Sentences with phrase «solo exhibition catalogues»

Monographic publications, including solo exhibition catalogues, are assembled in chronological sequence beginning with the catalogue of Newman's Guggenheim exhibition in 1966, one of only three monographs published during the artist's lifetime.

Works freely available for consultation include reference books (dictionaries, Salon catalogues, Bénézit, etc.), general works classified according to subject and author in alphabetical order (notably Rodin and Camille Claudel, art history, sculpture, architecture, photography, solo exhibition catalogues and Rodin in national and international collections).

Each book contains a selection of photocopied covers of the monographs and solo exhibition catalogues by women artists and artists of color published during that period of time and that were part of the CalArts library collection.

SOLO EXHIBITION CATALOGUES David Pagel, «No wallflowers here: Sparks fly when art mingles on the walls of «Flaming June VII»,» Los Angeles Times, June 27, 2017

We are pleased to announce the publication of Kishio Suga «s solo exhibition catalogue «Kishio Suga Intentional Scenic Space».

We are pleased to announce the publication of Kishio Suga «s solo exhibition catalogue «Kishio Suga Intentio...

John Chilver, «Michael Stubbs: Decorative Delirium», Laurent Delaye Gallery, London, solo exhibition catalogue, 2010

Solo Exhibition Catalogue, Magazine

My solo exhibition Cataloguing Time will be on view at Sapar Contemporary in New York between November 10th and January 5th.

Not exact matches

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)

Juliano - Villani is preparing a solo exhibition at Studio Voltaire, London in 2016, which will be accompanied by a catalogue.

Wolfgang Tillmans was present to sign copies of the catalogue accompanying his first solo exhibition in Hong Kong.

In the catalogue of the 2002 Hains show at the Moore College of Art and Design in Philadelphia (one of his few solo exhibitions in the U.S.), Christine Macel describes Hains's discovery of this approach:

Dominique Lévy will celebrate representation of Seung - taek Lee with a 2017 solo exhibition at its New York location, accompanied by a scholarly catalogue.

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.

catalogues of international solo and group exhibitions and international biennials, including the Paris Biennale, Mercosul Biennial (Brazil), and the Slovenian Triennial of Contemporary Art;

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Hand - signed and dated verso Exhibited in the solo exhibition entitled «Pascual; New Paintings», 2013 Included in the catalogue entitled «Jose Pascual Hijuelos: Paintings 2009 - 2...

Meets Jim Dine and introduces him to monotype techniques; writes catalogue essay for The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century, Metropolitan Museum of Art, New York (travels to the Museum of Fine Arts, Boston, 1981); the monotype Window Sequence (Fire)(fig) is included in that exhibition; solo exhibition: Pace Editions, New York; group exhibitions: Aspects of the» 70's: Directions in Realism, Danforth Museum, Framingham, Massachusetts; Three Decades, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Realist Works on Paper, Virginia Museum of Fine Arts, Richmond.

Exhibition catalogue published in conjunction with IL LEE's solo exhibition Paris / New York: IL LEE at Galerie Gana - Beaubourg, PariExhibition catalogue published in conjunction with IL LEE's solo exhibition Paris / New York: IL LEE at Galerie Gana - Beaubourg, Pariexhibition Paris / New York: IL LEE at Galerie Gana - Beaubourg, Paris in 2005.

Currently on view at Clint Roenisch Gallery, Toronto is «Catalogue,» a solo exhibition of new paintings by Dorian FitzGerald.

Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles — based artist Liz Larner's (born 1960) wall - based ceramic works.

The solo exhibition, Brian Wall: Lyrical Steel, at Sheldon Memorial Art Gallery at the University of Nebraska, Lincoln, was also accompanied by a catalogue.

This new Etel Adnan catalogue is produced to accompany the artist's first solo exhibition in a UK public institution, titled The Weight of the World.

Reviewing the works collected in this concise exhibition catalogue, The New York Times «Roberta Smith wrote, «It makes sense that Mr. Martin had his first solo show in 1988.

The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.

Swanson's work has been exhibited at P.S. 1 / MOMA, New York; the Saatchi Gallery, London; the Hunter College Art Galleries, New York; and in late 2008, the Herbert F. Johnson Museum at Cornell University, where the artist had a solo exhibition (catalogue forthcoming).

The catalogue for the first solo exhibition by New York - based artist Josh Smith at Xavier Hufkens, Brussels, the subject of both the book and show is his extensive series of paintings of fish.

Abney's first solo museum exhibition, Nina Chanel Abney: Royal Flush, curated by Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, opened in 2017 at the Nasher Museum of Art, North Carolina; with an accompanying comprehensive, fully - illustrated hardcover catalogue with critical essays published by Duke University Press.

