Sentences with phrase «solo traveling exhibitions»

The solo traveling exhibition Hélio Oiticica: Museu É o Mundo was presented at the Fundação Itaú Cultural in Sao Paulo and the Paço Imperial and Casa França - Brasil in Rio de Janeiro in 2010.

A solo traveling exhibition of his work, Memory as Medicine, was exhibited at the High Museum of Art, Atlanta, GA in 2011, before traveling to the Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, and the McNay Art Museum, San Antonio, TX.

In 1967, the Whitney mounted her first retrospective exhibition, in 1973, the Walker Art Center in Minneapolis organized a major solo traveling exhibition, and in 1976, she exhibited at the Venice Biennale.

Her solo traveling exhibition The One Who Keeps on Giving premiered at The Power Plant in 2017 and was featured in Art in America.

Her solo traveling exhibition, Nancy Holt: Sightlines commenced in 2010 at Columbia University, then was shown in Germany and several United States venues before its final destination in 2012 at the Utah Museum of Fine Arts.

Not exact matches

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

She has been the subject of solo exhibitions at the Institute of Contemporary Art, Boston; Samuel Dorsky Museum of Art at SUNY New Paltz (travelled), and forthcoming at UCLA Hammer Museum, Los Angeles.

For Damien Hirst's first solo exhibition in Bulgaria, the National Art Gallery are presenting the travelling exhibition «New Religion».

Solo exhibitions of her work have been organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014); Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).

RHONDA J. SMITH: TRAVEL AS TALISMAN Terrace Gallery Solo exhibition of intaglio prints exploring journey and discovery On View: January 13 — February 24, 2018

There are solo exhibitions, museum shows, grants and awards, residencies, travel abroad with international exhibitions, private collectors and good collections, sales, perhaps even enough sales to support one's studio or actually pay the bills.

Her art has appeared in numerous solo and group exhibitions (including traveling exhibitions) throughout the United States: California; New York; Chicago, IL; Cincinnati, OH; Baltimore, MD; Washington DC; Boston; Louisville, KY; and Virginia, among others.

In 1971, his first solo museum exhibition originated at the Stedelijk Van Abbemuseum in Eindhoven, the Netherlands, and traveled throughout Europe.

Recently, Alÿs was the subject of solo exhibitions at Portikus, Frankfurt, Germany, MALBA, Buenos Aires, Argentina (2006); Kunstmuseum Wolfsburg, Wolfsburg, Germany [traveled to Musée des Beaux - Arts, Nantes, France and Museo d'Art Contemporani de Barcelona, Barcelona, Spain, and Museo de San Idelfonso, Mexico City, Mexico](all 2005 - 2006); Musée d'Art Contemporain, Avignon, France (2004); Centro nazionale per le arti contemporanee, Rome, Italy [traveled to Kunsthaus Zürich, Zürich, Switzerland and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain](all 2003); and Museum of Modern Art, New York, NY (2002).

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore Museum of Art (2008 - 2009, traveled to Los Angeles County Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).

In his career he had over 100 solo shows, traveling exhibitions, and retrospectives.

Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.

Raymond Pettibon: A Pen of All Work, the solo exhibition by «the enigmatic, fantastically erudite artist,» as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York.

The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»

2018 Breaking Shells, The Koppel Project, London 2017 Lived In, Galleri Opdahl, Stavanger, Norway Ripe, Kingsgate Project Space, London Akh Milk Bile Threat, solo exhibition, Seventeen Gallery, London The Hive Mind, The Koppel Project, London The New Liquid Model, DUVE Berlin, Berlin Fondante, Museo della Frutta, Turin To Figure It Out, Sophie Tappeiner, Vienna Warm lights travel on my ghostly hands, Schwarzwaldallee, Basel Addams Outtakes, Roaming Projects, London Le Nouveau Voyeurisme, Hotel Contemporary, Milan Shahmaran, solo exhibition, Deptford X, London Shahmaran, solo exhibition, Clearview, London 2016 Europa and the Bull, LambdaLambdaLambda, Prishtina And I'll Promise you, Serpentine Gallery Park Nights, London Promise Me, solo exhibition, Jupiter Woods, Vienna Info Pura, Residence Gallery, London No!

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

CHICAGO — On Sunday, February 23rd, traveling from the Guggenheim in New York, Christopher Wool's solo exhibition will open at the Art Institute of Chicago.

