Sentences with phrase «sort of older film»

With this sort of older film all we seem to get is Dolby Digital stereo and here that is true.

Not exact matches

The promo made by the South Korean broadcaster features the likes of Son Heung - Min, Harry Kane, Javier Hernandez and Mauricio Pochettino hilariously superimposed in what looks like a short clip from an old Korean film of sorts.
When I was producing the film about Old Sturbridge Village — this was the point at which the film bug and the history bug sort of fused, like a nuclear reaction.
It was enjoyable but not a breakthrough composition in terms of the film, sort of just standard fare biopic montage of interviews and old photos with the main thread of the piece being the documentarian's footage of Toback's then newest adventure in film - making.
Audiences immediately understood that Pee - Wee's Big Adventure was meant to be a nine - year - old's notion of the Perfect World; critics, to whom nothing is ever simple, insisted upon reading all sorts of motivation and subtext into the film, and suddenly Pee - Wee Herman was the darling of the wine - and - cheese crowd.
Critics Consensus: The Santa Clause is utterly undemanding, but it's firmly rooted in the sort of good old - fashioned holiday spirit missing from too many modern yuletide films.
Critic Consensus: The Santa Clause is utterly undemanding, but it's firmly rooted in the sort of good old - fashioned holiday spirit missing from too many modern yuletide films.
Local New York - based filmmaker Noah Baumbach has two new films coming out this year, the first being the wacky While We're Young about a couple growing older (see the trailer), and the other being Mistress America, a sort - of - sequel to his 2012 film Frances Ha.
Hollywood Reporter writer Todd McCarthy called Donovan «a sort - of Atticus Finch of the north» and Variety writer Peter Debruge wrote of the film, «[Spielberg]'s mythmaking approach makes for great Capra-esque entertainment, [though] younger audiences may find it terribly old - fashioned.»
The film provides a fairly inspired on screen pairing of Mae West and W.C. Fields, two sort of old - timey vaudeville types both with a slightly raunchy (for the time) edge.
Clint Eastwood's ode to the heroic pilot is an old - fashioned sort of film, an account of a stoic, strong - silent - type man forced to account for his own heroism by a bunch of pencil - necks.
With a Lynchian style that combines the lush scenery of Ireland, a 4:3 aspect ratio, older actors, and frightful visions of a dark figure, the film feels like an ancient relic of sorts, in a similar way that his last film Ping Pong Summer felt like a product of the 80s.
I personally know two gay film critics who despised that film because to them, James Whale represented sort of a worst - case - scenario gay artist, the broken down old queen lusting after the hunky young straight handyman.
The sound editing, as is usually the case with Darren Aronofsky's films, is top - notch, as you can sometimes distinctly make out the differing sounds that characters of differing size make as they tread on some of the old wooden floors — the sorts of seemingly incidental details that can make a world of difference to a horror film's overall effectiveness.
Yet, unlike the recent Pleasantville, this film mourns the loss of old fashioned values and shows how a blast of a different sort hit our world in the 1960's.
Maybe it's a nostalgia thing, but when I start up a movie on Blu - ray and see an old - school Columbia Pictures logo that's dancing with the sort of golf - ball - sized film grain I remember seeing on the big screen at the Cooper Theatre downtown, well, it makes me feel good inside.
As possibly the last Star Trek: Next Generation - related film, this is not nearly the sort of classy send - off they gave the old Enterprise crew back in Star Trek 6, but not for lack of trying.
Let me get at that by telling you an old, old story about filmmaker Peter Hedges that is sort of current again because he's acting in a good film out this year called Little Sister.
This year's best picture Oscar, after all, went for the first time to a science - fiction film of sorts, Guillermo del Toro's adoring monster - movie homage The Shape of Water — beating, among others, Get Out, Jordan Peele's wickedly playful collision of old - school horror with brisk, bracing racial politics.
Therefore the film is heavily dependent on the sort of cheap Canada jokes that were already old when Michael Moore's Canadian Bacon got to them in 1995.
But the film has even weirder angles to it than that: how the old woman eventually turns out to be a ghost of some sort, and the how the leavening mysterious female presence offers a counterpoint to the broadly macho old - man ghost that offers Alvin and his fellow road worker, Lance (Emile Hirsch), drinks and, by extension, tempting them to indulge in their inner macho selves.
It's the sort of film where Hank tumbles from a bicycle just as his old, and still hot flame, just happens to be driving by.
Wolverine 3 is still quite the perplexing project as we had originally expected to be some sort of an adaptation of Old Man Logan, the more we're learning about the third film the less it's looking like a straight - up version of that comic.
It's full of direct emotion, full of feeling, the sort of score that film critics tend to hate (even more so today than when it was written), the sort that James Horner detractors tend to hate but old softies like me tend to love.
In the film, we then find the 32 - year - old actress playing a ratchet nun, so as a little promo for the project, it's only right that Plaza link up with some actual nuns — sort of.
A remake of sorts of the 1969 film La Piscine, A Bigger Splash tells the story of ageing rock star Marianne Lane (Tilda Swinton) and her younger lover Paul (Schoenaerts) who, while vacationing on the volcanic island of Pantelleria, are unexpectedly joined by hirsute old flame Harry (Fiennes) and his daughter Penelope (Dakota Johnson).
Although I'm probably way too old to be admitting this, but I'm a connoisseur of sorts of high school films, and Mean Girls is one of the best that I've seen in a while (at least since Cant Hardly Wait).
It's refreshing to see a film about an older man and younger woman that doesn't involve some sort of icky, Woody Allen-esque romance, because although «The Intern» isn't technically a romantic comedy, it features many of the same tropes reworked to fit Ben and Jules» platonic relationship.
While such selfish attitudes might reflect the practical reality of mating habits in the 21st Century, it's not exactly the sort of film fare apt to generate any old - fashioned chemistry.
In addition, you can toggle the clock on and off, the image info, and a «grainy effect» (that puts a sort of old - film - grain layer over your images).
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