Sentences with phrase «solo gallery and museum»

He has been the subject of solo gallery and museum exhibitions and part of group exhibitions throughout the U.S. Lisa Eldred, Director of Exhibitions, Art and Interpretation at the Gardens states, «Mike Whiting's work offers a wonderful juxtaposition to Denver Botanic Gardens» natural surroundings.

He has been the subject of solo gallery and museum exhibitions and part of group exhibitions throughout the U.S.

The artist's many honors include a Guggenheim fellowship and scores of solo gallery and museum exhibitions in the U.S. and abroad.

«Then there's our cover star, Judy Chicago, a medium - and genre - defying artist who, at 78, is and will be the subject of a number of major solo gallery and museum shows over the next 18 months.

Since his first early career retrospective in 1972, he has been the subject of numerous solo gallery and museum exhibitions internationally.

Not exact matches

Sherald has received wide acclaim recently for her portraits of black Americans, and was chosen last year to paint Michelle Obama's portrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this cominmuseum show will follow at the Contemporary Art Museum, St. Louis this cominMuseum, St. Louis this coming May.

Nathaniel Mary Quinn's work has been the subject of solo exhibitions at Pace Gallery in London and the Museum of Contemporary African Diasporan Arts in Brooklyn.

Ana is a recipient of both the Joan Mitchell Foundation Painters & Sculptors Grant in 2017 and an Artpace Artist in Residence in 2018, and has upcoming solo exhibitions at the Brownsville Museum of Art in 2018 and Cinnabar Art Gallery, which represents her work.

He has exhibited his work in solo exhibitions at Marx & Zavattero, San Francisco; Steve Turner Contemporary, Hayworth Gallery, and Hammer Museum, UCLA in Los Angeles; Kravets Wehby, New York; and The Sheppard Fine Arts Gallery, University of Nevada, Reno.

Vehabović is among the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with solo exhibits in 2011 and 2013 at Lauba Museum in Zagreb, Kranjcar Gallery, Zagreb (2011).

Recent solo exhibitions include Lever House, New York (2013); Anton Kern Gallery, New York (2013); David Kordansky Gallery, Los Angeles (2012); Patrick de Brock, Belgium (2011); and Hammer Museum, Los Angeles (2010).

He has had solo exhibitions at the Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art (2001); and the Irish Museum of Modern Art, Dublin (2009).

Among many major solo shows he has exhibited at The State Hermitage Museum, St Petersburg, Russia (2016), Benaki Museum, Athens, Greece (2015), Heydar Aliyev Centre, Baku, Azerbaijan (2014), CAFA Museum in Beijing (2012), the Scottish National Gallery, Edinburgh (2011), Tate Gallery Liverpool, UK (2000), Museo Nacional Centro de Arte, Reina Sofía, Madrid (1995), Stedelijk van Abbemuseum, Eindhoven (1991) and Tate Gallery, London (1988).

«Night and Day,» his first major solo museum exhibition in the United States will be presented on all three gallery floors and survey his entire career.

Recent solo exhibitions include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery, Canada (2010); and the San Francisco Museum of Modern Art, CA (2009).

Her solo shows include the Museum of Modern Art, Oxford, 1981; Serpentine Gallery, 1983; the Tate Gallery, London, 1995; the Royal Academy of Arts, London, 1997; Jerwood Gallery, Hastings, 2012 and at the National Museum Cardiff, Wales; Tremenheere Sculpture Gardens, Penzance and China Central Academy of Fine Arts (CAFA), China in 2017.

He has had solo exhibitions at D'Amelio Terras, New York; Postmasters, New York; Krannert Art Museum, Champaign, IL; Fawbush Gallery, New York; Hirschl & Adler Modern, New York and more.

Solo exhibitions of her work have been organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014); Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).

He has had solo exhibitions at Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art, New York (2001); and the Irish Museum of Modern Art, Dublin (2009).

Meanwhile her painting was eventually widely celebrated in the early 80s, when she exhibited at the Hayward Annual, had a solo show at the Museum of Modern Art in Oxford, and a retrospective at the Serpentine Gallery.

THROUGHOUT HIS CAREER, Hendricks participated in many solo and group exhibitions at museums and galleries.

Recent solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othsolo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othSolo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among others.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

British artist Chris Ofili «s first major solo museum exhibition in the United States will be presented at the Aspen Art Museum in five galleries on three floors and survey his entire cmuseum exhibition in the United States will be presented at the Aspen Art Museum in five galleries on three floors and survey his entire cMuseum in five galleries on three floors and survey his entire career.

Wentworth has a distinguished exhibition record, including the Venice Biennale, a major retrospective at Tate Liverpool in 2005 and numerous solo shows at London's Lisson Gallery, Serpentine Gallery, Arnolfini, Bristol, Kettle's Yard Cambridge and the Stedelijk Museum.

He has shown internationally and nationally, including solo exhibitions at the Museum Dhondt - Dhaenens, Deurle, Belgium; Green Art Gallery, Dubai; The Suburban, Chicago; LA > < ART, Los Angeles; and the Massachusetts Museum of Contemporary Art, North Adams.

Recent solo exhibitions include The Drawing Center, New York (2015); the Museum of Contemporary Art, Denver (2014); Ballroom Marfa, Texas (2013); High Museum of Art, Atlanta (2013); Kemper Art Museum, St. Louis (2013); Miami Art Museum (2012); Museum of Contemporary Art, Chicago (2012); and South London Gallery (2012).

