Sentences with phrase «solo exhibition address»

Richard Rezac solo exhibition Address at The Renaissance Society, Chicago.

The solo exhibition addresses the culture of the Trinity River in Fort Worth, Texas, focusing especially on the people drawn to its banks.

Titled Eastern Orbit, Tsai's solo exhibition addresses the cultural exchange between Asia and the West and the artist aspires to revolutionise contemporary Chinese art and combine Chinese craft and skill with Western Pop imagery.

Not exact matches

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

We invite artists we encounter through the network to conceive solo exhibitions and collaborative projects at TRANSFER, offering them the possibility of openly addressing our walls.

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

Sheri Rush's first solo exhibition at Hyde Park Art Center, Portals of Discovery, features large - scale paintings which address the diminishing experience of nature, and specifically, the layers through which landscape is now viewed.

BRACHA: Pietà — Eurydice — Medusa is the first comprehensive solo museum exhibition of Bracha's work in the United States, featuring a range of works spanning the last four decades — oil paintings, often created over several years, earlier and more recent drawings, notebooks, and three video works — that address the themes of loss, love and trauma within the context of the atrocities of war and traces of memory of the tragedy of the Holocaust.

In his solo exhibition, Address, his work seamlessly enters into dialogue with the Renaissance Society's unique gallery space on the fourth floor of Cobb.

Her solo exhibitions include «To the Son of Man Who Ate the Scroll» at Fondazione Prada, Milan (2016); «Public Address: Goshka Macuga Tapestries» at Lunds konsthall, Lund, Sweden (2014); «Exhibit, A» at the Museum of Contemporary Art, Chicago (2012); «Untitled» at the Zachęta National Gallery of Art, Warsaw (2011); «It Broke from Within» at the Walker Art Center, Minneapolis, MN (2011); «The Nature of the Beast» at Whitechapel Gallery, London (2009); and «I am Become Death» at Kunsthalle Basel, Switzerland (2009).

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Graham Wilson's third solo exhibition at Peninsula Gallery, Sometimes I Confuse Myself Too... presents a whimsical approach to his distinctive process of creation and destruction to address the inevitable contradictions of making art.

30 x 40 inches April 14 — May 31, 2007 A solo exhibition by MINUS SPACE artist Soledad Arias presenting a body of new work that subtly addresses the relevance of remembering as a personal and social vehicle to responsibility, healing and awareness.

The artist's current solo exhibition Almost Touching at New York gallery The Rubber Factory is an exciting collection of new works in which Malka address intimacy, language, and culture.

This summer, Artpace embraces this question with two solo exhibitions of work by Sabine Senft and Doerte Weber, artists who are addressing global issues of migration and geopolitical borders.

Zeal Harris» -LRB-»07 MFA) new solo exhibition Home Remedies for Driving While Black addresses police violence through the lens of interpersonal relationships.

Highlights include a keynote by Hans Ulrich Obrist, Artistic Director of Serpentine Galleries, on exhibition making in the 21st century; solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series of panels addressing the future of the gallery model, the rapid growth of new cultural centers globally and the paradoxical conditions for political resistance.

The solo exhibition takes it name, which translates to work group, from «the moniker bestowed, in different contexts and at different points in time, on [Brazilian] government policies designed to address the problem of labor force inactivity,» a press release notes.

This is the second solo exhibition in a series of three intending to address issues of marginalization and history - making, first articulated in Podedworny's earlier curatorial project, Rethinking History which was mounted -LSB-...]

Curator, The Attack of the Sandwich Man, solo exhibition by Chris Cozier (Trinidad), video collaboration with Richard Fung; addresses issues related to nation - making, culture, the politics of gender and the post - colonial Caribbean.

