Not exact matches
A
solid piece of storytelling that doesn't pander, skips the usual POW stereotypes and allows the
film to work reasonably well as an epic
of war, a survival story, a prison thriller, a murder mystery and a courtroom drama.
Ghost Protocol is
solid action cinema that thanks to several thrilling, if over long set
pieces, plus a healthy sense
of irony is almost on a par with the first
film.
Movies like Leon: The Professional and even Jason Bourne echo throughout the
film's exhausting proceedings, but whereas those
films had a certain edge in their approach, not to mention
solid action set
pieces and, most important
of all, expressive performances, The Hunter's Prayer serves to be a shoddily - executed version in comparison.
The story here is fairly basic, and ultimately it's all built to bolster the
film's pervasive action sequences, but director Paul W.S.Anderson still managed to craft a
solid piece of escapist sci - fi around it all, and in the end, the
film entirely held my interest.
I, Daniel Blake is one
of Loach's best and most unrelenting
films, and Jarmusch's labor -
of - love documentary on the rock group The Stooges, Gim me Danger is a
solid piece of work.
A
solid cast
of comedy actors lend their voices to the supporting characters, including Michael Peña, Kumail Nanjiani, Abbi Jacobson, Zach Woods and Fred Armisen, but the
film loses them in the cacophony
of kung fu movie references, colourful action and fitfully funny comic set
pieces.
What makes Three Billboards... McDonagh's most well - rounded, likeable
piece of work, is that the framework holding all those
solid, well - written characters together feels delicately honed and precise; there is no fat on the bones
of this
film, and editor Jon Gregory deserves plaudits for keeping the whole thing moving while still allowing time for the script to indulge, in a good way, in its characters.
That David is duplicitous comes as no surprise, but what is unexpected is the painful lack
of solid action set
pieces in the
film.
While most people would agree Scott Stewart «s 2010
film Legion isn't exactly a masterful
piece of cinema, the
film's idea is rock
solid.
The small miracle
of it, then, is that in both its absolute glee in finding the line
of how much gore to show and then crossing it (a pair
of glasses stop a hypodermic needle... but only for a moment) and its surprising efforts at locating a deeper thread in a frayed brother / sister relationship and the impact
of drug addiction, Alvarez's
film is a
solid, even affecting genre
piece that allows for an abundance
of memorable money shots.
Though it received a fairly
solid 68 percent on — please stop reading here if you're Martin Scorsese — Rotten Tomatoes, it was deeply polarizing, throttled by some critics as «the worst
film of the century,» and hailed by others as a wholly unique, engaging
piece of art.