Sentences with phrase «song opens the film»

Also, the Swedish singer - songwriter Loney Dear, whose song opens the film, was the first person who got on board.

Not exact matches

The opening lines of the All - American Girls Professional Baseball League theme song, popularized by the 1992 film A League of Their Own, are an invitation: «Batter up!

Open creative side and find inspiration in things round you as well as your favorite songs films, book, or hobby.

Another studio that couldn't score with critics or moviegoers in 2013, Open Road managed only one positively reviewed film: Steven Soderbergh's swan song Side Effects.

Perhaps fewer will recognize Batman animated voice actor Kevin Conroy in a cameo, or have any knowledge of Anthrax «s song «I'm the Man,» a cover of which opens the film.

Based on a real piece choreographed by Ohad Naharin and appropriately scored to the classic Passover jam «Echad Mi Yodea» (a fun song that simplifies an age - old struggle), this opening gambit offers a prime example of the forcefulness missing from the rest of the film, even though Padilha finds a way to bring Batsheva back.

The flip - book style opening credits and accompanying heartfelt song were the best parts of the film, by far.

He even includes the original film's songs (Kenny Loggins» voice does make an appearance in the opening sequence) and even the yellow Beetle car, presumably as some sort of nostalgic tribute.

Also, big fan of the soundtracks they have used — the first film had lots of good songs (but for some reason never had an official soundtrack) and I thought it was great that they used Middle Distance Runner's «The Sun and Earth» during the opening credits / flashback of Part 2 — the video is posted at

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

It's clear that Masters of the Universe is a derivative film, from the very Superman - like opening credits and theme song, to the Star Wars type confrontations, and some even cite Jack Kirby's «New Gods» comic books as a primary source, although my belief is that the film's creators merely ripped - off other sources that were influenced Kirby's creations rather than a direct lifting of characters and themes.

In case you missed the first five movies (and to show you how little the plot actually matters in these films), the opening credit scene summarizes them all in the span of one blaring pop song.

While the script never acknowledges that the other Ghostbusters ever existed, there are plenty of homages to the original film, including the theme song and cameos by both actors and CGI characters that will be appreciated by diehards (with an open mind).

From the very beginning of the film Fincher sets the tone with a brilliant opening titles sequence that projects dark and twisted techno - punk imagery to an adrenaline fueled cover of Led Zeppelin's «Immigrant Song» produced by Trent Reznor and Atticus Ross with vocals from Karen O from the band the Yeah Yeah Yeah's.

The film's opening theme tune, Everybody Needs A Best Friend, received an Oscar nomination for best original song, although it lost out to Adele's title track to the James Bond film Skyfall.

The film's tension begins to rise with the band's opening song; a rendition of The Dead Kennedy's Nazi Punks F**k Off before rising once again when they happen upon the murder of a young woman in the Green Room.

Song to Song is the Opening Night film of the 2017 SXSW Film Festival.

It's almost hard to describe a film that features Led Zeppelin's «Immigrant Song» during its opening credits and then ends the film with Enya's «Sail Away.»

Many of the films that opened here this year had played elsewhere previously; Isao Takahata's The Tale of the Princess Kaguya first opened in Japan back in 2013, while Tomm Moore's superb Song of the Sea opened in the US (and elsewhere) in 2014; both competed for the best animated feature Oscar in February of this year.

While a few silly musical numbers liven up proceedings (including one frankly bizarre sex scene), the film never lives up to its opening title song, a thrilling Spanish ballad belted over the credits by Christina Aguilera.

The film opens with a man running through the alleys of Berlin while 80s songs play in the background.

Mickey, Donald, Goofy: The Three Musketeers opens with a troubadour turtle who unexpectedly gets a chance to narrate the film with song and a 64 - page comic book as his storytelling tools.

As for Sting, his contributions to the film were reduced to two original songs, an opening Tom Jones number and the end credits song that is distant in tone but quite agreeable and the subject of the film's only Grammy, Golden Globe, and Academy Award nominations.

The Vacation remake / reboot opens with the song Holiday Road which also opened the 1983 film.