Addressing Dolls Mina Cheon's Solo Exhibition at C.Grimalids Gallery, Baltimore, Maryland February 28 - March 29, 2008

«The A — Z of Change» A solo exhibition of new work by Eine Opening Reception: Thursday July 9 2009 / 7.00 pm — 10.00 pm Exhibition Dates: July 9 — July 30 2009 Please RSVP to [email protected] Address: Carmichael Gallery / 1257 N. La Brea Ave / West Hollywood CA 90038 On Thursday, July 9 Carmichaelexhibition of new work by Eine Opening Reception: Thursday July 9 2009 / 7.00 pm — 10.00 pm Exhibition Dates: July 9 — July 30 2009 Please RSVP to [email protected] Address: Carmichael Gallery / 1257 N. La Brea Ave / West Hollywood CA 90038 On Thursday, July 9 CarmichaelExhibition Dates: July 9 — July 30 2009 Please RSVP to [email protected] Address: Carmichael Gallery / 1257 N. La Brea Ave / West Hollywood CA 90038 On Thursday, July 9 Carmichael -LSB-...]

For the gallery's first exhibition with Melvin Edwards, the artist's first solo exhibition in Germany, we show «Lynch Fragments» made between 1986 and 2012, which are dedicated to specific people and places that are important to Edwards, such as his friend the painter Emilio Cruz, the political activist Samora Machel, the artist's brother Dan, places in Africa that are of personal significance to the artist, and the street number of his former New York address.

A solo exhibition features a large site - specific work that consumes the gallery with a selection of smaller works that address destruction of architecture, intentional actions that destroy architecturally important and significant cultural heritage sites.

In his solo exhibition, Our State of the Union, the Washington, DC area artist references the January tradition where the President of the United States addresses Congress and the nation to report on the condition of the Union, emphasize areas of progress and concern, and outline a legislative agenda.

Her recent solo exhibition, Always A Winner, directly addressed police brutality and the #Blacklivesmatter movement in America.

Justin Mortimer's paintings in his solo exhibition «It Is Here» address the present moment.

Derrick Adams» solo exhibition combines two ongoing series: «LIVE» and «IN COLOR», a collection of large - scale mixed media collage capturing the bold character dramatizations of black figures in entertainment; juxtaposed with «GRAY AREA», a series of grayscale mixed media collage addressing the often imbalanced modes of speculation and assumption.

Recently, the Stedelijk has presented solo exhibitions by artists addressing the digital society such as Ed Atkins, Avery Singer, Jon Rafman and, at present, Jordan Wolfson.

In his first solo exhibition in New York City since 2000 Arthur Jafa expansively extends his exploration of ontological Blacknuss * as a generative and pluripontantial phenomenon — one capable of addressing the social stresses weight, fissures and breaks of being Black — and concomitantly, Black Being and Thingification — in the world.

com或 [phone] 。 画廊工作时间 ： 周二至周六 ， 早10点至晚6点 ， 周日中午12点至晚6点 ， 周一请预约 。 JUN JUN HU: BEYOND THE MOUNTAIN September 12, through November 3, 2013 Opening Reception: Thursday September 12, 2013, 6 - 8 pm Venue: James Cohan Gallery Shanghai Address: 1 / F, Building 1, Lane 170 Yue Yang Road, by Yong Jia Road James Cohan Gallery Shanghai is pleased to present Beyond the Mountain, a solo exhibition of new paintings by Jun Jun Hu.

-- W. Burroughs Antes de que nuestra inocencia fuera perdida, Eric Muñoz's first solo exhibition with Anonymous Gallery, is an installation that addresses themes such as sex, decay, memory and loneliness.

Paola Pivi's first museum solo exhibition in the United States addresses the viewer as «ma'am.»

