Sentences with phrase «solo practice as»

And portraying solo practice as a viable and appealing option for lawyers unhappy with the drudgery of the large firms is in large part my motivation behind My Shingle.»

Jeff's work in developing my website was critical in the launching of my solo practice as a bankruptcy attorney.

As a result, younger women don't view solo practice as an option.»

I've worked at a large firm with over 700 attorneys, a small boutique firm with less than a handful of associates, and now in solo practice as an entertainment lawyer.

Nonetheless, if you stick with it you'll likely earn at least as much in solo practice as you did working for a firm.

So to view shuttered solo practices as unsuccessful endeavors is short sighted and flawed.

Not exact matches

Dee DiPietro started AHR as a consultant practice back in 1997 as a solo female founder.

But he's often operating alone and practicing by himself, as he did this week during Monday's practice round, going solo and watching one hole behind the madness of a Tiger Woods, Fred Couples, and Justin Thomas trio.

After building a thriving solo practice, he co-founded the boutique litigation firm of Murphy Rosen & Cohen LLP in 2003, where he headed up the firm's criminal practice, and continued to expand his presence as a select criminal trial attorney.

As a home birth attendant, most practices contract their assistants rather than employ them and I suspect most home birth practices are owned by solo practitioners rather than in partnerships or in a team of clinicians.

This can be helpful to know as some practices are solo (with emergency backup) and others have several doctors and midwives.

On the basis that the context of practice in BC would be important in relation to the challenges that midwives would experience and the strategies that they would use, midwives with at least 5 years» experience as a midwife in BC were selected from a list of registered midwives, to reflect possible variations in experiences between midwives working in urban and rural locations across BC (lower mainland, Vancouver Island, the interior and Northern BC), and between those working as solo, midwifery group and collaborative practitioners (midwives and family doctors sharing a caseload).

LL: I have been in practice as a solo practitioner - integrative / nutrition specialist for the past 11 years.

Following graduation, he worked as a solo practitioner at a mixed - animal practice until 1998, and, since then, has worked as a solo practitioner in a large animal practice.

Specific details on livestock populations, changing industry demographics, gaps in specific veterinary services currently available, community support, and future outlook for veterinary services (such as solo practitioners retiring or trying to sell a practice) are all valuable criteria in defining the need in a specific area.

Dr. Mohr practiced solo until 2001 and since then has been a three veterinarian practice as it is now, offering high quality medicine and surgery services.

Dr. Maci Paden started CVVS as a solo equine mobile practice in 2011.

If you are traveling solo your have someone join you on daily excursions such as tai chi in the nearby Marble Mountains or visiting a local orphanage, and they will help you become more social, one of the seven practices of natural living on the Natural Living Programme represented through the week.

For solo practitioners there is the excellent campaign, of course, as well as self improvement options such as «Practice» and «Single Fight,» which are essential for those eager to find competition in the online section.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

In practice, though, the effort translates less as the dialogue across time, culture, and genre that it purports to be, and more as a solo show that has failed to notice that it isn't, by definition, a solo show.

In its seventh year, the competition offers a six - month residency across Italy, customised to the personal needs and practice of the finalist, as well as two solo shows based on the artwork the winner conjures up as a result of the trip.

This first solo presentation of works by South Korean artist Park Chan - kyong presents a series of his latest film and documentary works that offers a new perspective on folk religious practices such as shamanism and utopian religious communities, from the period of colonisation and the cold war to the present time.

Eisler will also discuss wider aspects of her photographic practice as well as previous projects including Eurydice in Providence (2017), Searching for Eve in the American West (2016), and her upcoming solo exhibition The Sublime Feminine.

Functioning as a further chapter of this continuous practice the exhibition at Galerie Daniel Buchholz, the second solo exhibition of the artist in the gallery, is titled «The Oriental Therapies», a title spawned by a spontaneous poem of the early morning.

Her art practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years at P!

Prior to her trumpeted appointment, she'd made her mark on the Los Angeles art landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradford.

His multidisciplinary practice has been the subject of numerous solo shows, at such venues as Susanne Vielmetter, Los Angeles; Littman Gallery, Portland; Galerie Catherine Bastide, Brussels; and Mitchell - Innes & Nash, New York.

As a non-collecting museum, SculptureCenter's annual exhibition program includes 1 - 2 commissioning programs by mid-career artists, 10 - 15 projects by emerging artists, and 3 - 6 solo and group exhibitions in addition to an exciting series of special projects by emerging artists through In Practice, an open call program, and Public Process, a public art and education initiative for high school students.

KELSEY BROOKES — PSYCHEDELIC SPACE examines three years of work, four solo exhibitions by the artist and explores in depth his former background as a biochemist and his current meditative practice as a painter.

