Sentences with phrase «solo museum projects»

He has exhibited widely, including recent solo museum projects at the The Museo Nacional Centro de Arte Reina Sofía, Madrid (2009), Henry Art Gallery, Seattle (2008), Moderna Museet, Stockholm (2007), and MoMA, New York (2007).

With SARAH CAIN blue in your body, red when it hits the air, MCASD presents Los Angeles - based artist Sarah Cain's first solo museum project.

Dylan Gauthier: highwatermarks, the first US solo museum project by the Brooklyn - based artist Dylan Gauthier (b. 1979, Los Angeles), centers on an immersive video and audio installation that was planned, filmed, and edited during the artist's year - long residency at the Brandywine River...

Not exact matches

Otium: Former French Laundry chef de cuisine Timothy Hollingsworth is going beyond barbecue (Barrel & Ashes) with his solo project next to the The Broad museum.

In fact, our family of four was so immersed in this project that we forgot our plan of «divide and conquer» to see the rest of the museum in solo shifts.

The latest full - length release for Jaime Fennelly's solo project was originally Commissioned by the Museum of Contemporary Art Chicago and was produced by Tortoise's John McEntire.

Her work has been exhibited internationally in cities like London, Cape Town, and Berlin and locally at various DC spaces including Transformer, the Katzen Art Museum, and Civilian Art Projects, where she held her first solo exhibition.

Recent projects include a solo exhibition at Cleveland Museum of Contemporary Art, and participation in the 12th Bienal de Cuenca, Ecuador.

She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.

She was the recipient, in 2012, of a Working Artist Project grant from the Museum of Contemporary Art of Georgia, where she had a solo show in the spring of 2014.

Opening on the 23rd March at the Yuz Project Space of Art in the Yuz Museum, «Cell Echo» is Donna Huanca's first solo exhibition in mainland China.

SUPERFLEX has gained international recognition for projects and solo exhibitions around the world, including Kunsthalle Basel; the Mori Museum, Tokyo; Hirshhorn Museum, Washington DC; and the 21st Century Museum of Contemporary Art, Kanazawa.

His work has been the subject of solo exhibitions at The Brooklyn Museum of Art, NY; The New Orleans Museum of Art, LA; No Longer Empty Project, New York, NY; The Phoenix, New Orleans, LA; and Western Projects, Los Angeles, CA.

Her solo shows include projects at Kunsthaus Baselland in Basel, Mills College in Oakland and Annely Juda Fine Art in London; commissioned works by Oppenheimer are on permanent view at the Mattress Factory in Pittsburgh and at the Baltimore Museum of Art.

2010 Zep Up, 1305 Gallery, Cincinnati, OH --(Solo) Artificial Hell, Backspace, Peoria, IL --(Group) Linda Warren Gallery, Project Space, Chicago, IL --(Solo) Young Painters Competition — Heistand Galleries, Miami University, Oxford, OH --(Group) Carousel Kids — Museum Gallery / Gallery Museum, Cincinnati, OH --(Group)

Selected Solo Shows: 2018 Solo show, New Museum, New York (upcoming); 2017 The Aalto Natives, with Erkka Nissinen, curated by Xander Karskens, Finnish Pavilion, 57th Venice Biennale, IT; Solo Show, The Box, Los Angeles, USA; 2014 The Sophisticated Neanderthal, Art: Concept, Paris, France; Hammer Projects: Nathaniel Mellors, Hammer Museum, Los Angeles, CA; 2013 Front Room: Nathaniel Mellors & Jimmy Joe Roche, Baltimore Museum of Art, Baltimore (US); 2012 Recent collaborations before THE SAPROPHAGE, MONITOR, Rome Ourhouse, Episode 3 — The Cure of Folly, Malmö Konsthall, C - salen, Malmö, Ourhouse, Episode 3 feat.

Bloom Projects Exchange Series: Midori Hirose, Of The Unicorn (and the Sundowner Kids), Midori Hirose's first solo museum exhibition, is presented in collaboration with Portland Museum of Modern Art (Pmuseum exhibition, is presented in collaboration with Portland Museum of Modern Art (PMuseum of Modern Art (PMOMA).

