Mr. Gage suggested that the underlying theme of the case was «this father -
son emotional relationship.»
Not exact matches
I implore you, don't interfere with your two
sons emotional development, they'll spend their entire lives in and out of bad
relationships and marriages (and divorce courts) listening to your craziness.
The film changes a few bits from the book, including making Jo - Jo the shirker into the Mayor's
son, giving the film a deeper
emotional center, serving as an additional
relationship to go with the bond between Horton and the mayor, but most of the rest of the story is still in place, held together by Charles Osgood's narration, which has just the right effect.
Like «The Babadook» and «Goodnight Mommy» before it, «Hereditary» involves a
relationship between a mother (Toni Collette, delivering an Oscar - worthy master - class in
emotional terror made physical much like Essie Davis did in «Babadook») and a
son (Alex Wolff, heartbreaking and hypnotic) that is first contorted then corroded entire by unfathomable grief.
After so long, you have a family film jis mein aapko kaafi
relationship ke baare mein, ek father -
son waali
relationship ke baare mein usko relish karne ka ek film mein entertaining aur thoda sa
emotional way mein dikhaya jaa raha hai.
For a blockbuster sequel, it actually has quite a bit of character and
relationship building, and it hits some
emotional spots in its thematic exploration of father -
son relationships.
Joey appears as a character in Buckley's novel, but Reitman has made Naylor's warm
relationship with his
son (played by ubiquitous child actor Cameron Bright) the
emotional center of the movie.
In the final moments of Skyfall the film explores symbolic mother /
son and sibling
relationships, giving the action purpose and
emotional engagement.
Learning that this was a letter to the director's father and the strong father -
son relationship they share, it was a positive sign for the films quality and
emotional depth that would soon drive the film to its eventual pulse - pounding gravitas.
Whether or not it is designed as an allegory of modern Russia, no film in recent memory has examined the growing emptiness of human
relationships with such expressive force as Andrey Zvyagintsev's («Leviathan») Loveless, a heart wrenching drama about a couple on the brink of divorce whose
emotional neglect of their
son leads to devastating...
The actors consider what is revealed about the background to the mother /
son relationship and the
emotional implications.
In 1974 Minuchin described the involvement as occurring along a continuum that lies between enmeshment at one extreme (perhaps the mother -
son relationship in the example above) and disengagement at the other (perhaps the increasing
emotional distance between his mother and father).
The first physical and
emotional relationship between the mother and
son is established between the two right after birth.