They make for a potent, eye - opening double feature, and I'd venture to say this probably belonged among the films nominated for Best Documentary Feature as well as for its Diane Warren - penned song.

As the film opens, Jessie and her husband Gerald (Bruce Greenwood) are listening to a Sam Cooke song on the stereo of their absurdly expensive car, on their way to a weekend retreat where they hope to reignite their marriage over $ 200 - a-serving Kobe steaks.

As the film opens, Jessie and her husband Gerald (Bruce Greenwood) are listening to a Sam Cooke song on the stereo of Gerald's expensive sports car, on their way to the bourgeois lake house where they hope to reignite their 11 - year marriage over $ 200 - a-serving Kobe steaks.

Opening scenes in which a jaunty song about breakfast and lively encounters with Umi's housemates are juxtaposed with her lonely ritual of flag - raising, set the tone for the film's balance of postwar optimism and sense of possibility with the lingering melancholy of absence, loss and longing.

And any current film with no less than three funk jams on the soundtrack, including the opening song, can't be all bad in my book.

The film opens with a full length song performed by the actor, and he's simply great, selling the soul of Llewyn's music with plaintive ease.

The kicker is that Brian Wilson's song «Love and Mercy» plays a major role in the film, a tune with these lyrics in the opening line: «I was sitting in a crummy movie with my hands on my chin.»

Ryan Gosling has opened up about his «unique experience» working alongside a variety of musicians on his latest film «Song To Song», including the...

The film opens on Jimmy Logan explaining to his young daughter Sadie (Farrah Mackenzie) the improbable story behind his favourite song, «Take Me Home, Country Roads» by John Denver.

The film opens with Aerosmith's «Sweet Emotion» on full blast and it's hit after hit throughout the rest of the film as there is a specific song choice that transitions each scene.

The film is well acted, has a very creative opening credit scene and the closing song by The Kingston Trio make the ending credits a must see.

The other disappointment is the underuse of the greatest film theme song ever (yes, better than Star Wars) and the extremely weak Chris Cornell opening credit song.

An extended version of the show's theme song «I Wan na Be a Boy» also effectively becomes an opening number for the film.

The film opens with a proscenium arch and a silent sequence where Browning does a cover version of «Sweet Dreams» — a song that loses its creepy cool when the creep factor is played up.

Liza and Tomy open the film with a catchy song and dance, the theme songs will certainly stay in your head and get your toes tapping.

This year was no exception, and though the fest's opening and closing films (Terrence Malick's «Song to Song» and Daniel Espinosa's «Life») received lukewarm receptions, newfound gems abounded elsewhere.

In the film, the opening strains of the Plumtree song can be heard the first time Scott returns to his apartment.

Even though the 45 ″ single «Rock Around the Clock» was originally released to mediocre success a year earlier, it was director Richard Brooks» choice to frame the song front and center under the opening credits, repeat it throughout and end with it, that shook the country, nee the world (check out the film and song's effect on Britain's Teddy Boys here) to its core.

Not a single person on Gold Derby is predicting «The Star,» but hear me out: the mailer to promote the film, in which the song automatically plays when you open it, has proven what an incredible earworm the song is.

It might be the opening words of a book, film, or even a song.

Naruto's son Boruto, played by Yuko Sanpei, leads the charge, and you'll also hear the film's opening theme song,... Read more»

Okwui Okpokwasili «Poor People's TV Room» Museum of Contemporary Art Chicago 220 E Chicago Avenue Chicago OPENS: April 12 The Bessie Award — winning artist reflects on gender, identity, and history in this performance that blends original dance, song, film, and text.

The show had two central points of reference: Stanley Kubrick's The Shining (1980), based on the novel by Stephen King, and the Disney adaptation of Uncle Remus by Joel Chandler Harris, which opened in 1946 as Song of the South, a film musical containing both live - action and animated sequences.

This film opens on the filmmaker dancing alone to «Ob - La - Di, Ob - La - Da» the Beatles song whose refrain is: life goes on.

The program, which begins with an opening reception this evening, also includes the screening of a Canadian film, Fire Song, at the National Film and Sound Archive on Monday evening, followed by a panel discussion.