Major solo exhibitions include: Deitch Projects, New York (2005); Museum of Contemporary Art, Miami (2006); Tate Britain, London (2006); the Metropolitan Museum, New York (2008); Kunsthalle Wien Karlsplatz, Vienna (2009); and Manchester Art Gallery, UK (2013).

The recipient of numerous honours and awards, Jonas's most recent solo exhibitions include the U.S. Pavilion at the 56th Venice Biennale 2015, Centre for Contemporary Art, Kitakyushu Project Gallery, Japan (2014); Kulturhuset Stadsteatern Stockholm (2013); Proyecto Paralelo, Mexico (2013); Contemporary Arts Museum, Houston (2013); Bergen Kunsthall, Norway (2011); and Museum of Modern Art, New York (2010).

Based in New York and New Haven, Conn., Kaphar's The Jerome Project is currently on view at the Studio Museum in Harlem and he will mount a solo exhibition at Jack Shainman on Jan. 15, 2015.

Recent solo exhibitions include: Hierophanies, The Swiss Church, London, UK (2017); Unobservables, narrative projects, London, UK (2016); An Archaeology of Cinema, Dagestan Museum of Fine Art, Makhachkala, RU (2015); Object Interviews, Swiss Cottage Gallery, London, UK (2015); Once More, With Feeling!

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

She has exhibited her work in solo and group exhibitions nationally and internationally, including at Galerie Frank Pages, Geneva, Switzerland; AJL Gallery, Berlin, Germany; Galerie Jan Dhaese, Gent, Belgium; Ramis Barquet, New York; Radiator Arts, Long Island City; The Bronx Museum; P339 Gallery, Brooklyn; Samson Projects, Boston; Mana Glass Gallery, Jersey City; Kurant, Tromsø, Norway; Projects Gallery, Philadelphia; and Icebox Project Space, Philadelphia.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Recent solo projects include S - 281913 (Pérez Art Museum Miami 2016), S - 337473 (Wexner Center for the Arts 2017), S - 399390 (Mudam, Luxembourg 2016), 33 - D (Kunsthaus Baselland 2014) and W - 120301, an architecturally embedded permanent commission at the Baltimore Museum of Art (2012).

Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).

Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.

Recent solo shows include The Present Moment, Instituto Moreira Salles, Sao Paulo, Brazil; (2017 - 2018); Museo Tamayo, Mexico City (2017); The Last Resort, Kaldor Public Art Projects, Sydney, Australia (2017); Answer Me, The New Museum (2016); The Present Moment, Instituto Moreira Salles, Rio de Janeiro (2016); Teshima Seawall House, Benesse Art Site Naoshima, Teshima Island, Japan (2016); Haus der Kunst, Munich (2014); the French Pavilion at the 55th Venice Biennale (2013); the Centre Georges Pompidou, Paris (2012); The Serpentine Gallery, London (2011); The Contemporary Arts Center, Cincinnati (2009); The Museum of Contemporary Art, North Miami (2008); and the Fondazione Nicola Trussardi, Milan (2005); among other venues.

In addition to overseeing the museum's acquisitions of modern and contemporary art, is other projects included solo exhibitions of work by Cathy Wilkes, Ragnar Kjartansson, and James Lee Byars, and the group shows Reanimation, Ordinary Madness, and Natural History.

- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.

He has had solo exhibitions, projects and performances at The High Line, New York; SITE Santa Fe; The Times Museum, Guangzhou, China; The Aspen Art Museum, Aspen; The Hammer Museum, Los Angeles; The Kadist Art Foundation, Paris, France; and GAMeC, Bergamo, Italy, among others.

Bass Museum of Art Endless Renaissance The Bass Museum of Art will present six individual solo artist projects by contemporary artists: Eija - Liisa Ahtila (Finland), Barry X Ball (USA), Walead Beshty (UK), Hans - Peter Feldmann (Germany), Ged Quinn (UK) and Araya Rasdjarmrearnsook (Thailand).

