Sentences with phrase «something of a different story»

The Energi Sliding Power Case is something of a different story.

Not exact matches

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

But passing on a story is what binds the generations together, and it is something quite different from the shared association of those concerned above all else for their respective career trajectories.

My story is different from yours, I have not an issue with sexuality, but I know that there is something very wrong with the church and there are so many things in it that contradict the words of Yeshua.

Then, I think, this Gospel goes on to lead the reader beyond the point where one is concerned with the physical body of Christ; and in the story of Thomas it shows that faith is not to be established by sight; that you have got to look beyond any objective truth of the kind which might be established by visible, tangible, corporeal manifestations: to look beyond that to something different.

So you've got something of the classic literary situation here in which you have different versions of the same story, with Portis having the honor of being the originating Homer.

I love this cake because it is so warm, lightly spiced, super light, super easy to make and it has such a bright and sunny color (something we desperately need since Toronto has been covered in gray all of last week) Although I had the cake down, the pistachio white chocolate frosting was a different story.

He is refusing to accept the natural arc of the sporting story; he has, instead, reshaped himself into something different in character but equally potent.

AG: The shorter version of my story is that I'd been working as a freelance food writer for about a decade but felt called to do something different.

If you're looking to pick up something different from your next book, I highly recommend Born a Crime, a non-fiction collection of stories from Trevor Noah.

«If I disclose something I got from the Board of Education, that's a different story.»

On the other hand, if ACTH was low, but your cortisol is high, then that's a totally different story, and that's indicating that something is going on, likely with your immune system, that is, I wouldn't say attacking, but telling your adrenal glands to make cortisol when the rest of your body and your brain doesn't want it.

Yasmina Ykelenstam: Pursuing a story and I wanted to do something different with my blog which was — I mean maybe not different, but there aren't many bloggers who kind of approached things from the scientific standpoint --

Of course, the possibility of behavioral derangement / carb - creep is a different story, something I personally have to really watch out foOf course, the possibility of behavioral derangement / carb - creep is a different story, something I personally have to really watch out foof behavioral derangement / carb - creep is a different story, something I personally have to really watch out for.

We'll stick with the clogged artery for a moment and coronary artery disease but you have a number of anecdotes in your book, different people that you've worked with and one of them I just wanted to highlight because I know someone who has recently had something similar so this was your story with Barry and Elizabeth and Barry had... his mind went blank.

If there's one thing I learned at the Muse and the Marketplace writer's conference in Boston last weekend, it's that every story is, in its essence, The Odyssey (yes, the Homer one you read in high school), and has to be about a journey in which the protagonist (in the case of the following story, that would be me) yearns for something, sets out to find it, and ends up in a different place from where she started.

This week we have something a little different for our readers, One of members was kind enough to let us know his story of using our site and what it meant to him, so without further ado here is his story.

With all these new characters, one would assume something different would come of it, but they're all in service of a generic story of a reluctant heir and evil forces trying to take over the kingdom told with progressively less of the cheek we've come to expect.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!

Unfortunately, this part of the story serves something different than actual plot.

The first is an examination of the truth as something which is clouded and fragmented - we have one figure, with multiple stories surrounding her and different viewpoints on the events that befell her.

Spark Unlimited tried something different with Lost Planet 3, but failed to create an immersing world where the player truly cares about the story, and on top of that, the game suffers from many technical issues.

the idea of a story revolving around an average guy becoming a «super hero» vanishes completely, and I felt tricked into being forced to follow Big Daddy and Hit Girl as the main characters... I loved what the movie was, but wanted something different, and will read the comics before seeing any sequels.

After hearing so many different opinions about this movie I finally decided to go and see it myself, not too sure if I had to expect something superb or a terrible movie... The story is essentially about a team of villains set up to save the US (and basically the World) using their bad habits.

You might appreciate him doing something different and the big, boisterous and beautiful imagery will carry you away, but if you're expecting another example of a story that's been tweaked and polished until it's as tight as a guitar string, it won't be your favourite Nolan.