2005 Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel (catalogue) Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York (catalogue) 25 Years: Selected Solo Exhibitions 1979 — 2004, Part 1, Baumgartner Gallery, New York The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, Art Gallery of Ontario, Toronto (catalogue) Drawings: 1945 — Now, Russell Bowman Art Advisory, Chicago Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki (catalogue); travelled to Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan Logical Conclusions: 40 Years of Rule - Based Art, Pace Wildenstein, New York (catalogue) Universal Medium, McClain Gallery, Houston Another Look at the Collection, Fundació La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue) We Can Do It!

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, SepteExhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

Since 1996, Michael Rosenfeld Gallery has presented four solo exhibitions of the artist's work, publishing catalogues for three.

MOCA GA supports artists by granting a major stipend to create new work; by presenting a solo exhibition of the new work; by producing an accompanying exhibition catalogue; and by providing a paid studio apprentices over the course of one year.

Publications on the artist's work include Early Works, published by the Estate of Ilse D'Hollander to coincide with the exhibition at White House Gallery, Leuven (2017); Ilse D'Hollander, a catalogue published by FRAC Auvergne to coincide with her solo exhibition in Clermont - Ferrand (2016).

A catalogue published by Bruno with essays by Hou Hanru, Ayad Akhtar, Claire Brandon and Anne Palopoli and an interview by Alvaro Rodriguez Fominaya published in conjunction with a solo exhibition at the MAXXI museum.

Laughlin's paintings are in numerous private and public collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or installations, 11 museum exhibitions, and 6 published color exhibition catalogues.

This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.

This exhibition marks Cherkassky's first solo exhibition at the Israel Museum and will be accompanied by a catalogue in Hebrew, English, and Russian, with essays concerning Cherkassky's art as well as the social impact of the Russian immigration and its effects on Israeli society.

She has had 40 + solo and group exhibitions in galleries throughout the U.S. Cavanaugh's art has been featured in publications such as The New York Times Magazine, New American Paintings no. 88, American Art Collector (cover artist), American Artist Watercolor, Watercolor Artist magazine, Southwest Art magazine, International Artist magazine, Art Calendar magazine (cover artist), and The Daniel Smith Art Supply Catalogue.

The artist has had two gallery solo exhibitions, including Comfort Zone in 2016 and From My Bedroom to Yours in 2015 which was her first ever presentation and was accompanied by a fully illustrated catalogue with three original essays.

The exhibition, comprising 256 paintings in 16 solo shows of 8 American and 8 Belgian prominent artists, as well as its accompanying 240 - page catalogue published by Lannoo, is devoted to defining new modes of painting that reconstitute, rather than deconstruct the elements of painting in fresh new syntheses free of dogma and theoretical reduction.

EDUCATION 2018 Skowhegan School of Painting and Sculpture, Skowhegan, ME 2015 New York Academy of Art, New York, NY 2013 Pennsylvania Academy of Fine Arts, Philadelphia, PA 2010 School of Art and Design at Montgomery Community College, Silversprings, MD 2009 Washington Studio School, Washington, D.C. 2008 Duke Ellington School of the Arts, Washington D.C. SOLO EXHIBITIONS 2018 Revisiting the Area, Rachel Uffner Gallery, New York, NY 2017 The Arena, Long Gallery, New York, NY (catalogue)

The endpaper for «UH-OH,» the catalogue for Frances Stark's solo exhibition at the Hammer Museum.

Her catastrophe series was featured in The Sky Is Falling, a solo exhibition and catalogue that originated at the Palo Alto Art Center, Palo Alto, CA, traveled to the Crocker Art Museum, Sacramento, CA; and was shown at PPOW Gallery, New York, NY.

Produced in conjunction with her inaugural solo exhibition at Kayne Griffin Corcoran, Mary Corse is the first major catalogue on an artist whose visibility has unfairly lagged far behind her importance and influence.

Published on the occasion of his fourth solo exhibition at David Zwirner in 2005, this beautifully designed and produced catalogue — with essays by curator and art historian Jason Rosenfeld and writer Jason Tougaw — features Marcel Dzama's most recent drawings, costumes, sculptures, and notebook pages.

Newman wrote catalogue forewords and reviews and also organized exhibitions before becoming a member of the Uptown Group and having his first solo show at the Betty Parsons Gallery in 1948.

This richly designed catalogue, Marcel Dzama: Behind Every Curtain, is published on the occasion of the artist's sixth solo exhibition at David Zwirner in 2011.

The first exhibition, due to open in spring 2018, will feature works by the painter Celia Paul, who befriended Als when he worked on the catalogue for her 2014 solo exhibition at Victoria Miro gallery in London.

He staged his first solo exhibition at Marlborough New London Gallery in London in 1963, entitled «Pictures with commentary, Pictures without commentary», in which text included in the pictures and the accompanying catalogue referred to a range of literature and history, citing Aby Warburg's analysis of symbolic forms as a major influence.