Sentences with phrase «something kind of movie»

Haha sometimes you got to make people stare to take the perfect picture... I love the one where you are twirling — there's something kind of movie magic moment to it if you know what I mean?

Not exact matches

I think it's that thing of fantastical insane things coming out of an every day kind of story — the movie starts in a very real world to start with, and then flowers into something fantastical and crazy.

I always like to treat them to something fun and special on those kind of evenings, so we called up Grammie and all went out for dinner and a movie.

Things I'm thinking about could be things like having his seat changed in class so he's next to someone he has conflict with, learning new skills at school that he's not confident about and is struggling with, some new kind of food he's ingesting at school that has something that's irritating his system (artificial dyes or sweeteners would be my first guesses), something other kids are talking about that are scaring him (movies or tv shows or stories).

6 months after we were in the relationship he got a job in a supermarket as security guard, but here in my country that does nt really makes a lot, its like almost $ 300 dollars per month, i make 600 up to 800 per month, by taking calls in a call center, he never went to college he only graduated highschool, im in law school right now... from the very beginning since i knew he did nt have a job or was making money he could spend, if i had money i would invite him out to dinner, or to the movies or whatever and it was me paying for it which i did nt mind, he is not the kind of men who buys flower, or invite u to the movies, or out, he rather visit me at home and watch a movie in netflix and thats it, we have made plans to go out, but none of them works out, something always happen, and the day it may happen, i say no, just because i think i will have to pay for the date..

: (Kind of like having to go out to a movie when you just want to stay home and watch something good with your family!

Just a laid back, honest, kind girl who loves games, movies, and more who wants to find something real with someone who doesn't mind ending the night with a few round of COD TDM

The lifeless vibe persists for much of the movie's overlong running time, and although the return to Vegas towards the end is kind of amusing, The Hangover: Part III has long - since established itself as a predictably pointless closer to a consistently half - baked franchise (ie it's saying something that this is the least objectionable installment in the series).

It's the kind of movie I would take my fussy out - of - town relatives to, but not something I would recommend to discerning cinemagoers.

This is the kind of movie where you desperately want to «feel» something, but the narrative pretensions and thematic ambitions consistently get in the way of you bringing out as much as you bring in.

Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded

Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded onto your screen!!!! It's a bit like something you'd see on Disney Channel, like in the same league as Lizzie McGuire.

It wasn't funny (though I actually loved «Sarah Marshall» and «Greek», movies that didn't try to be something they weren't), it wasn't dramatic, the bits that were supposed to be funny just felt kind of depressing, and although I've been a fan of Jason Segal since Freaks and Geeks, his Eeyore shtick is starting to get a little old.

Banderas is solid, and this isn't exactly the kind of movie you'll see 47 clones of every year year, so props, but Gun Shy is not something I ever want to revisit.

For Mana, showing up for practice and competing in the meet are acts of open defiance, and Ariki isn't the kind of character you want to make angry, which pulls the openly conflicted Gen into the center of a potentially violent situation — one that feels like something out of a Paul Schrader movie (say, Travis Bickle's foolhardy attempt to liberate Iris at the end of «Taxi Driver») rather than the sort of climax audiences might anticipate from this otherwise Disney - appropriate inspirational drama.

Still, there's something to be said for a video game adaptation being an interesting and well - intentioned failure and not a raging garbage fire, as is often the default with this kind of movie.

But I will say that making this movie and kind of what we had to contend with, as actors, in making something like this, all of the pieces that Naomi was talking about had to — you know, having the table moving out and needing to rely on each other the way the company does, I think is incredibly helpful now going into theatre in that way and realizing that you're you know you operate very much as a unit.

Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.

Kind of cool BUT there were no morals for children to learn, just cool action which is something that most movies lack nowadays.

If you ignore the fact that there's already something called The People's Choice Awards, then the MTV Movie Awards are kind of like the awards show of the people.

NOAH BAUMBACH: Well at different points in my life it's been different people and I — as an adolescent, I sort of had that experience in movies that Walt had with Pink Floyd, this kind of vicarious, sort of collaborative feeling in that listening or watching became sort of a work in progress: a journey you were taking along with an artist to create something new.

Snowden himself was something of a geek and technocrat, not the kind of flamboyant figure who populated many of Stone's earlier movies.

But there's also something interesting about the movie's deliberate musical anachronisms, which operate as kind of a crude unifying theory of poptimism, depicting everything from opera to circus sideshows as polished, MOR crossover hits, all millennial whoops, generically walloping beats, and self - actualization.

Just sticking to relatively recent television (as opposed to something like the movie version of From Hell), The Alienist arrives after The Knick and Boardwalk Empire featured a New York only slightly further in the future, Peaky Blinders and Penny Dreadful have done the same across the pond (the latter featuring an alienist character of its own), and Netflix's Mindhunter tackled the»70s codification of the kinds of criminal profiling that Kreizler fumbles about with here.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

After all, zombies and other movie monsters are always representations of some kind of human or social anxiety; the fact that they are metaphors for something different this time (i.e. the fear of change and of standing still) doesn't make it bad.

