Sentences with phrase «solo exhibitions of her work between»

[40] There were no known group or solo exhibitions of her work between 1981 and 1985, but numerous exhibitions each year since then.

Not exact matches

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

Ibid Gallery is hosting a solo exhibition of Mexican artist Alejandro Almanza Pereda, whose work explores the relationships and invisible links between sculptures, architectural spaces, and the spectator.

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

«STANLEY WHITNEY: Dance the Orange» @ Studio Museum in Harlem New York The Studio Museum is presenting Stanley Whitney «s first solo museum exhibition in New York City — a selection of 29 paintings and works on paper created between 2008 and 2015.

Egan mounted annual solo exhibitions of Tworkov's work between 1945 and 1954, and it was during this time frame that Tworkov developed his mature abstract expressionist voice, thereby establishing himself as one of the few true first - generation abstract - expressionists.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

His new works — created for his solo exhibition Penumbra at Goodman Gallery Johannesburg — explore interconnections between drawing and sculpture and consist mainly of wire wall hangings that resemble overblown lace or crochet work.

HangarBicocca, the contemporary art space in Milan supported by Pirelli, presents bau bau, Céline Condorelli's solo exhibition, comprising about twenty works made between 2008 and 2014, as well as a selection of the artist's writings.

Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.

Jeffrey Gibson solo exhibition «Love Song» opens at the Institute of Contemporary Art Boston «Gibson has located in his work a compelling paradigm: that the categories between abstract painting histories and Native American visual histories and materials are not so very far apart, and that Gibson's own heritage and training might productively bridge the two.»

A solo exhibition of work by Pieter Hugo, Between the Devil and the Deep Blue Sea, is on view at Museum für Kunst und Kulturgeschichte (MKK), in Dortmund, Germany, from November 25, 2017 — May 13, 2018.

Between disorder and order, in a state of anticipation and possibility, the arrangement amplifies relationships between the works and the setting, which features major site - responsive installations and a comprehensive solo exhibition by Jim Shaw, entitled The Wig Between disorder and order, in a state of anticipation and possibility, the arrangement amplifies relationships between the works and the setting, which features major site - responsive installations and a comprehensive solo exhibition by Jim Shaw, entitled The Wig between the works and the setting, which features major site - responsive installations and a comprehensive solo exhibition by Jim Shaw, entitled The Wig Museum.

Kavi Gupta Gallery is pleased to present a solo exhibition of new work by Clare Rojas entitled Spaces in Between.

During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.

For her solo exhibition at Cubitt Gallery, Manon de Boer presented An Experiment in Leisure, a compelling new 16 mm film work exploring the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.

Pirelli HangarBicocca presents a solo exhibition of works by Micol Assaël, an artist who astonishes the viewer with environments poised between...

«When Logics Die (figs. 134/135)», part of a series of five works made between 1991 and 1999, was included in Hirst's eponymously titled solo exhibition at Galerie Perrotin, Paris, in 1991.

Chambers Fine Art presents «Like Moths to a Flame: Recent works by Ye Nan `, a solo exhibition of painting and performance, where Ye Nan (Hangzhou, 1984) combines his creative process with the principle of moths flying into flames, as if to signify some sort of inner connection between his work and the spirit of the moths.

Recent solo exhibitions of Gego's work include Gego: Between Transparency and the Invisible, The Museum of Fine Arts, Houston (2005), and The Drawing Center, New York (2007); Gego: Defying Structures, Museu de Arte Contemporánea de Serralves, Porto; and Gego: Line as Object, Hamburger Kunsthalle, Kunstmuseum Stuttgart, and Henry Moore Institute, Leeds (2013).

For his debut at Blaffer Art Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of art.

Solo exhibition of the work of Mina Cheon, a Korean - American new media artist, scholar, and educator who divides her time between Baltimore, NY and Seoul, S. Korea.

Reference: Bijutsu Techo «Feature: Ryan McGinley» February 2012 (featuring a long interview on McGinley's first solo exhibition in Japan at Tomio Koyama Gallery, and a conversation between McGinley and Gus Van Sant): IMA Vol.1, Autumn, 2012 issue (featuring a long interview on McGinley's first solo exhibition in Japan at Tomio Koyama Gallery, and images of the works presented in the exhibition)

The first solo exhibition of the work of Los Angeles - based artist HK Zamani, In - between Air, Land and Sea, at CB1 Gallery.

The exhibition at Kunsthaus Bregenz, Austria, is a major solo show that presents four key bodies of work: Body and Fruit, Critial Mass, Allotment II and Clearing V. «Embedded in the context of Peter Zumthor's architecture, they challenge the fine line in the human psyche that marks the mental balance between asserting oneself as an individual and blending into the masses.»

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

Her solo exhibition A Coded Language will showcase work made between 1980 and 2017, many of which utilize this language of the grid, initially created in 1980.

