Sentences with phrase «solo exhibition surveys»

Jocelyn Lee's first UK solo exhibition surveys The Appearance of Things (NSFW) in It's Nice That by Lucy Bourton — April 19, 2018
Selected from the Allan Stone Collection, the solo exhibition surveys paintings and works on paper from a pivotal period in the artist's fifty - year career.
Selected from the Allan Stone Collection, this solo exhibition surveys sculptures, objets d'arts, and works on paper spanning over thirty years by the multidisciplinary artist.

Not exact matches

The Brood surveyed 25 years of Lisa Yuskavage's work and was her first solo museum exhibition in the United States in more than 15 years.
«Night and Day,» his first major solo museum exhibition in the United States will be presented on all three gallery floors and survey his entire career.
On the heels of his new, encyclopedic monograph published by Damiani and a forthcoming survey exhibition at the Museé d'Art Moderne de la Ville de Paris, we are proud to present David Altmejd's fourth solo exhibition at the gallery.
British artist Chris Ofili «s first major solo museum exhibition in the United States will be presented at the Aspen Art Museum in five galleries on three floors and survey his entire career.
The prize is open to women artists living and working in the United Kingdom who have not previously had a major solo survey exhibition.
A survey of Howard Hodgkin's 2014 exhibition at the Gagosian Gallery, Paris; his first solo exhibition in the city.
Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).
Tracey Emin (b. 1963, London, UK) has recently exhibited her work in the following solo exhibitions: Surrounded by you, Château La Coste, Aix - En - Provence, France (2017), Angel without You, Miami MoCA, Miami, USA (2014) and a major survey exhibition Love Is What You Want, Hayward Gallery, UK (2011).
Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].
Solo exhibitions and surveys of Agnetti's work have been presented at Palazzo Serbelloni, Milan (2016), Museo D'Arte Contemporanea Villa Croce, Genova (2013), Centro Italiano Arte Contemporanea, Foligno (2012), and MART, Museo di Arte Moderna e Contemporanea di Trento e Rovereto (2013).
E.V. Day has had numerous solo exhibitions, at such institutions as the Whitney Museum of American Art at Philip Morris, New York; Bellevue Art Museum, Bellevue, Washington; and a 10 - year survey at the Johnson Museum of Art, Cornell University.
The Denver Art Museum will mount a traveling mid-career survey in the Spring of 2018, to be followed by a smaller solo exhibition at the Ruth and Elmer Wellin Museum of Art in the fall of 2018.
A new film giving a survey of Howard Hodgkin's 2014 exhibition at the Gagosian Gallery, Paris — his first solo exhibition in the city — is available to view online.
From acclaimed surveys of 20th century masters, such as Jean Arp, Anthony Caro, Jay DeFeo, Willem de Kooning, Leon Kossoff, Kenneth Noland, Roy Lichtenstein, and Nicolas de Stael, to solo exhibitions of Sarah Braman, Keltie Ferris, Daniel Lefcourt, Pope.L, Martha Rosler, and Jessica Stockholder, Mitchell - Innes & Nash has proven expertise in both advancing the careers of emerging artists and maintaining the superior standard set by established artists.
This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.
At Ad Reinhardt's prodding, in late 1961 his Parisian dealer Iris Clert offered him a solo show in her gallery, but because of expenses and scheduling it did not become a reality until June 1963.1 Reinhardt was elated about how great his painting looked as part of the Guggenheim survey exhibition, Abstract Expressionists and Imagists, which had opened October 13, 1961.
Saar had her first institutional solo exhibitions in Europe at the Museum De Domijnen in the Netherlands and in Milan, Italy, where a half - century survey at the Prada Foundation featured more than 80 works.
Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.
Guyton, already a household name thanks to his record - setting auction results and Whitney Museum survey, has an upcoming gallery exhibition in New York and solo presentation at the museum Le Consortium in Dijon, France in July 2016.
This solo exhibition — Bayrle's first major New York museum survey — will bring together works from the last fifty years, highlighting Bayrle's experiments across media and their prescient commentary on the relationship between consumerism, technology, propaganda, and desire.
Recent solo exhibitions include T - Space, Milan, NY, (2012); Galerie Nächst St. Stephan, Vienna, (2012); D'Amelio Gallery, New York, (2012); Carlow Visual Center for Contemporary Art, Carlow, Ireland, (2009); and Milton Keynes Gallery, Milton Keynes, UK, (2009) and a mid-career survey at the Institute for Contemporary Art in Philadelphia (2003).
