Sentences with phrase «something about its camera»

There's something about cameras in this game that bothers me and it has to do with those darn demon cameras in the game and the camera you «control» while playing.

Not exact matches

Tesla's Autopilot system uses cameras, radar and computers to detect objects and automatically brake if the car is about to hit something.

Blippar allows a user to point their phone camera at something such as a coffee mug or plant, and get detailed information about it.

The finished burgers were something you'd grab your camera for and like a big dork, brag to your friends about on social media.

All I could think about watching him move around the ring, cautiously counter-punching from his lanky frame as models squealed and cameras popped was something he'd told me — a stock quote of his, but a good one — about the initial germ biting him.

Something about the smug look on her face as she looks back at the camera after depositing the pre-chewed food into her child's mouth just really rubbed me the wrong way...

The built - in microphone performed about as well as you'd hope for something small enough to fit in a camera like this, catching the highs pretty well and not letting background noise overwhelm the music.

John Evans, the Buffalo Police Benevolent Association's first vice president, said the police union has participated in past discussions with department administrators about body cameras, but its only official role is to negotiate potential disciplinary procedures if an officer was recorded doing something wrong.

In fact, it might derive from something as simple as a street photo snapped with a cell phone camera, or you could use photo editing software to devise an image that just about any human would recognize is irrational or nonsensical, but that even today's smartest computers might pass over as reasonable.

And don't be silly about the iPhone pics, I'm pretty sure the majority of us use our iPhones for all of our pics;) I'm not walking around everywhere with a big professional camera in case something blog worthy happens lol.

It's about time someone came up with something stylish so we don't look like «tourists» when we take our cameras out!

You can make great pictures with it and if you don't know what kind of camera this is I'm gonna tell you something about it!

There is something that is so wonderfully beautiful and natural about these two when in front of the camera.

Something to consider about the first person perspective: after playing the game it's safe to say that they used that perspective for aesthetic purposes: for one, it's more immersive that way, and many of the environments are so small that a third person camera wouldn't work.

There's something weirdly effective about the artistic desperation, which includes inserts of chalkboard animation and to - the - camera testimonials.

Also the camera is very good in about any situation I encountered - I find that is something many games really struggle with!.

Even before the camera pulls back to reveal that this fetishised scene is in fact part of an elaborately staged photo shoot, there is something curiously specious about it.

Though it's nice to see Elizabeth Shue back in front of the camera as Lawrence's protective mother, her character is perhaps the most one - dimensional of the bunch (and that's saying something), while just about every scene featuring Max Thieriot is the equivalent of watching paint dry.

One of the cool things about the movie (though not necessarily original) is that after he does something really cool, the film will instant replay it in slow motion and from various camera angles.

There's a real paucity of films about our venomous culture of self - hate and the tyranny of appearance, and a time or two Miss Congeniality seems on the verge of saying something with its odd voyeuristic device of having Gracie wander around with a P.O.V. camera, but in the end the picture is all lip service paid to the altar of sneering asides and being a magnificent prick.

Something that blew me away about this flick was that the guys who made it made the camera it was shot on as well.

The story earns its moments of joy and sadness but what we should really treasure is the opportunity to meet these people - in front of and behind the camera - and learn something beautiful about them.

Buses are flown, structures suffer major damages, and people are strewn about willy - nilly, — many of which are in high - security areas where there would likely be security cameras, like bank vaults, airports and world monuments — and yet, we're supposed to believe that only the Paladins have caught wind that there is something unfathomably bizarre going on?

Hooper's camera hovers in close - up over bare shoulders, knees, and ankles, none of them Elbe's: a tease, as though the movie were always hanging on the cusp of having something kinky to say about the two meanings of the word sex and what they might have to do with one another.

I've been meaning to post something about 11 - year - old film critic Jackson Murphy (aka Lights Camera Jackson) for a while now, but for whatever reason I just never got around to it.

