Spanning a 60 - year period, the show features 140 works, both large and small,
reed thin and exaggeratedly rotund, that were cast in bronze, welded in iron, modeled in plaster, carved in wood, folded from sheet metal, and assembled from all
sorts of flotsam and jetsam.
Early in my marriage, I discovered my husband Crispin Cioe seated on the floor
of the living room, completely engrossed in
sorting saxophone
reeds into separate piles.