Sentences with phrase «sort of films»

Why We're Excited: Coming - of - age stories are always the best sort of films, but this one's rooted in something that isn't always talked about in the mainstream — conversion therapy centers.

However, the greatest trick these sort of films ever pull is making one read more into them than they should.

It's about having fun and both this and You're Next are the sort of films that are best enjoyed with a large (and possibly a little rowdy) audience.

Instead, I managed to focus on some options a bit more off the beaten path, the sort of films that often get smaller wide releases and tend to come and go before anyone even notices they were there (well, with one exception in this case).

We realized there's no where to celebrate these sort of films and there should be.

Enyedi told me today she had «all sorts of preconceptions about what sort of films can make it to this point.

«Hamlet 2,» «Pineapple Express» and «Sex and the City: The Movie» seem like the sort of films that would normally never land the moniker «Oscar nominee,» but this is a category where that does not necessarily matter.

In this latest photoshop craze Vitaly has stared in all sorts of films and games, including Lost, Angry Birds and Top Gun.

No Strings Attached If adult dating is your thing, maybe no strings attached is your sort of film!

Youth In Revolt is the sort of film that perhaps asks too much of the viewer, there is different things going on around the central character of Nick Twisp, played by Michael Cera, who we finally see a glimpse of a different sort of

I actually enjoy these sorts of films, as the writing is generally of high caliber, and the exotic locales and vibrant scenery make for an enjoyable cinematic experience, even if the main story is a bit dull.

This is obviously not meant to be an uplifting sort of film, since these people from the cartel are still running around trafficking drugs and bribing agents to help get the drugs in the country easily.

If you've ever taken any sort of film history class, one of the first things you'll hear from your instructor is the importance of watching films within the context of their time.

First, the main negative of Crashers: it's too damned long for this sort of film.

Chemistry is the single biggest factor in the success of this sort of film.

Crucially, it's the sort of film that breathes in concept and gently suffocates in realization, too internalized to move a wide audience with its subject and characters — at least not in the same way it's clearly moved Holmer.

Unlike «Christine,» «Kate Plays Christine» is the sort of film in which Christine could have played herself.

One thing you should know about Infernal Affairs II, other than it is a sequel, is that it is also a much different sort of film than the first one.

Whether you look upon this as a sports movie or a teacher's tale, there's little escaping the fact that this is not the sort of film that's going to break any boundaries.

Witty without being jokey, sad without being blatantly tearjerking, this is that sort of film so unforgiving that audiences stayed away in droves.

Steven Spielberg's film is less a war epic than a love story between a boy and his horse, a throwback to the sort of film Hollywood does make anymore, but that Spielberg has mounted with stunning beauty.

Those looking to be inspired by a feel - good drama based on real - life events may find it, while those looking for a good story without the manufactured situations usually injected into these sorts of films may not.

If the film is a big flop, we'll lose credibility for making these sorts of films.

I wonder why he doesn't take more of these sorts of films on.

«Intermission» (2003) The debut feature of theater director John Crowley (whose «Brooklyn» should be a major player in the awards season later this year), «Intermission» is exactly the sort of film that should sink a neophyte: a sprawling ensemble piece mired in an unshakeable (and to some audiences, incomprehensible) Dublin argot.

The simplest way to keep a film from looking like a collossal failure is to be honest about what sort of film it is, and give it a budget that makes sense.

These sorts of films will always have a place, but it's unfortunate that most of the intended adult audience won't go see it at the cinema.

This is the sort of film that's bread and butter to video rental places.

With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce with a one - note stand - up comic as the lead, but with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each scene.

But if you can make either sort of film without the usual pitfalls, then you're pretty much golden and deserve all the plaudits you've earned.

Add to that a few dramatic elements, and you have a movie that is thoroughly engaging and above all worth seeing for viewers that are skeptical about these sorts of films.

The Spectacular Now is the sort of film that envelops you.

That is the genius and difficulty of «Scott Pilgrim»; it both defies and, at its lower moments, meets expectations for this sort of film.

Clint Eastwood's ode to the heroic pilot is an old - fashioned sort of film, an account of a stoic, strong - silent - type man forced to account for his own heroism by a bunch of pencil - necks.

For a formula film, it's watchable stuff for those who tend to like these sorts of films.

Breaking so little new ground that it actually manages to pack dirt back into that hole, Broken City is however a passable entertainment, the sort of film that you might catch on the telly at 11 pm after an aborted night out and be very grateful to have stumbled upon.

That said, as an efficient, low - stakes thriller, A Patch of Fog comes recommended, mainly thanks to the showcase it provides for its leads: two reliable character actors given a chance to headline a psychologically probing battle - of - the - wits, something usually reserved for bigger movie stars, when this sort of film had an easier time getting funded in the current landscape.

Audiences gets to come to a decision for themselves what sort of film Deadpool 2 is when the movie hits theaters subsequent week on May 18.

Even with the flaws, the fact that we've seen this sort of film already, whether in the Japanese form or in similar American vehicles, makes Dark Water seem stale and boring without something new to add to the genre.

The found footage / multiplatform approach opened up the film to creative possibilities I hadn't encountered in my previous films, and I think these sorts of films will only continue to push boundaries as the technology changes, said director Barry Levinson.

All the copycat quirks do is pull the audience out of the action and remind them that we have all seen this sort of film done a lot better before.

There are direct references to all sorts of films, each one hitting its mark with laughter; a certain dialogue exchange centered on Home Alone is a hoot.

With its larky tone and half - hearted style (Carol Reed's famous Dutch camera tilts are little more than window - dressing), it's the sort of film you'd expect a nation like ours, that doesn't take film seriously, to revere.

Why We're Excited About It: Though last year's The Hangover Part II left something to be desired, Todd Phillips and co. have promised an entirely different sort of film for the third entry in the comedy franchise.

Well, maybe, but only if we accept the sanitized version of the decade that gave us rock and roll and the beats — the declawed, gutless, and thoroughly superficial take passed down by Happy Days and the movie that inspired it, American Graffiti, which was exactly the sort of film that Linklater said he didn't want to make when he set out to write and direct Dazed and Confused.

It's the sort of film that sees a perverse ballet duet in a staircase tumble and doesn't forget the resourcefulness of a well - placed pencil.Hide

What sort of film junkie doesn't get excited about the new Martin Scorsese film?

It's entirely possible to want to question or discount the early moments of A Quiet Passion as being just the sort of film that it looks like it should be, but the script and an excellent performance from Catherine Bailey makes it clear Davies is doing something a hell of a lot more interesting than expectations.

Both films seem like the sorts of films for which critics can start composing their pans en route to the screening room.

However for me it was the sort of film that really turns me off.