Considering the lack of space, lack of cast and lack of special effects it sure is loaded with suspense, thrills and
solid film making.
With spring around the corner, there's a slew of
solid films making their way to iTunes, Amazon and theaters.
Not exact matches
In the same way that a
film studio can help a person with an incredible screenplay navigate the logistics of
making a movie, a startup studio assists domain experts who might have a
solid concept but aren't as strong on the coding side.
Or you can sit in the dark and talk about how consistently
solid the animation has been between the three
films and that there are just enough jokes aimed at adults to
make this a watchable
film when you take your children.
I enjoyed the energy of the
film, and the cast is pretty
solid throughout, but there's a big problem that is inherent to the idea that we have to
make these
films bigger and bigger to outdo things that have come before.
All in all, the
film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus
making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style,
solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.
Yeah, I enjoyed «Django Unchained» and «Skyfall» more, but as a whole, «Life of Pi» covers all the bases of what
makes a real
solid film.
However, the
film lacks a
solid and straight - to - the - point conclusion, and instead gets glued to a vague ending that would
make the writers look like they ran out of good - enough ideas.
As an uberfan of the so - bad - it's - good masterpiece The Room and a
solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the
making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the
film adaptation, as well as portraying Wiseau himself.
Technical credits all the way down the line are
solid and the entire project
makes one yearn to see a wrap - up
film of Elizabeth's final years, with her doomed relationship with Robert Devereux, Earl of Essex, et al..
Overall, this is a well -
made film with a
solid ending, but I just wasn't invested enough to ever feel the need to watch it again.
He's
made a
solid career working with ensemble casts, so it was unsurprising that the first Avengers
film was so successful.
The bombastic score
makes the
film feel bigger than it is, whilst
solid performances get us through some of the rockier dialogue.
Director Colm McCarthy's The Girl With All the Gifts is one of the best zombie
films ever
made, and this Blu - ray release from Lionsgate is a
solid treatment for this relatively low - budget marvel.
In the wider scheme of things, «Tigerland» is not a great movie, but it is
solid and unusually heartfelt for Schumacher, and what it lacks in nuance (the director has never knowingly turned in a subtle
film), it
makes up for in a simplistic but emotive understanding of the mechanics of masculine friendship and rivalry in the shadow of a nationally emasculating war.
However, director Craig Johnson is from the camp of TV sitcom stars
making solid indie
films (See also: The Duplass Brothers), and Johnson co-wrote the script with Black Swan scribe Mark Heyman.
Three
solid films — each distinctly different from the next —
make this a particularly good week for home video.
This movie is proof that you can
make a
solid horror
film while still keeping it kid - appropriate.
Solid acting and adept filmmaking help
make up for the fact that this
film asks us to spend a couple of hours in the presence of a group of truly despicable characters.
A
film about a man who is always last to the scene of the crime is a
solid starting point, but no amount of flashy directing can
make up for a weak story.
But stirring and
solid, «12 Strong» is the kind of
film that might
make you think twice about January releases, and spotlights a riveting story in our recent history that many Americans might not know.
What he's likely to say is that he wanted to
make a think piece, a
solid science fiction
film.
If you have the chance to
make it to the Heartland
Film Festival, this is a
solid film to see.
Rating: 5/10 — a man (Lowery) drives across country after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled
film noir, They
Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another
solid effort from Paramount's B - movie unit, Pine - Thomas.
What
makes The Funeral a better than average gangster
film is
solid performances from underrated actors like Chris Penn and Vincent Gallo, and strong performances from its bigger names, Christopher Walken and Benicio Del Toro.
A
solid film that intertwines four compelling stories loosed based on real events about the senselessness of violence, aggression and brutality, as well as people's obsession with it - which, as the
film suggests,
makes us not so different from animals, only perhaps worse.
Greengrass has a
solid back catalogue which includes CAPTAIN PHILLIPS as well as the BOURNE
films so 1984 will no doubt be very well
made.
Having a superhero that lives in the 1940's is no easy task to translate to the big screen but director Joe Johnston
made it look easy with a
solid first
film.
Michael B. Jordan says that Creed 2 should start
filming within the next few months, and that he intends to
make it a «
solid project».
