It's almost a diner car approach,
sort of a period piece about the industrial locomotive era in American history.»
Q: This film has a lot of «60s music in it and it's
sort of a period piece.
Not exact matches
For long
periods the game was crying out for the
sort of defence - splitting
piece of magic usually provided by Philippe Coutinho against teams who come to frustrate.
I'd like to cultivate a more suitable everyday
sort of style, which definitely nods to the vintage style, but also doesn't need to necessarily look like a
period piece.
You won't find much subtlety in the solid
period -
piece drama «Marshall,» but you will find plenty
of crowd - pleasing courtroom theatrics, some wonderful performances from the main players — and yes, all
sorts of reminders
of how far we've come in terms
of race relations since the early 1940s, and how very, very far we still have to go.
This Seventies - era
period piece is the directorial debut
of Federico Castelluccio (a / k / a ponytailed enforcer Furio from The Sopranos), who attempts to create the
sort of gritty, solemn character study that probably could've come out during the Me Decade.
Of course, the movie also works as a companion piece of sorts to «Django Unchained» in the way that it deals with race relations during that period in American history, and it has some very interesting things to say on the matte
Of course, the movie also works as a companion
piece of sorts to «Django Unchained» in the way that it deals with race relations during that period in American history, and it has some very interesting things to say on the matte
of sorts to «Django Unchained» in the way that it deals with race relations during that
period in American history, and it has some very interesting things to say on the matter.
Unlike his last starring
period piece where it could be argued that Cranston was
sort of caricature - y, his role as Mazur is more rooted in reality and simply more believable.
His best - known films
of this realist
sort include those in the series Six Moral Tales, Comedies and Proverbs, and Tales
of the Four Seasons, although Rohmer was also a fascinating formalist when it came to
period pieces, whether in his intentionally artificial interpretation
of an Arthurian legend, Perceval (1978), or in his technically progressive take on the French Revolution, The Lady and the Duke (2001), an early film to utilize computer - generated imagery for its backdrops.
Todd Haynes has mounted the
sort of film that will effortlessly stand the test
of time, a
period piece apiece in any
period.