子曰 ---- 王燮达个人作品展 2011年11月26日至2012年1月19日 开幕酒会 ： 2011年11月26日 ， 周六 ， 晚6 - 8点 上海James Cohan画廊 地址 ： 徐汇区岳阳路170弄1号楼1楼 ， 近永嘉路 上海James Cohan画廊很荣幸地推出中国艺术家王燮达个展 《 子曰 ---- 王燮达个人作品展 》 。 展览名称 《 子曰 》 ， 关涉艺术家对古代中国象形和表意文字 ， 及公元四世纪的中国书法的严谨研究 。 展览将展示王燮达的铸铜雕塑 ， 水墨作品 ， 以及最近的综合媒介雕塑作品 ， 从高处悬挂下来的雕塑呼应着墙上的水墨作品 ， 从而创造出一个诗意的空间 。 此次展览是艺术家在James Cohan画廊的首次展览 。 每个国家的文化传统与价值都会努力寻求当下的新语汇来完成艺术表达上的转换 。 于2002年开始创作的 《 子曰 》 系列雕塑作品 ， 正是艺术家对于文化历史的融合与归并的具体化的表达 。 这些雕塑作品与中国书法艺术有着深刻的内在联系 ， 铸铜的材质 ， 以其简约优美的线条与形式创造出独特的空间感与氛围 。 作品细长的 、 «从空间中被拉伸» 的线条 ， 西方观众可能很容易联想到贾科梅蒂或是戴维 • 史密斯的作品 ； 而事实上 ， 王燮达是希望通过追溯语言的源头 ， 努力去理解和传达人类共同的审美经验 。 他的作品并非简单的重述过去 ， 而是对古老表达的重新阐释 ， 使之同时具有当代性与永恒性 。 同时展出的还有两件由藤条 、 纸浆等综合材料创作的悬挂雕塑作品 ， 这是对 《 子曰 》 铸铜雕塑系列更为深入的延伸 。 藤制雕塑包含了无形的元素 ： 光与影的运用 。 我们之所以强调这可能会被看作一种四维空间式的视觉体验 ， 是因为作品的阴影投射在位于下方特定区域中的纯白细沙上面 ， 表现出一种轮廓性的 、 质朴的对比 ： 积极与消极 ， 昏暗与明亮 ， 内与外 ， 幻觉与现实 。 另外 ， 此次展览还将展出王燮达在2000年和2005年所创作的纸本作品 。 2005年的作品与雕塑有着直接的联系 ， 材料有宣纸 、 拓 、 纸浆 、 水墨与硅胶 。 《 然 》 系列创作于2000年 （ 宣纸水墨作品 ） ， 此次是首次展出 。 在中文里 ， «然» 通常连接状语从句或句法 ， 具有转折与推进的意思 ， 比如所以 、 由此 、 从而 、 然而 ， 等 。 这些充满书法线条感与水墨感的作品亦是艺术家在创作历程中逐渐转向抽象诗意的雕塑作品的开始 。 王燮达1968年生于辽宁抚顺 ， 1996年毕业于中国美术学院雕塑系 ， 现工作与居住在上海 。 他在国内外举办过多次个人展览 。 2010年 ， 他在古巴国家美术馆举办 《 Arte Chino 王燮达个人作品展 》 ， 以及西班牙瓦伦西亚现代艺术馆举办 《 王燮达个人作品展 》 ； 2009年上海张江当代艺术馆举办 《 子曰 • 王燮达作品展 》 ； 2008年上海雕塑艺术中心 《 子曰 • 王燮达雕塑作品展 》 。 近10年以来 ， 王燮达亦参加了许多国内外的群展 ， 如2011年的上海艺术博览会国际当代艺术展 ； 2010年在韩国首尔Zaha美术馆举办的 《 色相怒放 ： 2010年中韩当代艺术交流展 》 ； 意大利佛罗伦萨Museo Nazionale Alinari della Fotografia, Museo Archeologico, Museo di Santa Maria Novella等美术馆的 《 艺途 》 。 更多信息或图片 ， 请联系 周冰心 [email protected] 或 [phone] 。 画廊工作时间 ： 周二至周六 ， 早10点至晚6点 ， 周日中午12点至晚6点 ， 周一请预约 。 艺术家简历 SAGES» SAYINGS: Wang Xieda Solo Exhibition November 26, 2011 through January 19, 2012 Opening Reception: November 26, 2011, Saturday, 6 to 8 pm Venue: James Cohan Gallery Shanghai Address: 1F, Building 1, No. 170 Yueyang Road, by Yongjia Road James Cohan Gallery Shanghai is pleased to present a solo exhibition, Sages» Sayings by the Shanghai - based sculptor Wang XiSolo Exhibition November 26, 2011 through January 19, 2012 Opening Reception: November 26, 2011, Saturday, 6 to 8 pm Venue: James Cohan Gallery Shanghai Address: 1F, Building 1, No. 170 Yueyang Road, by Yongjia Road James Cohan Gallery Shanghai is pleased to present a solo exhibition, Sages» Sayings by the Shanghai - based sculptor WExhibition November 26, 2011 through January 19, 2012 Opening Reception: November 26, 2011, Saturday, 6 to 8 pm Venue: James Cohan Gallery Shanghai Address: 1F, Building 1, No. 170 Yueyang Road, by Yongjia Road James Cohan Gallery Shanghai is pleased to present a solo exhibition, Sages» Sayings by the Shanghai - based sculptor Wang Xisolo exhibition, Sages» Sayings by the Shanghai - based sculptor Wexhibition, Sages» Sayings by the Shanghai - based sculptor Wang Xieda.