Major solo exhibitions include: Sterling Ruby, Baltimore Museum of Art, USA (2014), Droppa Blocka, Museum Dhondt - Dhaenens, Ghent, Belgium (2013), Chron II, Kunsthalle Mainz, Germany (travelling exhibition, 2013), Soft Work, Centre d'Art Contemporain Genève, Switzerland (travelling exhibition, 2012 - 2014) and Supermax 2008, Museum of Contemporary Art, Los Angeles, USA (2008).

Nikki is curating a traveling drawing exhibition; «Drawn Out, Drawn Over: Mapping the Territory of Experience and in the last year has had two solo exhibitions and participated in numerous group exhibitions.

The Denver Art Museum will mount a traveling mid-career survey in the Spring of 2018, to be followed by a smaller solo exhibition at the Ruth and Elmer Wellin Museum of Art in the fall of 2018.

Johnson has also had large - scale solo exhibitions at the South London Gallery (2012); Ballroom Marfa, Texas (2013), which traveled to MCA Denver in 2014; the George Economou Collection in Athens (2014); and most recently at The Drawing Center in New York (2015).

In 2008, her work was the subject of a major solo exhibition, form, color, illumination: Suzan Frecon painting, at The Menil Collection in Houston, Texas, which traveled to the Kunstmuseum Bern in Switzerland.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Solo museum exhibitions include «Paintings 1975 - 1995,» Metropolitan Museum of Art, New York (1995, traveled to Modern Art Museum of Fort Worth; Kunstverein Düsseldorf; and Hayward Gallery, London); Irish Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013).

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Solo exhibition: Branching: The Art of Michael Mazur, Mead Art Museum, Amherst College, Massachusetts (travels to DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1998); group exhibition: Singular Impressions: The Monotype in America, National Museum of American Art, Smithsonian Institution, Washington, D.C.

Marianne Vlaschits «solo exhibition * a disturbance travelling through a medium * is on at Berlin's DUVE, opening September 16 and running to October 29.

Mazur's mother dies; travels to San Francisco to work at the Experimental Workshop on a series of silk monotype screens (colorplate); solo exhibitions: Michael Mazur: Paintings, Prints, Drawings, Monotypes, 1962 - 1988, Macalester College, St. Paul, Minnesota; Joe Fawbush Gallery, New York.

He is currently the Chair of the Sculpture and Integrated Media at the Southwest School of Art has received an Artist Foundation Grant, Artpace Travel Grant, was a finalist for the Arthouse Texas Prize, and has had the privilege of participating in numerous solo and group exhibitions.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

Recent solo exhibitions include volume at Hauser & Wirth, London (2012); Galerie Max Hetzler, Berlin (2010); and line - up which opened at Camden Arts Centre, London, England (2009) and travelled to Gemeentemuseum Den Haag, The Hague, Netherlands (2009) and Carré d'Art — Musée d'Art Contemporain de Nîmes (2010).

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Major recent solo exhibitions include; «A Bit Like You and Me», Yokohama Museum of Art, Yokohama, Japan; traveling to Contemporary Art Museum, Kumamoto, Japan (2012 - 2013) and «Nobody's Fool», Asia Society Museum, New York (2010).

His most recent solo exhibitions include Intersections Intersected: The Photography of David Goldblatt, organized in 2008 by the Fundação de Serralves, Portugal, and curated by Ulrich Loock (travelled to the Malmo Konsthall, Sweden; The New Museum, NY; and the University Museum of Contemporary Art, Umass Amherst); and South African Photographs: David Goldblatt at the Jewish Museum, NY, 2010.

Meets Jim Dine and introduces him to monotype techniques; writes catalogue essay for The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century, Metropolitan Museum of Art, New York (travels to the Museum of Fine Arts, Boston, 1981); the monotype Window Sequence (Fire)(fig) is included in that exhibition; solo exhibition: Pace Editions, New York; group exhibitions: Aspects of the» 70's: Directions in Realism, Danforth Museum, Framingham, Massachusetts; Three Decades, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Realist Works on Paper, Virginia Museum of Fine Arts, Richmond.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

In 1984 he had a solo exhibition at the Serpentine Gallery, London which travelled to Copenhagen, Düsseldorf and Barcelona.

His solo exhibition The Cremaster Cycle, organized by the Solomon R. Guggenheim Museum, New York, travelled to the Museum Ludwig, Cologne, and the Musée d'Art Moderne de la Ville de Paris.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

Until recently, Hulačová has shown almost exclusively in her native Prague, but this year sees her work traveling beyond the Czech Republic to a solo booth at LISTE, a solo exhibition at CEAAC in Strasbourg, and group exhibitions in Berlin and Gdansk.

Among his activities during the last years we might mention a travelling exhibition in Brazil, a solo exhibition in New York, a film premiere in New York and participation at Paris Photo.