For example, the list above contains two overlapping shows of the major, still under - known painter Stanley Whitney: # 1, @ Karma Gallery, and # 22, his first solo at the Studio Museum, opening July 16.

I personally know one New York artist who ended up with a solo show and gallery representation in Berlin as a result of the exposure, and a Boston artist who's now with a Boston gallery, which then resulted in a commission for a major New England museum, so sometimes the dots do connect.

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

She had solo exhibitions and film screenings at the SCAD Museum of Art, University of Waterloo Art Gallery, Blaffer Museum of Art, Musée d'art contemporain de Montréal, Hirshhorn Museum and Sculpture Garden, Tampa Museum of Art, Skulpturenmuseum Glaskasten Marl, Herbert F. Johnson Museum of Art, Mint Museum of Art, Everson Museum of Art, Gibbes Museum of Art, and the Rhode Island School of Design Museum, among others.

After Mark Grotjahn's recent solo show of drawings at the Whitney Museum, this is the first presentation of paintings in New York in four years and his second solo show at Anton Kern Gallery.

The artist had his first solo exhibition at the Betty Parsons Gallery, New York, in 1951 and his first retrospective at the Jewish Museum, New York, in 1963.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York gallery solo show at Lehmann Maupin, New York (2013).

Solo exhibitions have taken place at Pioneer Works, New York, NY; Staatliche Kunsthalle Baden - Baden; Berlin Botanical Museum; and School of Visual Arts Gallery, New York, NY.

He is represented by the Berta Walker Gallery in Provincetown and the Thomas Dean Fine Art, Atlanta GA He has had selected solo exhibitions at the A Gallery in Provincetown, MA, Moira Walsh Gallery, Kittery Maine, Museum School Provincetown Art Association and Museum, Center For Arts In Natick, Natick, MA, the Berta Walker Gallery, Provincetown, MA and the Prince Street Gallery, New York, NY.

Selected Solo shows include: Nought to Sixty — Andrea Büttner, Institute of Contemporary Arts, London, UK; Andrea Büttner, Hollybush Gardens, London, (2008); The Poverty of Riches, Whitechapel Gallery, London (2011); Andrea Büttner — Little Sisters: Lunapark Ostia, Tramway, Glasgow; Andrea Büttner, Milton Keynes Gallery, Milton Keynes, (2011); Andrea Büttner, Museum Ludwig, Cologne, Germany and BP Spotlight: Andrea Büttner, Tate Britain, London (2014).

He had his first solo show at Tibor de Nagy Gallery, New York, in 1960, and has subsequently exhibited at institutions such as The Museum of Modern Art, Whitney Museum of American Art, Queens Museum of Art, New Museum of Contemporary Art, and P.S. 1.

His most important solo museum exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet mmuseum exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet mMuseum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet museummuseum.

Toledo's solo exhibitions include: the XLVII Venice Biennale, Venice, Italy; the Whitechapel Gallery, London; the Reina Sofía Museum, Madrid and the Museum of Modern Art, Mexico City.

Bates has been the focus of many solo museum and gallery exhibitions, including David Bates: The Katrina Paintings, Kemper Museum of Contemporary Art, Kansas City, Missouri; David Bates since 1982: From the Everyday to the Epic, Austin Museum of Art, Austin, Texas; and David Bates: Paintings from Texas Collections, The Grace Museum, Abilene, museum and gallery exhibitions, including David Bates: The Katrina Paintings, Kemper Museum of Contemporary Art, Kansas City, Missouri; David Bates since 1982: From the Everyday to the Epic, Austin Museum of Art, Austin, Texas; and David Bates: Paintings from Texas Collections, The Grace Museum, Abilene, Museum of Contemporary Art, Kansas City, Missouri; David Bates since 1982: From the Everyday to the Epic, Austin Museum of Art, Austin, Texas; and David Bates: Paintings from Texas Collections, The Grace Museum, Abilene, Museum of Art, Austin, Texas; and David Bates: Paintings from Texas Collections, The Grace Museum, Abilene, Museum, Abilene, Texas.

His work has been exhibited in solo exhibitions at galleries and museums including Pari Nadimi Gallery, The Power Plant, and Toronto Sculpture Garden, in Toronto; Galerie Joyce Yahouda and Galerie Christiane Chassay, in Montreal; Dalhousie Art Gallery, Halifax; and Southern Alberta Art Gallery, Alberta.

Chakaia Booker: In and Out on view during the summer of 2010 was first in a planned series of solo exhibitions of sculpture in the Museum's galleries and outdoor spaces.

Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore Museum of Art (2008 - 2009, traveled to Los Angeles County Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).

Selected solo exhibitions include: Love It, Bite It, BizArt, Shanghai (2006) and Beijing (2007); Trilogy, Minsheng Art Museum, Shanghai and Myriad Beings, Today Art Museum, Beijing (both 2011); Liu Wei, Long March Space, Beijing and Liu Wei: Foreign, Almine Rech Gallery, Paris (both 2012).

Recent solo exhibitions include 2TRAPS at The Pace Gallery, New York (2010), Robert Mapplethorpe / Sterling Ruby at Xavier Hufkens, Brussels (2009), The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

In 1959 she had a major solo exhibition at the Dilexi Gallery in San Francisco and her art was included in Dorothy Miller's momentous exhibition Sixteen Americans at the Museum of Modern Art in New York.