When Season Two kicks off (with the first episode the last episode
of the second disc in a bit
of what I like to call «bad planning») with a cameo from everybody's favourite dead franchise hero
Daredevil, it's apparent that whatever Korean sweat shop was extruding the templates for the first thirteen episodes had been cashed in for a
somewhat superior Korean sweat shop priding themselves on animating something like 12 frames / second instead
of an appalling four.