As we were preparing for this year's Envelope Roundtables we kept asking ourselves, would the thing everyone is talking about be something people would actually want to talk about, live, unscripted and on - camera?

There's something incredibly moving about children's ability to play and make their own fun amid chaotic and tragic situations and this film nailed it, training the camera on 7 - year - old actor Brooklynn Prince and her on - screen friends as they explore and goof around while mother Halley (Bria Vinaite) does whatever she must to make rent.

For most of the film, Michell flounders about with the camera, trying all kinds of different, bizarre angles, as if hoping something will stick.

The strange thing about Grimsby is that it works much better as a Bond - spoofing actioner than it does as a politically incorrect rib - tickler which might have something to do with it being Louis Leterrier behind the camera instead of Cohens customary collaborator Larry Charles.

There's something almost grungy about the handheld, digital camera, too: it evokes the lower class milieu in which Frankie finds himself — just outside of the city, where masculinity is tightly regulated, and deviations from the norm aren't accepted.

Drinking Rules for The Conjuring: 1) drink every time a door opens, closes or is knocked 2) Drink whenever the Warrens explain something about the paranormal 3) drink any time the camera makes an ambitious turn / swoop / dolly movement Finish Your Drink When: Ed Warren (Patrick Wilson) shouts «Bathsheba!

When the cameras turn to the Squeakquel cast, the level of analysis plummets, perhaps revealing something about the mindlessness of this latest incarnation.

Cagney's a great actor, of course, but both he and Day seemed totally lacking in energy, as did the direction by Charles Vidor — I swear there were only two camera setups through the first 30 + minutes of he film: Day on stage in a flat composition in front of musicians and a solid color backdrop with neither camera nor actors moving much at all and Day and Cagney in her dressing room arguing about something.

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With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

This works with the standard backup camera to stop the car if you're about to back into something, or someone.

The parking camera sensors features are something to talk about.

Other gripes about the car include the lack of a rear parking camera and sunroof at this price point, the latter is something which transforms the cabin by making it feel drastically more airy.

Reading the title Songs of My Selfie: An Anthology of Millennial Stories, I can't help but think of some 20 - something guy strumming a guitar and singing longingly about all he doesn't have (when he really has it pretty great) while seductively staring into his iPhone camera that's rigged up on a selfie stick.

Thanks for your review one question what about the battery life, Also you mentioned that the Camera is not that good but how bad is that, is it something that one can live with considering that this is a tablet and not photograohic device?

Though 8 MP is something that was talked about in 2011 for the camera, this may change given the current standards that are available in the market.

Usually by the time you pick up the camera, even if it's handy, they're either doing something else, or do something else due to the fact you have the camera in hand and become curious about what you're playing with.

There's just something invigorating about being in crystal - clear water with so many beautiful fish; it always makes me wish I had an underwater camera.

Anyway, Ueda says something about girls wearing skirts, and given full camera control, he doesn't want players to just upskirt all day.

Most games can be played from a seated position, so going out of view of the camera is not something one has to worry too much about.

The camera work foreshadows much of the action so players will always know in the back of their mind when something is about to pounce.

Targeting individuals brings up some general information about them and something's they may not want others to know about them, and if you have ever seen the T.V. show «Person of Interest» the effect is a kin to when the super computer in that show is scoping people out through the various cameras and Satellites around the world.

It really is something of a glaring flaw, as I died to camera - related issues about as often as I did to actual hazards and enemies.

Your painting synchronizes the struggle of the camera to adjust the shape of the image as it focuses in on something, the eye's struggle to adjust to it at the same time, and the brush's attempt to capture this movement through the LCD haze... a painting about the hazards of drunk - texting perhaps?

I don't think I've ever been so inspired by a structure before, it's not my usual turn on, but something about the minimalism and the textures of the concrete, the strong lines and shades of gray are great fodder for a kind of image I am interested in exploring, with vibrating camera work that is between a still and moving image.