Sentences with phrase «sort of time capsule»

They are sort of time capsule stories containing an arrangement of clues that help the viewer solve a riddle - or, perhaps, make up his or her own story.

The BBC's arts editor Will Gompertz said the same, adding that her artworks are «sort of time capsule stories containing an arrangement of clues that help the viewer solve a riddle».

The look of Indignation is more mundane and lived in than the sort of time capsule diorama of the AMC show.

Not exact matches

I spent a lot of time thinking about my travel wardrobe this year, and it has really become a summer capsule wardrobe of sorts as I've been trying everything out.

I really want to add pastels into my wardrobe but I have a hard time with those sorts of soft colors.perhaps I'll invest in a capsule!

A cinematic time capsule of sorts in that you're essentially watching a kid (both the character and actor playing him) grow up before your very eyes, the film has some really poignant things to say about adolescence, parenting and life in general.

A cinematic time capsule of sorts in that you're essentially watching a kid (both the character and the actor playing him) grow up before your very eyes, the film has some very poignant things to say about adolescence, parenting and life in general.

I hope you enjoyed this time capsule of sorts.

Think of it as a time capsule of sorts, and a lesson in just how far hardware has progressed over a few short years.

Subject Matter of the Artist: Robert Goodnough, 1950 - 1965, a new book published by Soberscove Press, is a time capsule of sorts.

A complex piece in Zaatari's overall oeuvre, Time Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the FridericiaTime Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericiatime capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericianum.

Of this work, Gregory Volk writes, ``... [c] onflating inside and outside space, nearness and distances, architecture and nature, a domestic setting and the vast world, contemporaneity and an immense scale of time, this is a risky, breathtaking work, and the apartment seems like a time - travelling capsule of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raquOf this work, Gregory Volk writes, ``... [c] onflating inside and outside space, nearness and distances, architecture and nature, a domestic setting and the vast world, contemporaneity and an immense scale of time, this is a risky, breathtaking work, and the apartment seems like a time - travelling capsule of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raquof time, this is a risky, breathtaking work, and the apartment seems like a time - travelling capsule of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raquof sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.»