Recent
solo exhibitions of his work took place in Tindebox Hamburg (2010), Kunstverein Artitude, Berlin (2010) Kunsthalle Fridericianum, Kassel, Germany (2009) Domus Atrium, Salamanca, Spain (2009), Cosmic Gallery, Paris, France (2005), GEM, The Hague, Netherlands (2005).
A solo exhibition of his work took place in Paris in 1914.
Not exact matches
«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first
solo institutional
exhibition in France presents selections from several
of her documentary projects, including the video «Frazier
Take on Levi's» and photographs from «Pier 54,» and the foundation
of her
work, images that examine the decline
of the population and steel industry
of her hometown
of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion
of Family»).
Solo exhibitions of his
work have
taken place at CAPC Musée d'Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New York; and the High Museum
of Art, Atlanta.
In two new film installations and a suite
of photographs for his first New York
solo exhibition, Akomfrah shifts his focus to the ill effects
of displacement: One
of the
works looks at a 400 - year period
of migration from Barbados, Mali, and Iraq; the other
takes place at an abandoned airport outside Athens amid Greece's financial crisis.
For his first
solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection
of new
works from Looking Up in Osaka, a series comprising
of over 300 photographs
of utility poles and cables
taken...
Solo exhibitions have
taken place at Pioneer
Works, New York, NY; Staatliche Kunsthalle Baden - Baden; Berlin Botanical Museum; and School
of Visual Arts Gallery, New York, NY.
Cammock was awarded the prize at London's Whitechapel Gallery last night, and as part
of the prize, will
take up a six - month residency in Italy next month, creating
work for a
solo exhibition at the gallery next year.
Indeed, Liu, who will open a new
solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for
working within a variety
of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner
of materials, letting the concept dictate the form a piece will ultimately
take.
Her sustained painterly investigations into the way we read pictures, particularly those that
take black subjects as their starting point, has gained her much attention: she was shortlisted for the Turner Prize in 2013 and the Serpentine staged a
solo exhibition of her
work in 2015.
It
takes place alongside two other major UK presentations
of Himid's
work: Invisible Strategies, a
solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.
The
solo exhibition of Rose's
work at Articulate Project Space was to have
taken place in March 2015 with the provisional title
of Inside - Out Sculpture but it was deferred to October 2015 due to Rose's illness and death on 20 October 2014.
The
solo exhibition of Rose's
work at Articulate Project Space was to have
taken place in March 2015 with the provisional title
of
Additional
solo exhibitions of the artist's
work have
taken place at the Institute
of Contemporary Art, Boston (2001); Centre Georges Pompidou, Paris (2001); New Museum, New York, and De Pont Museum
of Contemporary Art, Tilburg, The Netherlands (both 2002); Art Institute
of Chicago (2003); Taidehalli, Helsinki (2005); Museum
of Contemporary Art Tokyo and Iziko South African National Gallery, Cape Town (both 2007); the Standard Bank Gallery, Johannesburg, and Museum Kunstpalast, Düsseldorf (both 2008); and the Fondazione Stelline, Milan (2012).
Previous
solo exhibitions of his
work have
taken place at Sperone Westwater in 2004, 2008, and 2011.
The
solo exhibition will feature
work from several
of Hanzlová's photographic projects, including Rokytnik and Forest,
taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose,
taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.
Taking The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude) as a point
of departure, this
exhibition is Saban's first
solo museum survey to consider the artist's expansive scope
of work developed over the past ten years.
In Japan, he
took part in a group show with Hiroshi Senju at Hiroshima Prefectural Art Museum (1997), and a
solo exhibition of his
works was held at Hakusasonso Hashimoto Kansetsu Garden & Museum (Kyoto, 2015).
Sarah Dobai's first major
solo exhibition in the UK
took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end
of her two - year residency at London's Delfina Studio Trust and featured photographic and film
works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier
works.
Recent
solo exhibitions of her
work have
taken place at Foundazione Sandretto de Rebaudengo, Turin (2015); Kunsthalle Zürich, Zürich (2014); and Kraupa - Tuskany Zeidler, Berlin (2013).
The artist best known for his flattened approach to the human figure
takes his signature aesthetic into sculpture with «Cut Outs,» a
solo exhibition of four
works depicting Katz's wife Ada, the full set
of his nine - piece «Black Dress» series, and one larger, multifigure
work, all rendered in stainless and porcelain enamel coated steel.
Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure
takes his signature aesthetic into sculpture with «Cut Outs,» a
solo exhibition of four
works depicting Katz's wife Ada, the full set
of his nine - piece «Black Dress» series, and one larger, multifigure
work, all rendered in stainless and porcelain enamel coated steel.
Solo exhibitions of her
work have been put on at the Kunsthalle, Basel (2007), the Palais de Tokyo, Paris (2009), Wiener Secession, Vienna (2009), Kunsthalle Fridericianum, Kassel (2009) and MUSEION, Bolzano (2010), and she has
taken part in group
exhibitions, including the Venice Biennale (2003 and 2005), Manifesta (2004), the Moscow Biennale (2005), the Berlin Biennale (2006), the Biennale
of Sydney, After Nature (New Museum, New York)(2008), and Chasing Napoleon (Palais de Tokyo, Paris, 2009)
A
solo exhibition focused on Graves's early
works, Morris Graves: The Early Works 1932 - 1938, took place in 1998 at the Whitney Museum of American Art; Museum of Northwest Art, La Conner, WA; Greenville County Museum of Art; and the Art Museum of South East Texas, Beaumont
works, Morris Graves: The Early
Works 1932 - 1938, took place in 1998 at the Whitney Museum of American Art; Museum of Northwest Art, La Conner, WA; Greenville County Museum of Art; and the Art Museum of South East Texas, Beaumont
Works 1932 - 1938,
took place in 1998 at the Whitney Museum
of American Art; Museum
of Northwest Art, La Conner, WA; Greenville County Museum
of Art; and the Art Museum
of South East Texas, Beaumont, TX.
