Sentences with phrase «something about black people»

You should understand something about black people.

Not exact matches

Recently, a friend who is black shared an insight with me about people who riot (which, by the way, is not something unique to people of color).

When Santorum couldn't admit he said he didn't want to improve black people's lives by giving them other people's money, even though the tape recording, taken together with the context of what he was saying, clearly shows that he said black, then that's dishonesty, that's lying, something that his christian faith should have informed him about.

Starbucks has since apologized for the incident and announced that it plans to close all 8,000 of it's U.S. stores for implicit racial bias training, which is both appropriate and proves that this is about something much larger than one isolated incident: this is about the ubiquitous, cultural fear of black people.

Cares enormously about children in resettlement camps, who must drink water to fill their stomachs because there is no food; he cares about shivering women at Nyanga whose flimsy plastic shelters are being destroyed by police; He cares that the influx control system together with Bantunization are destroying black family life not accidentally but by deliberate government policy; He cares that people die mysteriously in detention; He cares that something horrible is happening in this country when a man will often mow down his family before turning the gun on himself; He cares that life seems so dirt cheap (cited in Maimela 1986:43).

Tell me something, if the Catholic church rulled the mark of cain refered to black people, and thus would only pay for insurance for their white employees, and the Obama administration said that was not permissable; would you be defending their right to stand on principle, defending their right to deny insurance for their black employees on principle, and complaining about the cost of insuring their black employees?

I would say I would sell it but the last time I tried to sell something I found out that people weren't as excited about black bean brownies as I was.

LeBron speaking up about problems that black people face and when he said something about me, it put a spotlight on HBCUs.

while i can definitely get behind curbing consumption every day, (which, like you said is the point), i read something recently that made me rethink buy nothing day: http://www.sojo.net/blog/godspolitics/?p=4014 it argues that buy nothing day is a day for priviledged white people to assuage their guilt about their own over-consumption while simultaneously looking down on lower - income people who may not be able to afford to pass up those black friday doorbusters.

Well, a modern racist would realize that you're asking him to be logically consistent about color, and he'll say something like, «Well if I woke up black it'd change me as a person.»

I don't often talk about wearing black as I try to encourage people to look beyond the current basics, but even I have to say that it's something special with the combo of tan and black.

Something about all black and shades of grey make me think of a sleek French person, hah!

I don't know what other people think, but I don't think most white men are going to look at something like this video and make a decision based off seeing this about whether or not to include black women as dating choices in their lives.

Even if one makes allowances for the comic book aspects of the story and the required suspension of disbelief, there is something ludicrous, to put it mildly, about the assertion that seeing an African king possessed of superhuman strength and agility back - flipping across the screen speaks in some profound way to the situation facing the masses of people, black, white or any other epidermal pigmentation.

His new series, Mary Kills People, a black comedy about the controversial practice of euthanasia, is something very different.

However, something seems to be a little off about two people doing housework, who just so happen to be black.

And I'll think, «If a black person is communicating something about his experience, he should be able to do it, and you policing it is very interesting.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

Confused fans took to Twitter to express their bewilderment and disappointment with the surprising delineation, with some saying it revealed something about the way predominantly white culture processes artistic commentary on racism and black people's experience:

I agree with you on that one Raven.Its like saying COD took from MOH back in the day but you do nt hear any bitching about that.I mean COD would be nothing if it wasnt for MOH.The difference between the two is that one wasnt milked and the others utters are completely dry.MOH is is going to be what it should be and COD will be what it always has been.Just because MOH is going modern everyone automatically thinks oh my god is a COD rip off or oh my god its a BFBC rip off.All Dangerclose are trying to do is see how well MOH can handle being in a tank full of sharks by trying something new other then WW2.I do nt hear people complaining about how WAW was or how black ops is leaving WW2 and going into the 70s earlier 80s.

Anyway, people here are lecturing the fans about how it doesn't matter if Sonic has green eyes or black, and that it's not something to be complaining about.

She wasn't allowed to tell about the game to people who don't work there, but she said something about Black Panther....

What you need to know about modernism is that it's something white people can do and black people can not do.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

«Most people in the room probably know a little something about Black Mountain College, and it's probably part wrong and part true,» said Helen Molesworth.

if a person said to me «i do nt believe in the value of professional graphic design, and i wanted to know whether they knew anything about the topic, i could ask — what programme do you use, — if you were producing something for print, what colour scheme would you use, — are pixels or vectors better for large scale printing — what bleed would you set and why would use registration or crop marks — how do you deal with over-print — would use rich - black for text etc, etc, etc

in the uk it is likely black market cigarette consumption is in excess of 50 % in some areas, people will only take so much taxation before they do something about it, in the uk that time passed a long time ago for cigarettes and to some extent energy costs.