The volume, published on the occasion of the solo exhibitions held at Passerelle Centre d'art contemporain in Brest and Villa Croce Museo d'arte contemporanea in Genova, collects the images of the works produced in the last two years on the relationship between the activities of the intelligence agencies and the practices of magic and illusionism in the Cold War era.

Her work has garnered solo exhibitions, including All That Stands Between Us (2009), curated by Hills Snyder at Sala Diaz Gallery, and group shows including Urban Jalousie, the inaugural roaming biennial of Tehran in Istanbul, Turkey, curated by Amirali Ghasemi; and Bruit Rose, curated by Marie Frampier at Maison Populaire, a contemporary art center in Paris.

Yankus» fourth solo show at the gallery, the exhibition of more than 20 works explores the fine line between urban reality and architectural fiction though surreal portraits of buildings.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Closing event Saturday 13 June 3 - 6 pm — Live distributed script reading Response and research exchange between Sally O'Reilly and Susanna Davies - Crook Star Chamber, an exhibition of new work by Susanna Davies - Crook, forms the last of three solo shows produced by #temporarycustodians at Res.

The exposition swings between small solo exhibitions by artists that Museum collects in - depth and thematic groupings of artists usually represented in the collection by far fewer works.

Join us for a conversation between artist Elizabeth Moran and curator Alessandro Facente on the occasion of the exhibition Backward ran sentences until reeled the mind, a solo show of recent work by Elizabeth Moran.

Romare Bearden - Fractured Tales: Intimate Collages, the first solo exhibition of the artist's work at Michael Rosenfeld Gallery, presents thirteen collages completed between 1965 to 1981.

In anticipation of her solo exhibition «Space Between Time» at Wasserman Projects in Detroit's Eastern Market, Shalev - Gerz will speak about her work in photography, video, sound, and sculpture.

In his first solo gallery exhibition in New York where he lives and works, Carlos Motta offers his audience a compact mid-career survey, swiftly orchestrating various bodies of work created between as early as 1998 and the present.

Curated by Anja Henckel and Nadim Samman, Humeau's solo exhibition loops between the aesthetics of prehistory and occult biology and those of science fiction and the Information Age, producing works across multiple mediums that stage «the crossing of great distances in time and space, transitions between animal and mineral, and encounters between personal desires and natural forces».

Sherrie Levine was born in 1947, Hazelton, PA and lives and works between New York and Santa Fe, Recent solo exhibitions include After All, Neues Museum Nürnberg, Nuremberg, Germany (2016); Sherrie Levine: African Masks After Walker Evans, Simon Lee Gallery, London, UK (2015); Sherrie Levine: Red Yellow Blue, Paula Cooper Gallery, New York, NY (2014); Sherrie Levine, The Portland Art Museum, Portland, OR (2013); Sherrie Levine: Mayhem, Whitney Museum of American Art, New York, NY (2011); Pairs and Posses, Museum Haus Lange, Krefeld, Germany (2010).

Pirelli HangarBicocca presents a solo exhibition of works by Micol Assaël, an artist who astonishes the viewer with environments poised between art, science and technology.

He exhibited in a number of galleries in the city but with little success; at his first solo exhibition at The Modern Art Gallery in December 1944, forty works were displayed, priced between 15 and 40 guineas, but only one was bought.

Between 1969 and 1995 Benglis held over 75 solo exhibitions of her work both in the United States and abroad.

Since then, Miller has launched a career that has resulted in over twenty solo and numerous group exhibitions in the United States and internationally, and his paintings are currently among the most widely collected works between the East End of Long Island and New York City.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

The solo exhibition presents a suite of recently discovered works made between 1974 and 1975.

For her first solo exhibition in Italy, La Kermesse Héroïque, the Brussels - based Lucy McKenzie has made a group of new works, including mural paintings on canvas, painted objects, sculptures and figures - combined with elements of decor (such as lighting and furniture) to explore the relationship between style, ideology and value.

Ever concerned with origins as a view to marginalized histories, the artist's current body of work and third solo exhibition at Susan Inglett Gallery engages the often willfully overlooked relationship between Modernism and Colonialism.

The gallery will present two shows at the fair; a two - man exhibition of new work by British artists Tim Garwood and Jonathan McCree, which will form part of Conversations an area dedicated to exploring new visual and conceptual dialogues between two artists and a solo exhibition by Canadian Artist and PULSE Prize Nominee Bradley Wood.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a simultaneous solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

A strange cross between a butchers shop and a nightclub 26 May — 7 July 2013 Jonathan Baldock's first solo exhibition in the UK for three years will include an entirely new body of work initiated during his residency at Wysing last year; large - scale felt sculptures, ceramic objects, corn - dolly masks and hand - made wall prints.