This is the second solo exhibition in a series of three intending to address issues of marginalization and history - making, first articulated in Podedworny's earlier curatorial project, Rethinking History which was mounted at Mercer Union in the Spring of 1992.

With an arsenal of glass guns, sculptures of icy bears, and luminous grid - like constructions, Claire Lieberman addresses issues of violence, impermanence, and transformation in her first Atlanta solo exhibition at Marcia Wood Gallery.

For his current solo exhibition the artist continues to illustrate overarching themes of belief, doubt, and politics, addressing such prescient topics as failing economies and crumbling power structures.

Highlights included a keynote by Hans Ulrich Obrist, Artistic Director of Serpentine Galleries, on exhibition making in the 21st century; solo artist conversations with JR, Hermann Nitsch and Carolee Schneemann; artists - in - dialogue pairings featuring Constant Dullaart and Matt Goerzen; Leonardo Drew and Ja'Tovia Gary; and Josh Kline and Patty Chang; and a series of panels addressing the future of the gallery model, the rapid growth of new cultural centers globally and the paradoxical conditions for political resistance.

Murillo's work indirectly addresses social relations and privileges, something which is obliquely reflected in his titles, such as his recent solo exhibition Dinner at the members club?

Keller has taken part in a number of group shows that address the concept of post-internet art, including Speculations on Anonymous Materials at the Fridericianum in Kassel in 2013; The Future of Memory at the Kunsthalle Wien; Open Source: Art at the Eclipse of Capitalism, at the Galerie Max Hetzer in Berlin and a solo exhibition, Kai ❤ Dalston Bushwick at Kraupa - Tuskany Zeidler in Berlin.

This installation was the first in what has become a series Performance in the Present, 1996, completed at Synagogue Na Palmovce, Prague, Republic of Czech and her most recent solo exhibition breath, 1997, at Niagara Artists» Company, St. Catharines, Ontario of site works which address not only a response to the physicality of the site but also notions of space / time / art / architecture / the body and sexuality.

Longtime collaborators Lindsay Lochman and Barbara Ciurej mounted a solo exhibition of work that addresses sustainable food policy at the Colorado Photographic Arts Center in Denver.

Opening: Jon Rafman, «You are standing in an open field» at Zach Feuer For his first solo exhibition in New York City, multimedia artist Jon Rafman will show an array of sculptures, installations and videos that address memory, including «sham» ruins and relics.

The exhibition will continue the concerns Naor has been addressing for the past decade, and further shaped in her solo exhibitions in 2012, «Side Effects,» and 2015, «A Sudden Dark Breeze over My Uncovered Skin.»

«Joshua Dildine's astute solo exhibition at Freight + Volume addresses issues of memory, the archive, family dynamics and technology.

