bigger and bigger to outdo things that have come before.
Take a Pulitzer Prize - winning author's first original screenplay, attach a respected director whose last
film was considered a disappointment by many, and add a
cast that includes Michael Fassbender (one
of the highlights
of that disappointing
film), Brad Pitt, Javier Bardem, Penelope Cruz, and Cameron Diaz, and you have a
solid formula for one
of the most anticipated
films of the year.
First - time director Fisher Stevens has a flair for dialogue comedy, the
film operates nicely off the element
of surprise, and the large
cast is
solid — especially Marisa Tomei, who in an extended cameo as a merry dominatrix rarely has been more convincing.
An ATF agent in the former and Jennifer Lopez's morally questionable boyfriend in the latter, he turned in
solid performances as part
of a strong ensemble
cast in both critically acclaimed
films.
It would be easy to say that it's hard to screw up with a
cast like that, but plenty
of other
films have had the talent but not the tools —
solid storytelling — to bring it all together.
The odds: Based on Sorrentino's
solid reputation and the prestige names in the
cast, the bookies rather fancy the
film's chances, placing it in the upper tier
of possibilities for the Palme.
While Brown is the most talented actor in the
cast, acclaimed veteran actor James Cromwell («The Artist») gives him a run - for - his - money with a
solid supporting performance as one
of the
film's antagonists, Judge Foster.
Considering the lack
of space, lack
of cast and lack
of special effects it sure is loaded with suspense, thrills and
solid film making.
The remaining
cast members are all good (perhaps not stand - out but
solid supporting work), but their roles and action within the
film really should remain hidden because
of how they're revealed.
It's a
solid setup that also affords the
film's creative team its own game: a chance to play around with the look, and the violence,
of actual thrillers, all while keeping the tone as frothy as any other multiplex throwaway starring a
cast member from Horrible Bosses.
The
film boasts an amazing
cast — Casey Affleck who can do no wrong playing a psychotic creep; Rooney Mara who has proved herself a
solid versatile actor and desperately needs to shrug off the lingering Goth image festering from the wretched Dragon Tattoo
film; and a slew
of excellent character actors who I adore, Ben Foster and Keith Carradine among them.
Thanks to some very good
casting (though Spader, in his mid-20s, looks far too old to be playing high school age),
solid performances, and the insights
of John Hughes at the peak
of his creative screenwriting talent, Pretty in Pink emerged as an instant teen classic, and remains, to this day, a quintessential
film for those who enjoy everything 1980s.
The similarities should end there, as there's no question that The Descent is the superior
film, working mainly due to the investment in building up the characters for the first half, while also putting in a
cast of solid actresses in each role.
Though comedically flat, the
film does feature a number
of strong performances from a
solid cast.
Mediocre as the
film may be, the Blu - ray release for «The Last Kiss» actually delivers a
solid collection
of extras including two audio commentaries (one with director Tony Goldwyn and star Zach Braff, and another with Goldwyn, Braff and fellow co-stars Jacinda Barrett, Rachel Bilson, Michael Weston and Eric Christian Olsen) and a 40 - minute making -
of featurette on everything from
casting to the actor's favorite scenes.
Elsewhere, amidst the familiar plan - within - a-plan story that unfolds, Emmerich peppers the screen with
solid casting choices — James Woods, Jason Clarke, Maggie Gyllenhaal and Richard Jenkins who all wisely resist the urge to ham things up and add more to the
film than a typical batch
of supporting players.
WHY: There's been a surge
of meta horror
films released over the last few years, but while Todd Strauss - Schulson's «The Final Girls» boasts a really clever premise and a
solid cast, it doesn't succeed on the same level as other recent entries like «The Cabin in the Woods» and «You're Next.»
With little dialogue and the
cast consisting
of one man — a well -
cast Robert Redford — the
film All is Lost relies on
solid acting skills and great visuals to keep it afloat.
It also features a good performance by Cramer as the hero
of the
film, and a
solid supporting
cast.
Victor Fleming, one
of the sturdiest
of MGM's house directors, and a
solid cast of supporting players (Frank Morgan as her fraud
of a father, Una Merkel as her sassy assistant, Pat O'Brien as her exasperated director) keep the
film running in top gear.
A
solid cast can go a long way towards creating interest in a
film I'd previously not heard
of.
The rest
of the
cast provides
solid support, but no one really stands out apart from «The Daily Show» correspondent Jessica Williams, who exhibits real potential in her first major
film role.
The
film, with its large ensemble
cast, is well acted, and director Coppola gets the best out
of old pros Woods and Turner, while at the same time coaxing
solid performances out
of her young
cast, especially Dunst and Hartnett.
With a
solid cast of character actors to work with, Mamet avoids the usually stiff and static styles
of films past with the energy and life needed to make this lighthearted comedy work.
It's disheartening when a
film starts off with a promising opening sequence, a
solid cast and the Weinstein stamp
of approval but decides to throw in an uninspiring plot.
