Sentences with phrase «solo architecture exhibition»

The Paris art museum's first solo architecture exhibition, dubbed Freeing Architecture, is on view through June 18, 2018.

Not exact matches

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

He had his first solo exhibition in 1986, and, in 1993, he initiated cultural tours of Beijing's hutongs to give foreigners a glimpse of a vanishing culture and architecture in an effort to preserve them.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding...

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.

Recent exhibitions include solo shows at Chisenhale Gallery, London and mother's tankstation, Dublin (both 2016); «Architectures of Credibility», Helga Maria Klosterfelde Edition, Berlin (2015); and «Free Traveller», Cell Projects, London (2014).

From solo exhibitions that introduce audiences to new bodies of work by Zoya Cherkassky, Oren Eliav, and Gil Marco Shani, to surveys that provide fresh perspectives on the historic roots of Israeli architecture and fashion design, including Jerusalem in Detail and Fashion Statement: A Century of Fashion in Israel, the upcoming season extends the Museum's commitment to providing a platform for the country's breadth of creative expression.

His recent solo exhibitions include Red Lines Housing Crisis Learning Center, Queens Museum of Art, New York, 2009 and Red Lines, Death Vows, Foreclosures, Risk Structures: Architectures of Finance from the Great Depression to the Sub-Prime Meltdown, MIT Museum and Center for Advanced Visual Studies, Cambridge, 2008.

Well versed in the architecture of the screen, Martine Syms» first solo exhibition in New York titled Vertical Elevated Oblique is currently on view at Bridget Donahue gallery until the first of November.

Saraceno's MATRIX exhibition, his first solo museum exhibition in the United States, will extend outside the MATRIX Gallery, making use of the Berkeley Art Museum's unique architecture with a new suspended sculpture for the museum's entrance atrium.

The exhibition at Kunsthaus Bregenz, Austria, is a major solo show that presents four key bodies of work: Body and Fruit, Critial Mass, Allotment II and Clearing V. «Embedded in the context of Peter Zumthor's architecture, they challenge the fine line in the human psyche that marks the mental balance between asserting oneself as an individual and blending into the masses.»

Tron Meyer «Mars» Patrick Parrish OPENS: April 5 For the Norwegian artist and architect's first solo exhibition in the United States, Patrick Parrish gallery presents a new collection of furniture, sculpture, and paintings that draws on the shared capacity of architecture, design, and art to both communicate and contain narratives.

For this solo exhibition in PC - G's Hunt - Cavanagh Gallery, San Diego artist Robert Andrade presents a site - specific installation of new work that builds upon his evolving language of sculpture, public space, Modernist architecture and construction materials as fine art supplies.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Hélène Binet's exhibition at Solo Galerie presents a selection of four personal works developed over 30 years of research, which explore different ways in which photography and architecture...

Coinciding with the republishing of Who is Sleeping on My Pillow, a 2009 collaboration with his wife Karin Mamma Andersson, Nordström's latest solo exhibition, For the Insects and the Hounds, showing at the David Zwirner Gallery, London, introduces horsemen, hounds, ghosts, Grecian and suburban Swedish architecture, humanised wolves, gothic madonnas and barefaced scenes of a pornographic level.

For her solo exhibition at the Zabludowicz Collection, titled The Root, Ackroyd has produced a sculptural installation that responds directly to the architecture of the gallery space, covering and inverting its surfaces in a manner that suggests a turning inside out.

In June 2015, Taylor will mount a solo exhibition engaging with the architecture and historical furniture at the Musée Historique, Chateau de Nyon, Lake of Geneva, CH.

It is the artist's first solo exhibition with the gallery and includes several works that continues the artist's interest in design and architecture.

Although these concerns were not immediately evident in her latest solo show at Hannah Hoffman, the more time one spent immersed in the exhibition, the more conscious one became of the dynamic relationships between one's own moving body, the installed objects, and the surrounding architecture of the rooms.

N. Dash's first solo museum exhibition was staged in the Hammer's distinctive Vault Gallery; with its diminutive, bullet - shaped floor plan and arched ceiling, the chamber is one of the museum's more unusual spaces, and the room's obdurate layout underscored the role of architecture within Dash's incisive painting practice.

In 1989 Gillick mounted his first solo exhibition, 84 Diagrams, at Karsten Schubert in London, presenting a series of drawings for buildings in the late Modernist style that were deliberately faulty or unworkable as architecture.

The solo exhibition presents video installations and sculptures, many of which were created for the exhibition or respond to the museum's collection and architecture.

Engaging the architecture and layered dynamics of the historic English and American Camps located in San Juan Island National Historical Park as its primary venue, the exhibition extends its inquiry and presentation into the urban context of Seattle, including a central group exhibition at Georgetown's studio e gallery, and a solo presentation hosted by Specialist, located in Pioneer Square.

This fifth iteration will be composed (as always) in and for the space, taking advantage of the galleries oblong architecture and temporary wall that will be installed as part of a solo exhibition by Amy Ho.