Selected Solo Exhibitions: 2006 Gallery Oda, Istanbul Selected Group Exhibitions March 2018 Euroexpo Art Fair, Italy March 2018 Aysel Gözübüyük Art House, ARTANKARA Art Fair, Ankara November 2017 Aysel Gözübüyük Art House, Tuyap, Istanbul October 2017 art shopping, Köln - Germany August 2017 Bozcaada Art Gallery, Bozcaada July 2017 Atatürk Culture Art and Convention Center, Eskişehir March 2017 «Artsy», Nişart Gallery Bebek, Istanbul February 2017 UPSD Art Gallery, Istanbul November 2016 Galerie Du Colombier St. Honoré, Parice - France January 2016 La Capitale Galerie, Paris - France October 2015 Niş Art Maçka, Istanbul March 2015 Outsider Art Exhibition, Londan February - March 2015 Studio 83, Londra Parallax Art Fair December 2014 - January 2015 Gallery Kent, Istanbul October 2014 «unforgettable», art bridge 9 July 2014 Bozcaada Art Gallery, Çanakkale April 2014 Alte Feuerwahre, Köln - Germany March 2014 «Art - I Istanbul», Cemal Reşit Rey Convention Center, Istanbul February 2014 «Love is Everywhere», Festival Love 360, Istanbul December 2013 - January 2014 ART212, Istanbul May 2013 Candid Arts Exhibition, London 2013 Address İstanbul 2013 Marjinart Gallery Istanbul 2012 Almelek Gallery, Istanbul 2012 Interkulturelle Woche Köln / Art Bridge 7 3 - 5 August 2012 Parallax Art Fair, New York 2012 Artboshorus, İstanbul 2012 Art Bridge 6, Köln - Lindenthal Art Gallery 1 October2011 Arte Fiere di Emio Reggio / Marjinart Gallery / Italy 11 January2011 Niş Art Gallery, Istanbul 2011 Istanbul Summer Exhibition 2011 Artbosphorus 2011, Atölye83 2011 İzmir Bienal, Marjinart 2011 Arezzo Modern and Contemporary Art Fair, ARTEXPO, Italy 2011 «Violence Against Women», UPSD 2011 KSD, Istanbul 2010 Contemporary İstanbul 2010, Atölye 83 2010 20th Art Fair,Atelier - Galerie NY TN, Frauenmuseum, Bonn, Germany 2010 «Treffpunkt - meeting point» Galerie NY TN, Koln, Germany 2010 Bozcaada Art Gallery, Istanbul 2010 Art Bosphorus Contemporary Art Fair, Atölye 83, Istanbul 2009 TUYAP, Atölye 83 2009 «Art Bridge», Gallery NY TN, Köln - Germany 2009 KSD Exhibition, Bodrum 2009 Marjinart, Istanbul 2008 Bodrum Municipality Art Gallery 2008 Art - İst 2008, Atölye 83, Tüyap November 2007 Das Fachwerk Kunstler in Bad Salzufken E.V., Germany October 2007 Association of International Plastic Arts, Tuyap - Istanbul March 2007 «86 Women 86 Art Works», Çekirdek Art Workshop, Istanbul March 2007 Islington Art Fair, London October 2006 Islington Art Fair, London October 2006 Naval Forces, Military Museum, Harbiye - Istanbul March 2006 «69 Women 69 Works», Çekirdek Art Workshop, Istanbul October 2005 Isva, Ankara Art Biannual October 2005 Naval Museum, Çekirdek Sanat March 2005 Gallery Artist Çukurcuma, Istanbul 2005 Aladoğan Art Gallery, Istanbul 2000 Atölye 83, Istanbul

In his forthcoming solo exhibition Stair addresses the containment of the human body in death.

Artist: Erik van Lieshout Exhibition title: After the Riot II Venue: Galerie Guido W. Baudach, Berlin, Germany Date: May 1 — July 18, 2015 Photography: Images courtesy of the artist and Galerie Guido W. Baudach, Berlin In After the Riot II, his third solo exhibition with Galerie Guido W. Baudach, Erik van Lieshout presents a new video installation and works on paper addressing the effects of various contemporary political problems and social Exhibition title: After the Riot II Venue: Galerie Guido W. Baudach, Berlin, Germany Date: May 1 — July 18, 2015 Photography: Images courtesy of the artist and Galerie Guido W. Baudach, Berlin In After the Riot II, his third solo exhibition with Galerie Guido W. Baudach, Erik van Lieshout presents a new video installation and works on paper addressing the effects of various contemporary political problems and social exhibition with Galerie Guido W. Baudach, Erik van Lieshout presents a new video installation and works on paper addressing the effects of various contemporary political problems and social conflicts.

This major solo exhibition at the Berlinische Galerie, bringing together loans from museums and private collections elsewhere in Germany and Europe, will be the first to address all aspects of an opus rich in splendour, humour and the erotic, shifting the focus again to one of the most unusual female artists of the 20th / 21st century.