Contrasting the ephemeral visual quality of the paintings, Riegelman's
solid wood sculptures resonate light from their platinum surfaces.
Not exact matches
From the shimmering Swarovski crystal chandeliers that illuminate the
solid wood dining table for 12, to the cowhide chairs, sinuous sofas, vivid artwork, humdinger
sculptures and ethnic artefacts, Villa Eshara's interiors are the epitome of sleek designer - chic and pared - back luxe.
This honest approach to art making is strongly evident in a new column
sculpture by Stephan Balkenhol whose human form is hand - carved out of a
solid block of wawa
wood.
Inspired by Cubism, Nevelson took scraps of
wood and other materials found on the street near her studio and assembled them into free - standing and wall - mounted
sculpture that she would paint a
solid colour — most famously, black or white.
One outstanding example consists of four works from the late 1970s through the early 1990s: Yarn hangs loosely from the ceiling in overlapping half ovals (The Nearest Air, 1991) while two works, both titled
Sculpture for Nontransparent Materials (1985) and made of
solid wood and marble hemispheres sit closely on the floor, facing each other.
The use of natural materials is seen in Carol Bove's open - form
sculpture in petrified
wood and steel, Jeppe Hein's series of «rooms» shaped by water, and Richard Long's 12 - foot - diameter installation in Dartmoor Granite, while Ursula von Rydingsvard's composition of cut, stacked and
sculptured cedar beams transforms
solid material into gestural form.
Inspired by Cubism, Nevelson took scraps of
wood and other materials found on the street near her studio and assembled them into free - standing and wall - mounted
sculpture that she would paint a
solid color — most famously, black or white.
In several highly detailed sketches for
sculpture, he explored the juxtaposition of open and
solid form using wire and
wood.