While Hit & Run isn't going to be on any best of the year lists, it is a very good example of
making a
solid film in a tight time - frame (Shepard and Bell both had TV commitments they had to fit
filming around), with a reasonably small budget.
This wild concept of chaos reigning in a suburban neighborhood has its edge reduced by its incomplete image of characters, an aspect that affected Get Him to the Greek in the past, and has
made for slower moments in other Stoller
films (on the other hand, when characters were
solid like in Forgetting Sarah Marshall, they lead to a great introduction for a bare - all Jason Segel).
Concurrent with the release of its sequel (which
makes Miss Congeniality look like fucking
solid gold) and this single - disc reissue, the studio has decided to release yet another edition of the
film on DVD: a Deluxe Gift Set that bestows upon us a copy of the soundtrack CD.
Mediocre as the
film may be, the Blu - ray release for «The Last Kiss» actually delivers a
solid collection of extras including two audio commentaries (one with director Tony Goldwyn and star Zach Braff, and another with Goldwyn, Braff and fellow co-stars Jacinda Barrett, Rachel Bilson, Michael Weston and Eric Christian Olsen) and a 40 - minute
making - of featurette on everything from casting to the actor's favorite scenes.
The shaky camera even on land or in a
solid ship on smooth seas
made this terrific action
film impossible for me to watch.
Yet, doing so would also require that the industry (and critics) embrace the fact that most of such
films would, at least initially, be rather underwhelming if not outright bad: after all, it is only through repeatedly practicing the craft of genre filmmaking that, over time, a
film industry can elevate its game and
make reliably
solid films in any given genre —
films that can hold their own when compared to those from other nations that excel at genre filmmaking, including Hollywood (the genre filmmaking tradition par excellence), France, South Korea, or Hong Kong.
The performances are
solid, and the
film makes important comments about how US sporting competitions are image - driven and dilute the individuality of their participants.
Clearly something went horribly wrong as this thriller was being
made, because despite a
solid cast, gorgeous locations and an intriguing premise, the
film is an incoherent mess.
Independently
made (on a reported $ 80 million budget) by French producer Dimitri Rassam, «The Little Prince» may lack the fast pace and high - concept storytelling of today's most popular animated fare, but it should strike a
solid chord with family audiences around the world (where the
film has been heavily presold) and particularly in France, where Paramount opens the
film July 29.
This is easily one of the darkest comedies Michael Bay has ever
made, and possibly his best
film yet, considering an improved focus on characters with a
solid script.
One of the
films that didn't blow us away at Sundance, but offered a
solid film full of jokes
made just for cinephiles, was In a World... The
film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.
Lionsgate's Blu - ray combo pack treats the
film to a
solid feature presentation plus an unusually comprehensive
making - of documentary.
The pacing becomes sloppy, hyperactive even, which I at least partially blame on the need for the
film to include an astoundingly pointless postscript, meant to drum up excitement (read: publicity) for The Avengers, rather than
make a
solid, self - contained
film.
Sylvester Stallone has some
solid films to his name, but the original Rocky movie is in such a different league of story - telling and
film -
making that it is surprising that Stallone never quite managed to achieve this same level of prowess, even with the several sequels that followed.
The
film makes solid points about the feminist case against firearms, then scrutinises these a little more closely, and backs its agenda up with its roles for women — Alison Pill's opposition turncoat is another case in point.
It had an original premise;
solid cast, precise cinematography, and a dark underlying story that
made me feel uneasy throughout the
film.
The road to getting a
solid US release date for Bong Joon - Ho's Snowpiercer has been a ragged one, with the disgruntled director reportedly battling Harvey Weinstein over what he felt were unnecessary cuts
made to the
film.
Sinister (
Solid Rock Fist Up)-- Ethan Hawke
makes his horror
film debut in this twisted tale about a true crime writer so desperate for another hit he moves his family into the home of a grisly murder.
Despite a slightly contrived script,
solid performances
make the
film both haunting and thoughtful.In 1988 Wales, 11 - year - old Jamie (Fuller) loves...
With a
solid cast of character actors to work with, Mamet avoids the usually stiff and static styles of
films past with the energy and life needed to
make this lighthearted comedy work.
The first is simply a new recording of «Son of Man» from the first
film, while the two others provide strong writing and
solid timing,
making both numbers ascend the visuals with which they are married.