In his first
solo show since the stunning three - hour theatrical
work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound installation in which a slinky, an abstract sculpture, and a bottle
of bleach are among seven protagonists that critique the artist's latest
exhibition; the
work takes cues from Molière's The School for Wives Criticized (1663).
His
work has been the topic
of several
solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet:
Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet:
Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum
of Modern Art, Ludwig Foundation, Vienna, 1997.
«Now people in the United States can go to Cuba and people from Cuba can come here, it's very important to me to have galleries such as Habana Gallery [
taking part], and a
solo exhibition of work by Havana - based artist Carlos Garaicoa, at the Continua Gallery booth.
Her
work gained widespread recognition in the late 1980s after a number
of international
solo exhibitions, including shows at the Center for International Contemporary Arts, New York and the Museum
of Modern Art, Oxford, England, both
taking place in 1989.
His
works, including the new pieces in It
Takes a Million Years To Become Diamonds So Let's All Just Burn Like Coal Until The Sky Is Black
solo exhibition, are often inspired by technology, how it alters our perceptions
of the world and how we process information.
Major
solo exhibitions of African American artists from this period are also
taking place, with five decades
of Frank Bowling's
work on view at the Haus der Kunst, Munich until January 2018, and retrospectives
of Sam Gilliam at the Kunstmuseum Basel and Howardena Pindell at the MCA Chicago due in 2018, among many others.
Conceived by the artist in 2005 and
taking over three years to fabricate, the
work's completion has been timed to coincide with the opening
of Hirst's first
solo show in the Middle East: «Relics» at ALRIWAQ
exhibition space.
Following a major
solo exhibition at the French - Chilean Cultural Center in 1976, Donoso began to
take considerable risks by installing her prints in the street with the urgent goal
of making her
work accessible to a wider public.
Given Jim Dine's great renown, it comes as no surprise that his
work has been the subject
of nearly 300
solo exhibitions taking place across the world and can be found in many esteemed collections.
The
exhibition is the New York - based artist's first
solo show in the UK and the
work in question is a C - Type print, which,
taken at a distance, presents as a plane
of fluctuating, greyish blue tones.
The Castelli model is built around the notion that the dealer is representing a roster
of artists who are mostly undiscovered and definitely underappreciated, looking at it from a long - term perspective — which means
taking some risks in the beginning to help their artists build a strong foundation
of interest and buzz, and then
working toward recouping their investment in the second or third or even later
solo exhibitions.
Solo exhibitions of Sassen's
work have
taken place at FORMA in Milan, Huis Marseille Museum for Photography in Amsterdam, and FOAM in Amsterdam, among other venues.
This
solo exhibition is entitled Forest Cleaning, after his
work of the same name Waldputz, and accordingly
takes its cue from this «youthful»
work, which the artist today considers to be his first artistic piece.
Olafur Eliasson's immersive installation, Riverbed,
takes over the Louisiana Museum
of Modern Art for the museum's first
solo exhibition of his
work.
José Parlá's first New York
solo exhibition is on the fourth floor
of an old Soho loft building; a manually operated freight elevator
takes you up to a space that has been cleared
of its usual offering
of furniture to make room for his paintings,
works on paper and ceramics.
The sale
took place little more than a year after he completed MA in Painting in 2012 at the Royal College
of Art, in the same month that a
solo exhibition of his
work opened at the South London Gallery.
The
exhibition helped to prompt a modest revival
of interest in his
work with several
solo exhibitions,
of which the most recent
took place last year at the Laurent Delaye Gallery, Savile Row.
Solo exhibitions of her
work have
taken place at HERE Arts Center in New York City, Real Art Ways in Hartford CT, and Pittsburgh Center for the Arts.
The culmination
of this body
of work as a
solo exhibition of large - format looped moving images
takes its title from Joseph Kosuth's 1966 neon sculpture that spells out and is eponymously titled «A Subject Self - Defined.»
FOTOFILMIC / /
SOLO EXHIBITION AWARDS are a series
of juried international calls and publications for emerging and mid» career film and analogue photographers ready to break new ground and
take their most accomplished
work to contemporary photography industry's public eye!
The
solo exhibition takes it name, which translates to
work group, from «the moniker bestowed, in different contexts and at different points in time, on [Brazilian] government policies designed to address the problem
of labor force inactivity,» a press release notes.
Or you can see an
exhibition of Josh's
work at his first
solo show in the US,
taking place at the Burien Arts Gallery in June.
The
works in «Enough rope to hang «emselves» are
taken from a larger body
of work that will be shown at Touchstones, Rochdale, Greater Manchester in her first institutional
solo exhibition in the UK later this year.
Ross - Ho will exhibit a new
take on her
work from THE CHARACTER AND SHAPE
OF ILLUMINATED THINGS, her recent
solo outdoor
exhibition at the MCA Chicago in 2014.
Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the
work takes various forms and affects, not only in relation to the space it is exhibited in and in terms
of scale, but also in accordance to its designated context, be it a
solo or a group
exhibition (in the latter case shaping the viewing experience
of other artists»
works on display).
He showed
work in conjunction with the others, and
took his turn in the program
of solo exhibitions that was held there each summer.