With
this sort of older film all we seem to get is Dolby Digital stereo and here that is true.
Not exact matches
The promo made by the South Korean broadcaster features the likes
of Son Heung - Min, Harry Kane, Javier Hernandez and Mauricio Pochettino hilariously superimposed in what looks like a short clip from an
old Korean
film of sorts.
When I was producing the
film about
Old Sturbridge Village — this was the point at which the
film bug and the history bug
sort of fused, like a nuclear reaction.
It was enjoyable but not a breakthrough composition in terms
of the
film,
sort of just standard fare biopic montage
of interviews and
old photos with the main thread
of the piece being the documentarian's footage
of Toback's then newest adventure in
film - making.
Audiences immediately understood that Pee - Wee's Big Adventure was meant to be a nine - year -
old's notion
of the Perfect World; critics, to whom nothing is ever simple, insisted upon reading all
sorts of motivation and subtext into the
film, and suddenly Pee - Wee Herman was the darling
of the wine - and - cheese crowd.
Critics Consensus: The Santa Clause is utterly undemanding, but it's firmly rooted in the
sort of good
old - fashioned holiday spirit missing from too many modern yuletide
films.
Critic Consensus: The Santa Clause is utterly undemanding, but it's firmly rooted in the
sort of good
old - fashioned holiday spirit missing from too many modern yuletide
films.
Local New York - based filmmaker Noah Baumbach has two new
films coming out this year, the first being the wacky While We're Young about a couple growing
older (see the trailer), and the other being Mistress America, a
sort -
of - sequel to his 2012
film Frances Ha.
Hollywood Reporter writer Todd McCarthy called Donovan «a
sort -
of Atticus Finch
of the north» and Variety writer Peter Debruge wrote
of the
film, «[Spielberg]'s mythmaking approach makes for great Capra-esque entertainment, [though] younger audiences may find it terribly
old - fashioned.»
The
film provides a fairly inspired on screen pairing
of Mae West and W.C. Fields, two
sort of old - timey vaudeville types both with a slightly raunchy (for the time) edge.
Clint Eastwood's ode to the heroic pilot is an
old - fashioned
sort of film, an account
of a stoic, strong - silent - type man forced to account for his own heroism by a bunch
of pencil - necks.
With a Lynchian style that combines the lush scenery
of Ireland, a 4:3 aspect ratio,
older actors, and frightful visions
of a dark figure, the
film feels like an ancient relic
of sorts, in a similar way that his last
film Ping Pong Summer felt like a product
of the 80s.
I personally know two gay
film critics who despised that
film because to them, James Whale represented
sort of a worst - case - scenario gay artist, the broken down
old queen lusting after the hunky young straight handyman.
The sound editing, as is usually the case with Darren Aronofsky's
films, is top - notch, as you can sometimes distinctly make out the differing sounds that characters
of differing size make as they tread on some
of the
old wooden floors — the
sorts of seemingly incidental details that can make a world
of difference to a horror
film's overall effectiveness.
Yet, unlike the recent Pleasantville, this
film mourns the loss
of old fashioned values and shows how a blast
of a different
sort hit our world in the 1960's.
Maybe it's a nostalgia thing, but when I start up a movie on Blu - ray and see an
old - school Columbia Pictures logo that's dancing with the
sort of golf - ball - sized
film grain I remember seeing on the big screen at the Cooper Theatre downtown, well, it makes me feel good inside.
As possibly the last Star Trek: Next Generation - related
film, this is not nearly the
sort of classy send - off they gave the
old Enterprise crew back in Star Trek 6, but not for lack
of trying.
Let me get at that by telling you an
old,
old story about filmmaker Peter Hedges that is
sort of current again because he's acting in a good
film out this year called Little Sister.
This year's best picture Oscar, after all, went for the first time to a science - fiction
film of sorts, Guillermo del Toro's adoring monster - movie homage The Shape
of Water — beating, among others, Get Out, Jordan Peele's wickedly playful collision
of old - school horror with brisk, bracing racial politics.
Therefore the
film is heavily dependent on the
sort of cheap Canada jokes that were already
old when Michael Moore's Canadian Bacon got to them in 1995.
But the
film has even weirder angles to it than that: how the
old woman eventually turns out to be a ghost
of some
sort, and the how the leavening mysterious female presence offers a counterpoint to the broadly macho
old - man ghost that offers Alvin and his fellow road worker, Lance (Emile Hirsch), drinks and, by extension, tempting them to indulge in their inner macho selves.
It's the
sort of film where Hank tumbles from a bicycle just as his
old, and still hot flame, just happens to be driving by.
Wolverine 3 is still quite the perplexing project as we had originally expected to be some
sort of an adaptation
of Old Man Logan, the more we're learning about the third
film the less it's looking like a straight - up version
of that comic.
It's full
of direct emotion, full
of feeling, the
sort of score that
film critics tend to hate (even more so today than when it was written), the
sort that James Horner detractors tend to hate but
old softies like me tend to love.
In the
film, we then find the 32 - year -
old actress playing a ratchet nun, so as a little promo for the project, it's only right that Plaza link up with some actual nuns —
sort of.
A remake
of sorts of the 1969
film La Piscine, A Bigger Splash tells the story
of ageing rock star Marianne Lane (Tilda Swinton) and her younger lover Paul (Schoenaerts) who, while vacationing on the volcanic island
of Pantelleria, are unexpectedly joined by hirsute
old flame Harry (Fiennes) and his daughter Penelope (Dakota Johnson).
Although I'm probably way too
old to be admitting this, but I'm a connoisseur
of sorts of high school
films, and Mean Girls is one
of the best that I've seen in a while (at least since Cant Hardly Wait).
It's refreshing to see a
film about an
older man and younger woman that doesn't involve some
sort of icky, Woody Allen-esque romance, because although «The Intern» isn't technically a romantic comedy, it features many
of the same tropes reworked to fit Ben and Jules» platonic relationship.
While such selfish attitudes might reflect the practical reality
of mating habits in the 21st Century, it's not exactly the
sort of film fare apt to generate any
old - fashioned chemistry.
In addition, you can toggle the clock on and off, the image info, and a «grainy effect» (that puts a
sort of old -
film - grain layer over your images).