While there he held his solo exhibition in Stedelijk Museum, Amsterdam (Nov - Dec 1934), and designed the large Fair in Utrecht (March 1935) for Dutch Rayon Industry, the manufacturers of artificial silk, which offered a new approach to exhibition architecture and which, a year later, found its continuation in the Courtauld Exhibit at the Industrial Fair in London.

She was the curator of exhibitions such as Pictures on the Earth — Photograph by Wim Wenders, Unfinished - Architectures by ISOZAKI Arata, Architectures in Post-plan Time - Dialogue with ISOZAKI Arata Seminar, Dijon - Shanghai - Guangzhou: Solo Exhibition of Yan Peiming, Liu Xiaodong: Painting from Life (Solo Exhibition of Liu Xiaodong), City - Net Asia (China Pavilion) in Seoul Museum of Art.

The works in this retrospective exhibition at IMMA date from 1955 to 1975 and are grouped around partial reconstructions of her solo exhibitions, as well as thematic presentations of concerns in her work such as the body, portraits, architecture and abstraction.

Marcin Dudek's second solo exhibition at Edel Assanti, we stumbled as we clambered, is an exploration of the politics of identity and space, conflating hooliganism, memory and the architecture of social experience.

A solo exhibition features a large site - specific work that consumes the gallery with a selection of smaller works that address destruction of architecture, intentional actions that destroy architecturally important and significant cultural heritage sites.

Clark's practice draws on architecture, the decorative arts, and theatre to reimagine the queer present.Recent solo exhibitions include Sessions (with Christiane Blattmann), 2014, Amstel 47, Amsterdam; Vengeance... Oh Libya!

Born in France, after studying at Beaux - Arts in Rennes (France) and architecture / product design at Camondo in Paris, Nicolas left to travel for almost a year all around Asia.2001, Nicolas stopped in Singapore where he opened a creative studio / showroom, doing art direction for brands and hosting exhibitions (such as ChinArt town, where he had his first solo show).

Benjamin Edwards's first solo exhibition showcased his adventuresome approaches to portraying the architecture of suburbia, mapping physical and digital territories, and providing fresh views on concepts like «visual overload.»

Taking Basel — its Rhine, architecture, and pharmaceutical history — as her central subject, Marina Pinsky (b. 1986) creates an oneiric landscape of new works for her first institutional exhibition in Switzerland and her largest solo show to date.

The first is an exhaustive reconstruction of Rehberger's solo exhibitions from 1990 to 2007, reproduced in glossy color, with installation views and details of his architecture - based sculptures and other works.

>> > Until 27 September 2015 Doug Aitken Schirn Kunsthalle Frankfurt Frankfurt Germany Following on from his Station to Station: A 30 Day Happening extravaganza at London's Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia - artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

«For his first solo show at Nancy Victor, Zeus presents an exhibition of new works which explore urban compositions juxtaposing street art with architecture This eclectic mix of 3D and wall based sculpture illustrate a combination of contemporary fine art and graffiti techniques, producing an exciting array of innovative works.

This installation was the first in what has become a series Performance in the Present, 1996, completed at Synagogue Na Palmovce, Prague, Republic of Czech and her most recent solo exhibition breath, 1997, at Niagara Artists» Company, St. Catharines, Ontario of site works which address not only a response to the physicality of the site but also notions of space / time / art / architecture / the body and sexuality.

Works freely available for consultation include reference books (dictionaries, Salon catalogues, Bénézit, etc.), general works classified according to subject and author in alphabetical order (notably Rodin and Camille Claudel, art history, sculpture, architecture, photography, solo exhibition catalogues and Rodin in national and international collections).

He has had numerous national and international solo exhibitions, has lectured on his work internationally, and has been reviewed by major art and architecture publications.

Artist Ben Schumacher collaborates with architecture firm Diller Scofidio + Renfro for his latest solo exhibition at Bortolami Gallery.

This London - based solo exhibition records an ongoing concern with the notion of architecture as an environment for recreation, in a new body of work that contrasts the modernism of Ludwig Mies van der Rohe with Brohm's study of vernacular German allotment buildings of the late 1970s, Typology.

For this, her first solo exhibition in Ireland, Leirner responds to the particular architecture of the courtyard galleries at IMMA.

14 February 2017 — 5 June 2017 Considered one of Brazil's most important contemporary artists, this solo exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.

Jac Leirner, Institutional Ghost 14 February 2017 — 5 June 2017 Considered one of Brazil's most important contemporary artists, this solo exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.

At age 18 he was given a solo exhibition at his secondary school, but he changed his major from art to architecture just before graduating.

For this, her first solo exhibition in Ireland, Leirner responds to the particular architecture of the courtyard galleries at IMMA to adapt and present work specifically for these rooms.

Reviewing her solo exhibition at the Power Plant, Toronto for frieze magazine, Frances Loeffler praised Kiwanga for skilfully exposing «the silent - yet - pernicious control that architecture exerts over our bodies and behaviour, and contemplates how we might resist it.»