In 1979, Rod Hardy was already a veteran
of many TV shows, and the efficiency and tight scheduling
of the small screen helped the director deliver a «scope
film with a
solid cast that includes David Hemmings (himself having also directed a handful
of films in Australia at the time) and veteran character actor Henry Silva (an actor with one imposing, balloon - like melon).
But as much as the look
of the
film contributes to its lasting power, its
solid cast really sells the material, as well as the fine line between fantasy and comedy.
Wonder Boys is about characters and interactions; it's about one
of our most talented screenwriters, Steve Kloves (The Fabulous Baker Boys, Flesh and Bone), working at the absolute top
of his profession; and it's about a
cast so very sublime and dead
solid perfect that wondering what will happen next doesn't drive the
film so much as hoping that whatever it is takes its sweet time: We want these people to stay put.
For those not as invested, the
film version does manage to be one
of the better thrillers in recent years, with
solid characterizations, a capable
cast of actors, and, for those not averse to some
of the
film's harsher moments
of sexual abuse and sadism, enough lurid developments in its story to make you squirm in your seat.
Patricio Valladares» English - language remake
of the Chilean horror
film Hidden in the Woods has been giving us a lot
of great things to look with a
solid cast led by genre favorite Michael Bi...
Some excellent performances from the leads (and some
of the supporting
cast as well: Lucille Ball, Ann Miller, Adolphe Menjou, and Eve Arden), flashes
of brilliant screwball dialogue and Gregory La Cava's efficient if uninspired direction make for a
solid film.
While Cardinals features some very
solid performance from the
cast, particularly Sheila McCarthy, the story chooses to end at a point where there is no real sense
of closure, which brought my opinion
of the
film down a notch.
With another strong performance by Radcliffe anchoring the
film, more
of fan favorite villain Snape (Rickman, Sweeney Todd), and bolstering even further an already impressive
cast of the finest British actors, The Half - Blood Prince provides another
solid entry in the franchise, giving an entertaining bridge between the strong Order
of the Phoenix and the upcoming final chapter, The Deathly Hallows.
The format and tone
of the comedy will feel familiar to fans
of 7 Days in Hell, but the
film does a
solid job
of wrangling its large
cast for plenty
of laughs, dick jokes, and all manner
of ridiculousness.
Still, with a pretty
solid cast that also includes comedian Jeff Garland, Ellie Kemper, and Gretchen Mol and a director (Lynn Shelton) who has worked on the likes
of the
film Diggers as well as directing episodes
of Mad Men and New Girl, I'm sure the trailer is a bit misleading with its annoyingly upbeat and conventional narrative.
A
solid cast of comedy actors lend their voices to the supporting characters, including Michael Peña, Kumail Nanjiani, Abbi Jacobson, Zach Woods and Fred Armisen, but the
film loses them in the cacophony
of kung fu movie references, colourful action and fitfully funny comic set pieces.
With a
solid cast of well - knowns (Helen Mirren, Sam Worthington and Tom Wilkinson), assuming the story is as riveting as the
film's trailer suggests, I'm betting this will make for a very entertaining cinematic experience.
I've held the unpopular opinion for a while now that Leonardo DiCaprio finds himself in similar positions often, where he's a perfectly fine and
solid actor, but is often
cast across from much better actors in the supporting role and tends to seem underwhelming as the lead
of the
film.
Solid direction aside (most notable in the nuanced, ambiguous way Douglas depicts a suicide attempt by one
of the lead characters late in the
film), the picture is most notable for its
cast.
Along with the
solid acting from the
cast, the
film does feature a couple
of entertaining moments.
When I first saw previews for this
film, I couldn't help but get excited about the strong
cast of solid actors involved, and likewise it's been a while since a decent cop thriller was released.
It's a pleasure to watch a
film that makes such good use
of the city and fills its
cast with such
solid actors as John Leguizamo, Michael Peña, Bob Gunton, Frances Fisher, Josh Lucas, Bryan Cranston, William H. Macy, and Shea Whigham.
The support
cast, studded with considerable names, give
solid, believable performances that expand the thrust and atmosphere
of the
film.
But an upcoming
film called Little Bitches proves that if you have a
solid script and a talented young
cast, the teen high school comedy will never go out
of style.
There's a smorgasbord
of titillating storylines here and for the first half
of the
film, Romanowsky's direction feels capable and confident, eliciting
solid performances from her
cast and creating a tense mood, edged with darkness (despite the frequent flashbacks, which were overdone and heavy - handed).
Skillfully directed by veteran Phillip Noyce (Catch a Fire, The Quiet American), with a
solid cast, great score, excellent cinematography, use
of color, and an intriguing premise, the
film, based on the novel by Lois Lowry, has all
of the tools and the talent on board to succeed.
«Screening at the Majestic» (26:51) is Yves Kovacs»
solid 1997 documentary that returns director
of photography Henri Alekan to the movie's
filming locations, reads from Cocteau's own notes, and interviews
cast members Jean Marais and Mila Parély.