If you have the patience, there's
a solid little film to be found here.
Not exact matches
Exclusive to the Blu - ray is the animated short «DC Showcase: Jonah Hex» (a
little slim but appropriately adult with gallows humor),
solid featurettes on the two Robins of the comic book series and four episodes from the animated «Batman» series, plus a digital copy of the
film for portable media players.
Independently made (on a reported $ 80 million budget) by French producer Dimitri Rassam, «The
Little Prince» may lack the fast pace and high - concept storytelling of today's most popular animated fare, but it should strike a
solid chord with family audiences around the world (where the
film has been heavily presold) and particularly in France, where Paramount opens the
film July 29.
It's a
solid film, even if it goes a
little unfocused here and there
The Crazies (2010) Breck Eisner's The Crazies, retooled from George Romero's
little - seen 1973 gem, offers
solid scares, inventive plotting, and far better performances than expected in a genre
film.
Breck Eisner's The Crazies, retooled from George Romero's
little - seen 1973 gem, offers
solid scares, inventive plotting, and far better performances than expected in a genre
film.
Wildly over-praised by audiences desperate for a scary horror movie, this
film has
little more than the germ of a
solid idea followed by a series of predictable cliches.
With
little dialogue and the cast consisting of one man — a well - cast Robert Redford — the
film All is Lost relies on
solid acting skills and great visuals to keep it afloat.
The
film makes
solid points about the feminist case against firearms, then scrutinises these a
little more closely, and backs its agenda up with its roles for women — Alison Pill's opposition turncoat is another case in point.
Building on a
solid universal premise (boy meets girl, boy and girl fall in love, boy is dragged off to the back of beyond to meet suspicious parents who fear boy stealing their «
little girl» more than they fear atom - splitting armageddon), director Jay Roach steadily ups the ante, building an absurdly funny
film.
While I too gave it a good review (
solid rock fist up), the comment «Christopher Nolan just got his ass kicked» made me throw up a
little in my mouth and now I like the
film a
little less.
Solid performances from the likes of Julianne Moore, Mia Wasikowska, John Cusack, Robert Pattinson, Evan Bird and Olivia Williams help to keep Maps afloat, as does Cronenberg's knack for dark excess, but it's too
little too late in a
film that is as fundamentally confused about its identity as an aspiring Hollywood starlet on her knees at some producer's house and is, in many instances, just about as desperate.
The audio is also a
solid presentation of a 1991
film soundtrack, but even though it's a full - blown 5.1 DTS HD Master Audio track, it's still front - heavy with
little output for the rear speakers.
The director has a
solid handle on tone, but gives a slightly chocolate box feel to the rest of the
film, and perhaps stretches out the Australian flashbacks a
little far — they do start to feel repetitive by the end of the two - hour running time.
When it enters this section, the
film becomes more conventional, but the grounding of the Kingsley sections is so
solid, there is
little reason to complain.
The extra goodies are all
solid, but the
film itself remains the primary draw: looking strong (though a
little grainy) in the new format.
But an upcoming
film called
Little Bitches proves that if you have a
solid script and a talented young cast, the teen high school comedy will never go out of style.
Sadly, the director's fourth
film, and the first to receive a wide release since The Last Supper, wasn't worth the wait, and even though there is a
solid idea fueling things there's precious
little about any of this for genre fans (or Title supporters) to get excited about.