Sentences with phrase «solo exhibitions of her work followed»

Numerous solo exhibitions of her work followed, including retrospectives at the Jewish Museum, New York (1960); Whitney Museum of American Art, New York (1969); Sterling and...

Not exact matches

Following in the steps of the artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation features a broad selection of works that respond to their surroundings while at the same time embodying a self - contained environment.

Raymond Pettibon: A Pen of All Work, the solo exhibition by «the enigmatic, fantastically erudite artist,» as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York.

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

Yeong Gill Kim's solo show at API followed by his solo exhibition at the Kumho Museum of Art, Seoul, Korea gives rise easily to the question as to how this painter of Korean origin who now lives and works in New York has arrived at two places at once.

The artist's first solo exhibition in New York since 2009, Shadows is the second project in a trilogy of works exploring the power and politics of an iconic single image and follows The Sound of Silence, 2006.

This is Rubell's most wide - ranging and significant gallery exhibition to date and follows the artist's presentation of the monumental work, «Portrait of the Artist» at Frieze in 2013 and her much celebrated solo exhibition, «Engagement» at Stephen Friedman Gallery in 2011.

This was followed by Stoneland in 2010, the first solo exhibition of a body of Holbrooke's work.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

In addition to this major exhibition, in January 2018 her work will be included in an exhibition, The Feminine Sublime, at the Pasadena Museum of California Art and a solo exhibition follows in September 2018 at the Craft and Folk Art Museum, curated by Howard Fox, which will feature a core sample of her work over the past 10 years.

Following unprecedented visitor figures for a solo show, Chris Dercon, Director of the Tate Modern commented: «We are delighted that so many people came to see and discuss the Damien Hirst exhibition -LSB-...] It was wonderful to see such iconic works brought together in one place and to offer our visitors a chance to experience them first - hand.»

US National Academy members pen open letter defending Dana Schutz Over 70 members and members - elect of the US's National Academy of Art have signed an open letter in support of a solo exhibition of work by artist Dana Schutz at Boston's Institute of Contemporary Art, after activists petitioned the ICA to cancel the show following the controversy over Schutz's painting Open Casket, which was exhibited at this year's Whitney Biennial (read Apollo's review of the Whitney exhibition here).

Following recent solo outings at the Tilton Gallery in New York, Chicago's Stony Island Arts Bank, and the California African American Museum in Los Angeles, Adams's timely work is the subject of an exhibition at New York's Museum of Arts and Design through August 12.

Dr Lakra was the subject of a solo exhibition eat the Drawing Center in New York, which followed a show of his work at the Institute of Contemporary Art in Boston in 2010.

A major solo exhibition of new work at the Serpentine, «Drunk Brown House» opened in September, and a monograph was published this year by Koenig Books following the artist's solo exhibition at the Fridericianum in 2014.

An exhibition by the legendary Carmen Herrera will inaugurate the space (3 May — 18 June 2016), followed by the first solo exhibition in the United States by acclaimed filmmaker and artist John Akomfrah (1 July — 12 August 2016); a new installation by Ryan Gander (16 September — 15 October 2016); and an exhibition of new work by Ai Weiwei (5 November — 16 December 2016).

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

Bas» work has been exhibited in many international solo and group exhibitions including the 2007 retrospective at the Rubell Family Collection in Miami, FL, which then traveled to the Brooklyn Museum of Art the following year.

Incorporating 16 «de - finition / methods», as well as four new pieces, this collection of works by Claude Rutault is the artist's first solo exhibition in America following an influential practice in France.

After graduating, her work was exhibited in several group shows, including at Debs & Co., New York in 1999, which also hosted her first solo exhibition the following spring, entitled «Buster - Jangle», a collection of paintings based on photos of atomic bomb tests from the 1950s that Garnett found on the web after they were released by the US government under the Freedom of Information Act.

An exhibition by Carmen Herrera will inaugurate the space (3 May — 11 June 2016), followed by the first solo exhibition in the United States by acclaimed filmmaker and artist John Akomfrah (1 July — 12 August 2016); a new installation by Ryan Gander (16 September — 15 October 2016); and an exhibition of new work by Ai Weiwei (5 November — 16 December 2016).

Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.

Albertz Benda is pleased to present After the Orgies: Bill Beckley, The Eighties, the artist's second solo exhibition with the gallery focusing on works from the 1980s, following Albertz Benda's 2015 inaugural show of early conceptual narrative artworks dating from 1968 - 1978.

Following the Contemporary Art Society's recent acquisition of two works by Anthea Hamilton for Hepworth Wakefield, and in advance of her first solo US museum exhibition at the SculptureCenter, New York in September, Anthea talks about her recent work.

The inaugural exhibition at IFC featuring a solo show of 14 works by internationally - renowned sculptor Ron Arad is a tightly - curated and ambitious show, following Arad's successful retrospective at the Pompidou...

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

The following year, the American Contemporary Art (ACA) Gallery in New York mounted his first solo exhibition, a series of works depicting the strength and beauty of real and archetypal African American women.

Her work has been the subject of solo exhibitions at Kristen Lorello, NY, and Saskia Fernando Gallery, Colombo, Sri Lanka, and included in the following group exhibitions: Plus One, curated by Melanie Kress, Sideshow Gallery, Brooklyn, NY, [Old / New] Psychedelic Providence, curated by Jamilee Lacy and sponsored by Providence College Galleries, Tiger Strikes Asteroid, Chicago, IL, and You Don't Bring Me Flowers, curated by Quang Bao, 68 Projects, Galerie Kornfeld, Berlin, Germany.

