The movie's shambling, episodic structure ensures that certain sequences fare much better than others, and it's ultimately clear that Nebraska is at its best when focused on the father /
son dynamic between Dern and Forte's respective characters - with the heartfelt authenticity of such moments generally compensating for the movie's various deficiencies.
Though it feels a lot like Jeff Nichols» Southern Gothic crime drama, «Mud» (which is ironic since Green reportedly cast youngster Tye Sheridan based on his work in that film), they're very different stories apart from the father -
son dynamic between the two leads.
Not exact matches
The Father generates his
Son, the Word, as his other Self — and the infinite
dynamic of love
between them is the Holy Spirit.
But then he insists «our constructive descriptions of the interpersonal
dynamic between Father,
Son, and Spirit must... find a way to foreground such words of gritty relational transparency.»
Reading an article the other day, titled «What happens when we loose it» gave me the impetus I needed to do my homework on understanding this
dynamic between me and my
son and how to best deal with it.
The announcement is not much of a surprise for anyone who has followed the
dynamic between father and
son, but the timing is still significant.
The
dynamic between the two is incredibly intimate because they are actually father and
son in real life.
This is a very streamlined film, focused on the dynamics
between survivalist patriarch Paul (Joel Edgerton); his shy, kind, heavily armed wife Sarah (Carmen Ejogo); and their teenage
son Travis (Kelvin Harrison Jr.) That
dynamic is exploded, rebuilt, and exploded again after a stranger named Will (Christopher Abbott) tries to break down their front door late one night.
Branagh, a veteran actor and director of Shakespearean films, breaths as much gravitas into the movie as it has room for, establishing a well - defined and deeply troubled father -
son - brother
dynamic between Thor, Odin, and Loki that would make the Bard proud, and balancing it with just enough humor.
It exposes the
dynamic between the corporate raider - turned - activist investor and a
son who has been slowly cutting his teeth in money management.
He quipped that it added a
dynamic between Kratos and Atreus as the
son understands this Norse world in ways that the father simply cant.
The third - person reboot of the God of War series received a decent chunk of stage time, with an extended look at the relationship
dynamic between Kratos and his
son, something that will hopefully elevate God of War's story above the simple revenge plot the series usually sticks to.