The visuals on the other hand, are a mixed bag — due to the nature of the story quite a bit of the game is spent in desolate industrial environments and grim mechanical facilities, but when the vast majority of Sonic games are hyper - colorful romps through technicolor wonderlands I'm willing to give Sonic Team a pass for trying something different.

There's no central figure, Story instead using her snapshots of different individuals to suggest something grander — namely, Americans» inescapable entanglement with their country's prison system.

The screen will then cut to something like «Four days earlier...» and follow the story arcs of several different characters, showing the events that will lead to final epic battle.

Halloween was something completely different — a story about a killer child who grew up to become the personification of evil, Michael Myers.

The movie has something different to offer audiences depending on what part of the story they can relate to the most.

And whilst it may not expand on the story, its usually quite nice seeing it from another point of view, and that its more gun orientated - its refreshing when developers use DLC to try something (even slightly) different from the main game rather than just an extension.

This isn't the Old Testament prehistory we've seen before — Aronofsky draws from both Christian and Jewish religious texts to fill out the story (which is actually quite short in the Bible) and offers bleak, poisoned world before the flood quite different from the Mediterranean deserts and forests of previous films — and it accomplishes something quite powerful, vivid and unexpected as a result.

While I'm a little skeptical of the decision for a vague Eastern European accent from Chastain, at least it's something different than the old «an English accent will work for any foreign story» trope that's been going on forever.

«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea

It's all in service of trying something different with a Thor story (a Thtory?)

The blending of multiple genres, great jokes, and a somewhat original story all aid in creating something intriguingly different.

At the end of the day, there are so many different stories to tell that for me, choosing this one was a thing that I learned, which was: Choose something that you feel people can relate to and connect to.

You have to wonder if Scottish director Kevin Macdonald realized, when he decided to do something different than his successful mountain climbing documentary «Touching the Void,» what a turnabout it would be to dramatize the story of one of the great despotic leaders of the world.

Whether it's the way the four - part series follows investigators» deconstruction of the timeline, the perfunctory introduction of different potential accessories in the case, or the steady return to the same archival footage and mugshots, the show takes a conventional approach when it's clear this story is demanding something different.

The latest game, Ys VIII: Lacrimosa of Dana, is no different, but it does have something more recent entries have lacked — a memorable story.

Something else that came up during the Q&A is the fact that it provides an opportunity for different writers and directors to tell a story in this shared universe through the prism of their own point of view.

Without a story campaign, there presumably aren't any narrative threads directly tying it to the previous Black Ops games, which suggests that using the name is a potentially shallow tactic to hook in fans of the subseries that would otherwise pass on the game were it named something different.

Watching the film, though, is to see something completely different in the realm of these stories.

First - time director Jennifer Yuh Nelson, a story artist on the first film and the rare woman given the helm in animation, and returning writers Jonathan Aibel and Glenn Berger make sure you're not just getting more of the same or something incompatibly different.

But about a third of the way into this book, something happens that switches it onto entirely other, slipperier rails: you think you're in a quirky voice story, and then BOOM — you're in a whole different, and darker place.

Here's something a little different for anyone struggling with writer's block or for someone who can't move forward with a story because of a desire to edit.

If doing a bit of wartime nursing and then writing the story of your crime after all the people to whom it might matter have died, first changing the ending so that it will be more acceptable to the reader, then Briony's definition of atonement is something different from the accepted one.

It was really one of those moments that's not particularly well - planned or anything, where you think to yourself, «I'd really like to do something different,» I'd like to stay in an industry where technology is being used creatively in terms of the consumer and the creator and is involved in story telling in some way.

I often think of it as a kind of desperation - one that is probably known by a lot of working writers — an urge to do something different, to make something from nothing: a compelling story, unforgettable characters, a message, maybe.

When we were writing our short story for The Mystery Box, we wanted to explore the idea that a box might be something worth killing for — but what happens when the contents of the box are very different from what the killer expected?