His solo show, «The Capitol Project,» was exhibited at the museum in 2013.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

With his massive new survey opening at the Whitney Museum of Art this week — the first solo retrospective in the downtown building — the pioneer of post-painterly abstraction is looking back on an unusual project from 1968 that bridged these two mediums: a pair of coordinating needlepoint pillows with concentric - square designs.

Recent solo exhibitions include: Yuz Museum, Shanghai (2015); Art Projects International, New York (2014).

His recent solo exhibitions and projects include Home within Home within Home within Home within Home, National Museum of Modern and Contemporary Art, Seoul, Korea (2013); Do Ho Suh: Perfect Home, 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013); In Between, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); Fallen Star, Stuart Collection, University of San Diego, California (2012); Home within Home, Leeum, Samsung Museum of Art, Seoul, Korea (2012); and Wielandstr.18, 12159, DAAD Galerie, Germany (2011).

Cain's forthcoming projects include a solo exhibition this fall at the Aspen Art Museum in collaboration with the Aspen Skiing Company.

Recent solo exhibitions include: Il Lee and The Line of Duration, Gallery Hyundai, Seoul (2012); Il Lee: Monoprints, Editions and Paintings, Art Projects International, New York (2011); New Vision: Ballpoint Drawings by Il Lee, Crow Collection of Asian Art, Dallas (2010); Il Lee: Ballpoint Drawings, Gebert Contemporary, Santa Fe (2009); Il Lee, Vilcek Foundation, New York (2008); and Il Lee: Ballpoint Drawings, Queens Museum of Art, New York (2007).

White has had solo gallery exhibitions at the Andrea Rosen Gallery, New York; FA Projects, London; Loock Gallery, Berlin; Brandstrom Gallery, Stockholm; as well as solo institutional exhibitions at The Santa Barabara Contemporary Arts Forum; Domus Artium in Salamanca, Spain; Oslo Kunstforening in Oslo, Norway; and the Aldrich Museum of Contemporary Art, in Ridgefield, CT..

Project 94 at the Museum of Modern Art in early 2011 was Olesen's first U.S. solo museum show, in which, according to Valery Oisteanu in The BrooklynMuseum of Modern Art in early 2011 was Olesen's first U.S. solo museum show, in which, according to Valery Oisteanu in The Brooklynmuseum show, in which, according to Valery Oisteanu in The Brooklyn Rail,

Simpson was the first African - American woman to show in the Venice Biennale (in 1993) and to have a solo exhibition in the Projects series of the Museum of Modern Art.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Forthcoming projects and performances will include Hair Affair at the Miami Art Museum's «Party in the Plaza «on December 1st, 2011, Shade Compositions at the San Francisco Museum of Modern Art in April 2012 and SEVEN, a solo exhibition and performance at The Drawing Center, New York, NY, in November 2012.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It pProject at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It projectproject.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It pProject at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It projectproject.

Over the past thirty years, Cai Guo - Qiang has realized large - scale exhibitions and projects across different geographic locations and cultures, including solo exhibition Cai Guo - Qiang: Saraab at Mathaf: Arab Museum of Modern Art in Doha, Qatar (2011), Cai Guo - Qiang; 1040m Underground in Donetsk, Ukraine (2011), One Night Stand (Aventure d'un Soir), explosion event for Nuit Blanche (2013), a citywide art and culture festival organized by the city of Paris.

Curator France Morin gave him his first major solo exhibition at the museum's old project space in SoHo, showing his piece «Carpet Angel,» also in 1993.

Gueorguieva has had recent solo exhibitions at such venues as ACME., Los Angeles, CA; Susanne Vielmetter Los Angeles Projects, Los Angeles, CA; BravinLee Programs, New York, NY; Lux Art Institute, Encinitas, CA; Angles Gallery, Los Angeles, CA; Stitching Outline, Amsterdam, Netherlands; and Pomona Museum of Art, Claremont, CA.

This oft - forgotten moment is central to the plot of Haegue Yang's first large - scale solo show at a French institution, «Family of Equivocations,» a project two years in the making with Strasbourg Museum's curator Camille Giertler.