The paintings and works on paper that comprise Ye's second solo exhibition Animal Portraits echo the age old literary practice of using animals as protagonists such as the much loved Tortoise and the Hare from Aesop's Fables, the legend of Rabbit in the Moon and the complex characters of George Orwell's Animal Farm.

Shows at Museum für Gegenwartskunst, Basel, London's Domo Baal and One in the Other galleries, and a solo exhibition at Studio Voltaire, which coincides with the Serpentine outing, not only mark a new stage for Barlow as a selling artist, but are also having a fundamental influence on the sixty - six - year - old's thinking about her practice.

A solo exhibition at NYU's Grey Art Gallery explores Mark Mothersbaugh's lesser known creative practice as a visual artist.

Incorporating 16 «de - finition / methods», as well as four new pieces, this collection of works by Claude Rutault is the artist's first solo exhibition in America following an influential practice in France.

Cheng's sculptural practice demonstrates a preoccupation with objects people often create to meet basic needs such as: shelter, illumination, warmth, support, nutrition and occasionally diversion Cheng's solo exhibition, entitled Mixtures, involves a sprawling and scattered installation, a single work containing multitudes.

As a solo practitioner this subject has remained central to Akomfrah's practice, as has the «philosophy of montage» that seeks to find new meanings in collaged imagerAs a solo practitioner this subject has remained central to Akomfrah's practice, as has the «philosophy of montage» that seeks to find new meanings in collaged imageras has the «philosophy of montage» that seeks to find new meanings in collaged imagery.

22.03.2018 «Privilege» Amalia Ulman's first solo show in KWM Art Center, The aim of the exhibition is to introduce Ulman's practice to a new audience exposing the contradictory roles of contemporary professional and private life as they play out amongst a monopoly of contemporary stereotypes.

Interview with artist Kellen Chasuk following the opening of her solo show «Plastic Flowers» t Stephanie Chefas Projects to better know her and her work by discussed her art experiences, the content or her work and the choices she made in displaying it, as well as her creative practice and what she has coming up.

As part of the prize, Frazier was honored with a 10,000 USD award to further her artistic practice as well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence GallerAs part of the prize, Frazier was honored with a 10,000 USD award to further her artistic practice as well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Galleras well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Galleras a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Gallery.

SOLO SHOW is at the same time a solo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategSOLO SHOW is at the same time a solo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategsolo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategies.

In anticipation of her upcoming solo show at MoMA PS1 (the Chinese artist's first in the U.S., opening Friday, April 3), we turn to an essay by Hans Ulrich Obrist from Phaidon's Defining Contemporary Art, in which the curatorial superstar points to Cao's fantastical 2004 series COSPlayers as a prime example of her groundbreaking «postmedium» practice.

The work further explores an aspect of his practice started with his recent installations «TOGETHER APART», currently exhibited at Kunstverein Braunschweig, Germany and» STAND OFF» as seen in his solo - show at Plymouth Arts Centre, UK in 2015.

As one of the most exciting street artists who has transformed his practice to include collage, painting and sculpture work, Argentinian artist Franco Fasoli (aka JAZ), is set to open a new solo show

Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»

PROJECTS provides audiences with fresh encounters with the creative disciplines through the inventive use of materials and methods; 12 solo exhibitions — from figures such as Yoshitoshi Kanemaki, Teppei Kaneuji and Katsuo Tachi — offer a rich cultural tapestry innovative practice.

The confluences of the two artists practices ran deeper, Milne having presented a solo exhibition in Ithaca almost one hundred years ago as well as having made paintings of the neighborhood park in Pointe Saint - Charles that Montgomery lived next to in Montreal.

As the first solo exhibition of young Beijing - based artist Hao Jingban, this exhibition is a compact introduction into her research - driven body of works, investigating the history of ballroom dance in China and the group of people who are still practicing it in Beijing today.

His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.

These presentations of modern masters and their tribal influences are complemented by the expanded Spotlight section, which will highlight solo artist presentations of 31 pioneers of 20th - century practice, such as Thomas Kovachevich (Callicoon Fine Arts, New York); self - taught artist Felipe Jesus Consalvos (Fleisher / Ollman, Philadelphia); Barbara Chase - Riboud (Michael Rosenfeld Gallery, New York); and Dom Sylvester Houédard — a Benedictine monk turned counter-culture cult figure of 1960s London (Richard Saltoun Gallery, London).

As the working studio of artists Doug Bowen, Matthew Crawley, Harry Meadley (whom we previously reviewed here) and David Steans — was founded by the latter three in 2012, and engenders a collaboration amongst the four artists» solo practices.