Sentences with phrase «solo museum installation»

Now on view at the Museum of Contemporary Art Denver until January 18, 2009 is Adam Helms first solo museum installation.

Not exact matches

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

For his first solo museum exhibition, Arunanondchai presents 2012 — 2555, a large - scale installation which is the first in a trilogy of video - installations.

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibiMuseum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibimuseum exhibition.)

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

For this solo show, the Mexico City — born, Dallas - based artist will fill the Newark Museum's main galleries with large - scale chromatic installations conceived specifically for the space.

An installation view of «Untitled» by sculptor Chung Hyun on the first floor of Kumho Museum of Art (Kumho Museum of Art) At his solo exhibition at Kumho Museum of Art in Seoul, Chung, who is well known for his exhibition «The Standing Man» — a group of 47

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in Decmuseum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in DecMuseum of Contemporary Art in December.

For her first solo museum exhibition, B. Ingrid Olson has taken over the Albright - Knox's Gallery for Small Sculpture with a site - specific installation.

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

Rafael Ferrer, Exterior installation Anti-Illusion: Procedures / Materials exhibition Whitney Museum of American Art, NY, 1969 June 8 — August 22, 2010 El Museo del Barrio is proud to announce that Retro / Active, The Work of Rafael Ferrer, the first solo exhibition in a museum to examine the breadth and depth of the artist's influential production over the last 55 years, will be on view June 8 — August 22,Museum of American Art, NY, 1969 June 8 — August 22, 2010 El Museo del Barrio is proud to announce that Retro / Active, The Work of Rafael Ferrer, the first solo exhibition in a museum to examine the breadth and depth of the artist's influential production over the last 55 years, will be on view June 8 — August 22,museum to examine the breadth and depth of the artist's influential production over the last 55 years, will be on view June 8 — August 22, 2010.

Leckey has exhibited his videos, multi-media installations and collages widely and has had solo shows at the Serpentine Gallery, London (2011); Milton Keynes Gallery, Milton Keynes, U.K. (2010); Kölnischer Kunstverein, Cologne, Germany (2009); Le Consortium, Dijon, France (2007); Portikus, Frankfurt (2005); and Migros Museum, Zurich, Switzerland (2003).

BETYE SAAR, «Still Tickin»» @ Museum Het Domein Sittard The Netherlands In her first solo museum exhibition in Europe, Betye Saar is presenting works on paper, sculpture and installaMuseum Het Domein Sittard The Netherlands In her first solo museum exhibition in Europe, Betye Saar is presenting works on paper, sculpture and installamuseum exhibition in Europe, Betye Saar is presenting works on paper, sculpture and installations.

This is the first solo museum exhibition of the Brazilian - born artist that showcases her dynamic installations, indoor and outdoor sculptures, and works on paper.

@ Blaffer Art Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Delta.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).

Danish - Icelandic artist and designer Olafur Eliasson, whose installations we have often featured on the site, is opening a solo show at Denmark's Louisiana Museum of Modern Art entitled «Ri

So the first solo that we did of Cory's was a booth at Liste in Basel, and we sold to a museum in France out of that installation.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

Photographer LaToya Ruby Frazier makes her New York solo debut with A Haunted Capital, a tightly crafted, personal - is - political installation at the Brooklyn Museum.

Pakui Hardware: «Vanilla Eyes», 2016, Installation view in solo exhibition, Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, 2016 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Having conquered the U.K., Prouvost is now taking her offbeat, literarily minded work to the New Museum for her first solo show in the United States, a lobby installation called For Forgetting that will feature a mural, «scattered sculptural elements,» videos, a film, and more.

The installation at the Smithsonian's Hirshhorn Museum is his first solo show in Washington, D.C.

Rojas has had multiple solo exhibitions in recent years, including major installations at the Rose Art Museum at Brandeis University and the Ulrich Museum of Art at Wichita State University, as well as gallery exhibitions in Chicago, London, Los Angeles, New York, London, and San Francisco.

In 2005, the YUZ Museum Shanghai held a solo presentation of her monumental photo - based installation As Simple As Clay.

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening imuseum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening iMuseum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.

Some of her own recent exhibitions and projects include a permanent installation at the High Desert Test Site, a 2006 solo museum show at the L.A.C Lieu Arte Contemporain in Sigean, France, and a 2007 solo show at Galerie Jacques Girard in Toulouse, France.

Between disorder and order, in a state of anticipation and possibility, the arrangement amplifies relationships between the works and the setting, which features major site - responsive installations and a comprehensive solo exhibition by Jim Shaw, entitled The Wig Museum.

At MASS MoCA — in her first solo museum exhibition — Hamilton presents an ensemble of existing and new works, including a new installation that looks at how history, labor, land, violence, myth, and spirituality intersect in the present.

Additional sections include: EXPOSURE featuring solo and two - artist presentations represented by galleries eight years and younger, EXPO PROFILE presenting solo booths and focused projects that showcase ambitious installations and tightly focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and organizations.

Their solo exhibition Tomorrow, a major site - specific installation in the former textile galleries of the Victoria & Albert Museum in London, will open in October 2013.

The Museum of Art in History in Lancaster, California (MOAH Lancaster) is set to open a special exhibition, «The Forest For the Trees,» featuring a solo exhibition by Constance Mallinson and site specific installations by artists Timothy R. Smith and High & Dry, a collaboration between Osceola Refetoff and Christopher Langley.

For her first solo museum exhibition in Los Angeles, Leigh presents a selection of recent ceramics and a site - specific installation, as well as a public program related to her ongoing research and work in public engagement.

Solo exhibits and installations include: the Watermill Center, Watermill, NY; Salomon Contemporary Collective Design Fair, New York, NY; Parrish Museum, Southampton, NY; Glenn Horowitz, and The Drawing Room, East Hampton, NY; Tall Wall Gallery, Los Angeles, CA; Ibel Gallery, Columbus, OH; Dust Gallery, Las Vegas, NV; among others.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Laughlin's paintings are in numerous private and public collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or installations, 11 museum exhibitions, and 6 published color exhibition catalogues.

Serra's first solo exhibition at the museum was held in 1980, and marked the creation and permanent installation of the large - scale steel sculpture Waxing Arcs in the entrance area.

Merantzas showcased his work in solo exhibitions like in 2014 Seeking the Common Ground, a retrospective character exhibition at The Blender Gallery, Athens, GR; installations in 2011 in Unknown heroes, Renown heroes, at the Elika Gallery, Athens; Reality is the informer of imagination in 2009 at State museum of contemporary art, Thessaloniki, GR; Untitled in 2006 at the Qbox gallery, Athens; and an exhibition in two units: Useful Three - Digit Numbers and Fantastic Signals in 1996 at the lleana Tounta Contemporary Art Centre, Athens.

In 1970 he showed a groundbreaking installation of environmental barbed - wire sculptures at the Whitney Museum of American Art, the first solo exhibition by an African American sculptor held at the mMuseum of American Art, the first solo exhibition by an African American sculptor held at the museummuseum.

Reas» software, prints, and installations have been featured in over one hundred solo and group exhibitions at museums and galleries in the United States, Europe, and Asia.

They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in New York, an installation of his monumental sculpture, Welcome Parade, in front of New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New York.