His sculpture and installation work has been exhibited internationally, including the following selected solo exhibitions: Addict Love, Sculpture Center, NY; Moods, Secession Vienna (2007); Extrospective, Musee Cantonal des Beaux - Arts de Lausanne (2006); Relapse, Modern Art, London (2006); Complete Breakdown, Galerie Neu, Berlin (2005); Deep Purple, Whitney Museum of Art, NY (2002); and Low Slung, Kunstverein Braunschweig (2000).

The date of this inscription is uncertain, but the sum is consistent with 1957 — 59 prices for similar works by Rauschenberg recorded in the papers of the Leo Castelli Gallery in the Archives of American Art, Smithsonian Institution, Washington, D.C. Rauschenberg began showing with Castelli as part of a 1957 group show; a solo exhibition followed in March 1958.

The exhibition follows a spate of international activities: «Tomorrow is Another Day,» Bradford's solo exhibition in the U.S. pavilion at the 2017 Venice Biennale; «Pickett's Charge,» the 360 - degree installation composed of eight paintings that opened at the Smithsonian's Hirshhorn Museum in November; and in recent weeks, the installation of a 32 - panel, site - specific work at the new U.S. embassy in London that incorporates the entire U.S. Constitution.

Like John McCracken, Kerry James Marshall, and Charlotte Posenenske, she is an artist whose work appeared at multiple locations throughout Documenta 12 this past summer — an ennoblement closely followed by her first solo exhibition in an American museum, currently on view at the Museum of Contemporary Art, Los Angeles.

White Cube Hong Kong has recently opened the exhibition of new works by Liu Wei, following on from the artist's recent solo exhibition at...

Following a major solo exhibition at the French - Chilean Cultural Center in 1976, Donoso began to take considerable risks by installing her prints in the street with the urgent goal of making her work accessible to a wider public.

Following two successful solo shows at Alsopp Contemporary in London, Vladimir Restoin Roitfeld presented Pol's work in three large - scale international exhibitions: The Martus Maw, New York (2009); The Mother of Pouacrus, London in (2010); and Sick Atavus of the New Blood, New York (2011).

Tracey Emin: I Followed You To The Sun is a solo show and two - part exhibition at Lehmann Maupin Gallery in New York that features over 100 works of art.

The exhibition opened on the heels of her solo New York debut at Thierry Goldberg Gallery in May, and was followed by inclusion in «A Constellation,» a group exhibition up now at the Studio Museum in Harlem, where her canvases hang amongst work by peers like Andrew Ross and Cameron Rowland.

Pace Gallery is pleased to present Evolution — a solo show dedicated to the work of pioneering artist Michal Rovner — in New York following its celebrated exhibition in Palo Alto earlier this year.

The two projects offer the public a multi-faceted encounter with Abramović and her work that begins at MONA with Private Archaeology, a solo exhibition, followed by Marina Abramović: In Residence, in Kaldor Public Art Projects with a series of exercises from the Abramović Method.

His work has been exhibited in numerous solo exhibitions around the world including PLATEAU, Samsung Museum of Art, Seoul, South Korea in 2015; Bass Museum of Art, Miami in 2013; Kunstverein, Hannover, Germany in 2012; and the Rubell Family Collection, Miami in 2007, which traveled to the Brooklyn Museum of Art the following year.

The centrepiece of the exhibition will be Barba's seminal work, a reimagining of Picasso's «Guernica», this will be the first time the work will be shown in New York, following Barba's major solo museum show «Travels in Time» at the Fundacio Vila Casas, Barcelona (May 7 — July 20, 2015).

Pace Gallery presents Evolution — a solo show dedicated to the work of pioneering artist Michal Rovner — in New York following its celebrated exhibition in Palo Alto earlier this year.

Concurrent with Pulse Park Lozano - Hemmer will present a new commissioned work titled Frequency and Volume at the Barbican Art Gallery, London, as well as the solo exhibition Arrays at Haunch of Venison London, followed in November by another major public work titled Under Scan in London's Trafalgar Square.

Pace's choice to present work solely by Sonnier at Frieze might be a two - pronged strategy: to keep the momentous interest in the artist's work, following his recent solo exhibitions at Tate Modern, Galerie Forseblom in Finland and at Pace's own Midtown space; and to serve as a conversation starter about the gallery's recently - opened show by Leo Villareal, also working with the medium of light.

Following A Passion To A Principle, Yiadom - Boakye's work will be the subject of another solo exhibition at the New Museum in New York, opening May of 2017.

S1 Artspace presents Living Structures, a solo exhibition of new work by Giles Round following a three month residency at S1 this summer.

21 Pictures will be Fraenkel Gallery's fourth solo exhibition of Hujar's work, and it follows two years after the gallery's publication Peter Hujar: Love & Lust.

Following the success and sensation of Daisuke Yokota's work in Asia and Europe, Roman Road is delighted to present Emergence, his first solo exhibition in London.

In 1952, she had the first of many solo exhibitions at the Tibor de Nagy Gallery; in the following years her works began appearing in exhibitions at the Whitney Museum, the Museum of Modern Art, the Metropolitan Museum of Art, and many other museums.

In 1995, a major survey of his work took place at the Castello di Rivoli Museum of Contemporary Art in Turin, followed by solo exhibitions at the Museum Moderner Kunst Stiftung Ludwig, Vienna, in 1997, the Neuer Berliner Kunstverein, Berlin, and the Haus der Kunst, Munich, in 2000.