Continuing a year of remarkable achievement for Ursula von Rydingsvard, which has included the artist's first major survey exhibition outside the United States, the unveiling at Barclays Center of her first permanent outdoor sculpture in Brooklyn, and receipt of the Lifetime Achievement Award from the International Sculpture Center, Galerie Lelong will present a solo exhibition of the artist's work opening October 23.
Solo exhibitions include the Carnegie Museum of Art, Pittsburgh, Witte de With, Rotterdam, Neuer Aachener Kunstverein, Aachen, and a survey exhibition at Artspace, Auckland, New Zealand.
In addition to numerous group exhibitions, recent solo shows include the New Museum in New York, Pigna Projectspace in Rome, and Cornerhouse in Manchester (a survey of her solo works from 2008 to 2012) with an accompanying book.
Yet a survey of solo exhibitions in American galleries over the past six years has revealed that 73 % were by male artists.
Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles — based artist Liz Larner's (born 1960) wall - based ceramic works.
His exhibition currently on view at SCAD will be followed by a major survey at Perez Art Museum Miami later this year (the exhibition, Sun Splashed, received a grant of $ 100,000 from The Andy Warhol Foundation back in February) and comes off the heals at his solo exhibition at the Louisiana State University Museum of Art last year.
Surface Survey is a new solo exhibition by Clement Valla, comprised of digital prints and 3D printed sculptures that are structured around concepts of archaeology, computer software, meaning - making, and images that are not meant for human consumption.
Since participating in Dokumenta X in Kassel in 1997, solo shows of Kentridge's work have been hosted by the Museum of Modern Art in New York and MCA San Diego, and during 1998 and 1999 a survey exhibition of his work was seen in Brussels, Munich, Barcelona, London, Marseille and Graz.
Showcasing the work of over 16 photographers, many of whom have previously had solo shows at the gallery, the exhibition promises to survey the experience of adolescence from a diverse range of perspectives.
Fred Tomaselli (born 1956, Santa Monica, CA) has had numerous solo exhibitions including the Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang and Brooklyn Museums (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright - Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999).
«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.
In 2015 the Vincent Price Art Museum organized his first solo museum exhibition, a survey of work from 2007 to 2014, Mis Papeles.
The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.
This large - scale survey is the artist's first solo museum exhibition in the United States.
Taking The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude) as a point of departure, this exhibition is Saban's first solo museum survey to consider the artist's expansive scope of work developed over the past ten years.
The artist has had numerous solo exhibitions in museums, including a 2009 show at the Centre Pompidou in Paris and a 2010 survey at London's Camden Arts Centre.
Her survey exhibition at the Norton Museum of Art this past spring, the Prix Canson 2016 this summer, her participation in the Biennale de Montréal, along with her first solo show in Europe at Victoria Miro Gallery (London) this fall — all attest to the artist's rising prominence and the clarity of her vision.
The public will soon be given a chance to make up its own mind at a 30 - year survey exhibition — Simpson's first solo show at an art museum — opening at the Institute of Contemporary Art / Boston in December 2015.
Cassel Oliver has also mounted numerous solo exhibitions including a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).
This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.
It is the gallery's second solo exhibition of the artist's work and will run concurrently with a major survey of her work, Jay DeFeo: The Ripple Effect, at Le Consortium in Dijon, France.
Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.
Lynda Benglis is the focus of solo exhibition at The Hepworth Wakefield, the first museum survey of the pioneering interdisciplinary artist in the UK.
Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.
From solo exhibitions that introduce audiences to new bodies of work by Zoya Cherkassky, Oren Eliav, and Gil Marco Shani, to surveys that provide fresh perspectives on the historic roots of Israeli architecture and fashion design, including Jerusalem in Detail and Fashion Statement: A Century of Fashion in Israel, the upcoming season extends the Museum's commitment to providing a platform for the country's breadth of creative expression.
Thomas has been the subject of numerous solo exhibitions internationally, including recently Object Relations at the Art Gallery of Ontario in Toronto, a survey at the National Museum of Modern Art, Tokyo and 21st Century Museum of Contemporary Art, Kanazawa both also in 2016 and Thomas Ruff: Lichten at the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent in 2014.
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