Sentences with phrase «soul of this film comes»

Not exact matches

He's clambered to the top of the world by selling his soul to the devil — who comes, in this film, in the guise of big business and corporate lobbyists.

While Brashear is based on a real - life person and Sunday is a fictional character (a composite of various embodied obstacles in Brashear's Navy career), in George (Soul Food) Tillman Jr.'s film, they come together in a neatly choreographed dance of righteous nobility in the face of ignorance and fear.

Barthes wanted to trace and assemble the inner life of love; Denis's film turns those inward revelations outward, and lets them loose on the world in the form of a hungering, spontaneous, clear - eyed but anxious Juliette Binoche — who delivers the sort of soul - baring performance we've come to expect, but with a humor and candor rare for even her.

This section is the only time that the film actually comes alive with some degree of motion and power, and Cooper Hooper fills the screen with gut - wrenching moments of bravery and cruelty that effectively channels the soul and spirit of the Hugo text.

Together, they have tried to create a soul - searching tale of a woman finally coming to find that she likes herself, and though it isn't entirely successful in that mode, there are periods where the film works well.

Jumping the Broom, whose title comes from a wedding tradition Pam alone wishes to see honored here, marks the feature film debut of director Salim Akil (a veteran of TV's «Soul Food», «Girlfriends», and «The Game») and Arlene Gibbs, who shares screenplay credit with story - credited Elizabeth Hunter (an alum of «ER», «The L Word», and «Charmed»).

Little of the High Priestess of Soul's searing clarity of voice or profound struggle comes through in this insipid film whose fakeness is writ across Saldana's dubiously darkened skin.

Thankfully, it's when the movie is focusing on the victims of the tragedy and less on the manhunt, when the film has a chance to dig into the emotional soul of this city's courage to come together.

As the postscript to a successful year for the Australian film industry — 2007 has seen the release of Clubland, Noise, The Home Song Stories and IF Best Feature Film award winner The Jammed — and hot on the heels of horror film Rogue comes Gabriel, a moody and visually impressive genre piece about the battle for the souls of those committed to purgatory.

Though the film has a lesbian theme, it is more of a coming - of - age depiction of a rudderless young woman seeking her identity who finds herself, like Stephen Gordon in Radclyffe Hall's 1928 novel, «The Well of Loneliness,» «like a soul that wakes up to find itself wandering, unwanted, between the spheres.»

There have been several TV versions of his plays (A Cheery Soul, 1966; Big Toys, 1980; The Ham Funeral, 1990); Jim Sharman made a moderately interesting film of the novella, The Night the Prowler (1978), for which White wrote his own screenplay; and there was talk of a film version of Voss, to be directed by Joseph Losey from a screenplay by David Mercer, that never came to anything.

I've heard nothing but good things about this film, and I would love a return to form for writer - director Paul Schrader who has made some searing, soul - crushing films in his time, especially when it comes to matters of faith.

As the film reaches its soul wrenching finale, tension builds between Noredin and his morally - questionable colleagues as the mystery draws to a close while the imminent throngs of protesters come together to topple Mubarak.

She has the film Lemon due in cinemas next month, and also has roles in Clint Eastwood's 15:17 To Paris, Richard Linklater's Where'd You Go Bernadette, Our Souls at Night, Measure of a Man, Pottersville, and Public Schooled all coming up.

Such is the display of fair - weathered faith in Joshua Marston's fourth feature film, Come Sunday, which relates the true trials and travails of evangelical Bishop Carlton Pearson, who in the late 1990s caused waves amongst his religious community in Tulsa, Oklahoma when he announced God spoke to him and confirmed all souls are eligible to be received in heaven, whether they accept Jesus Christ as their lord and savior or not (which also negates the threat of hell, a punishment which has kept communities frozen in antiquated fear - based decision making for centuries).

This simple line of soul - crushing surrender comes from Casey Affleck's character in the Academy Award - winning film «Manchester by the Sea.»

The disappointing level of production in Cuban cinema was mitigated by the award - winning director Carlos Lechuga's Santa y Andrés (Santa and Andrés, Carlos Lechuga, 2016); a low budget production (as most current independent Cuban films are), which came to fill a gap in Cuba Cinema, a return to our essence and roots through a commitment to the cultural soul of the nation.

Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the film... To the press who wrote about the film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the greatest gift: The opportunity to share this film, that we poured our hearts and souls into, with you.»

Of course, the end result is helping writers communicate their passion to the masses, to encourage creative types in spreading their words, messages, and souls via book, film, television, music, or whatever new form of medium is yet to come down the proverbial patOf course, the end result is helping writers communicate their passion to the masses, to encourage creative types in spreading their words, messages, and souls via book, film, television, music, or whatever new form of medium is yet to come down the proverbial patof medium is yet to come down the proverbial path.

How did the star of films like Juno and Inception come to work with Quantic Dream in BEYOND: Two Souls?

Beyond: Two Souls is the next game to emerge from studio Quantic Dream and the mind of David Cage: Its genesis is somewhat unique, and rather questionable, as the story originated from what was essentially an Ellen Page fan - fiction by David Cage... It shows, as Beyond tends to come across as a CGI Ellen Page film.