This, of course, includes the inventor and over-protective father, Cade Yeager (Mark Wahlberg, «Patriots Day»), who replaced LaBeouf (who is currently engaged in some kind of flag war with Donald Trump or something like that) in the equally bad, previous movie, «Transformers: Age of Extinction.»

There's all kinds of complexities inherent in the film, and even if the movie turns out to be everything we hope, it doesn't really seem to be something that'll get a lot of awards play.

Something similar can happen in Telluride, where attendees celebrate their shared good taste and finally get to have the kind of conversations about movies — and other subjects, which this year included Natalie Portman - produced meat - is - murder doc «Eating Animals» and global - warming call - to - action «An Inconvenient Sequel: Truth to Power,» introduced by Al Gore himself — they can't have back home.

Hitchcock scholars will spin themselves into a fine powder spotting everything that's tonally or factually wrong about the piece (the movie implies that Psycho was shot on the Paramount lot, something that will come as some surprise to visitors of the Universal Studios tour); others will avoid it because it looks exactly like the kind of populist, elder - sploitative happy horseshit that it is.

Nevertheless, moviegoers of all kinds should find something worthwhile in the weeks ahead, as the summer movie season proper finally falls upon us.

This takes up a large chunk of the film's run time as it kind of seems like a set up to something bigger for the upcoming Avengers movie that's being released in May of 2019.

Wes Anderson movies are possibly the closest thing to an event movie for the... I was going to say something like «indie nerd cinephile set,» but the truth is Anderson's films are beloved by all kinds of audiences — those who love tentpoles, cineastes, sci - fi aficionados, etc..

It wants to say something about the media's obsession with the darker nature of humanity and how the populace continually feeds it (or vice versa), but the movie plays right into its own statement, certainly giving us all kinds of violence but without providing any worthwhile context.

Winstead said, «That's actually the one Coen Brothers movie I watched before we started, because I thought maybe there would be something there to kind of pick up on.»

It's an indie movie, so of course the character of Miss Stevens is something of an emotional mess prone to poor choices, and there's a cute, boundary - pushing high - school boy so you're kind of constantly waiting for the other shoe to drop, but Miss Stevens is smart enough to navigate some of that by - the - numbers terrain to end up in some unexpected (and rewarding) emotional moments.

Violence is generally made way too palatable in these kind of movies and it's become something that we have developed a tolerance for as an audience and there's something wrong about that.

«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea

To see his name attached to a new movie is something of a surprise - but sadly the movie again seems to be one which plunges the depths, with the Wes Craven - scripted Pulse attracting the kind of vicious reviews which don't actually get dished out all that often.

I honestly don't know how you take this many funny people and put them in a movie together and come out with something this unfunny but Office Christmas Party manages to render even Kate McKinnon and Jillian Bell only kind of funny.

This kind of filmmaking is painfully rare in America, and it's something of a minor miracle that McCarthy was able to fool investors into funding this movie; happily it's good enough and, frankly, winning enough that audiences will likely take to it and return the favor.

It is getting kind of old watching him yell and flail his arms wildly before doing something violent in each movie.

This highly underrated movie was something of a flop when first released; you can kind of see why, as its story of a young girl infatuated with tales of the pirate Mack the Black and a circus performer who gets mistaken for said pirate is a bit all over the place, and the musical numbers fall toward the overly frenzied.

With that said, however, «The Man with the Iron Fists» looks every bit like the kind of chop - socky B - movies that RZA grew up watching, so if you're expecting something more along the lines of «Kill Bill,» there's a pretty good chance you're going to walk away disappointed.

The narrative of these two movies, which both premiered at Sundance last January, has been that Beach Rats is not the kind of movie we need right now, as if the closet were something that could go out of fashion, rather than the enduring social condition that it is.

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Even (or especially) when the film passes through its lowest depths, I try to apply the idea that a movie like Jack and Jill is some kind of meta - textual commentary, something cinema studies majors can write papers on.

Mainly only of interest for blaxploitation fans and lovers of bad movies, but there's something kind of endearing about a film that tries so hard to entertain despite there being not an ounce of talent among any of the participants.

In Saturday Night Live sketches and early movies like Billy Madison and Happy Gilmore, Sandler certainly has something, but part of what's compelling about him as a comic presence is a kind of goofy, vamping sheepishness about being the center of attention — coupled with a secret desire to hold that attention, hence the stammer - to - roar dynamic of the old «Denise Show» bit on SNL or the righteously ill temper of Happy Gilmore.

Something that's kind of poignant to me is the movie,