Sentences with phrase «sound editing by»
Written and directed by Alexandre Vogler / Actress: Marcela Maria / Photography: Lula Carvalho / Soundtrack: Guilherme Vaz / Edited by: Renato Martins / Sound editing by: Ricardo Cutz / Photography assistant: Pedro Von Kruger
http://www.pipaprize.com/ Not exact matches
If you know anything about the history of the bible you know it was created by many writers, compiled and edited by Roman emperors, added to, translated, interpreted and actually pretty much ignored — except for a few sentences that sound old fashioned that people use to justify their beliefs and actions.
Well, for many reasons - good writing, good sound, good editing - but by far the most apparent, the reason most people will sit up and take note is because of the strong visuals.
Biological control of pests, weeds, plants and animals gives «the best hope to providing lasting, environmentally sound and socially acceptable pest management,» according to a new book edited by two UF / IFAS scientists.
Adapted from a well - known short story by Shirley Jackson, The Haunting is also a remake of the modest but genuinely creepy 1963 film directed by workmanlike industry veteran Robert Wise, who counts among his many credits the editing of Orson Welles» Citizen Kane and The Magnificent Ambersons and Oscars for the helming of West Side Story and The Sound of Music.
Picture: The Hurt Locker Directing: Kathryn Bigelow, The Hurt Locker Actor: Jeff Bridges, Crazy Heart Actress: Sandra Bullock, The Blind Side Actor in a Supporting Role: Christoph Waltz, Inglourious Basterds Actress in a Supporting Role: Mo'Nique, Precious: Based on the Novel Push by Sapphire Original Screenplay: Inglourious Basterds Adapted Screenplay: Up in the Air Foreign Language Film: The Secret in Their Eyes Documentary Feature: The Cove Animated Feature Film: Up Documentary Short: China's Unnatural Disaster: The Tears of Sichuan Province Animated Short: A Matter of Loaf and Death Live Action Short: Instead of Abracadabra Film Editing: The Hurt Locker Art Direction: Sherlock Holmes Cinematography: The Hurt Locker Costume Design: The Young Victoria Makeup: Star Trek Score: Up Song: «The Weary Kind,» Crazy Heart Sound Editing: Avatar Sound Mixing: Avatar Visual Effects: Avatar
She and her dorky illustrator Allen (Ari Zagaris) are flown to the big city (without us believing this was shot anywhere near there... although surprisingly, it's Connecticut, not Canada), where they are wined and dined by high - powered literary agent Billie Westbrook (Eliza Swenson, who also receives credit for story, producing, original score, editing, and sound).
photographed by Jan Debont; production designed by Norris Spencer; edited by Tom Rolf; sound by Keith A. Wester; music by Hans Zimmer; produced by Stanley R. Jaffe and Sherry Lansing.
Best Picture: Moonlight Best Director: Damien Chazelle (La La Land) Best Actor: Casey Affleck (Manchester by the Sea) Best Actress: Emma Stone (La La Land) Best Supporting Actor: Mahershala Ali (Moonlight) Best Supporting Actress: Viola Davis (Fences) Best Original Screenplay: Manchester by the Sea Best Adapted Screenplay: Moonlight Best Cinematography: La La Land Best Editing: Hacksaw Ridge Best Production Design: La La Land Best Costume Design: Fantastic Beasts and Where to Find Them Best Makeup and Hairstyling: Suicide Squad Best Sound Mixing: Hacksaw Ridge Best Sound Editing: Arrival Best Original Score: La La Land Best Original Song: «City of Stars» (La La Land) Best Animated Feature: Zootopia Best Documentary Feature: O.J.: Made in America Best Documentary Short: The White Helmets Best Animated Short: Piper Best Live - Action Short: Sing Best Foreign Language Film: The Salesman
Directed and Produced by Reuben Atlas Produced by Sam Pollard Cinematography by Dan Fridman, Sean Porter, Ari Issler, Reuben Atlas Edited by Keiko Deguchi Festivals: South By Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many moby Reuben Atlas Produced by Sam Pollard Cinematography by Dan Fridman, Sean Porter, Ari Issler, Reuben Atlas Edited by Keiko Deguchi Festivals: South By Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many moby Sam Pollard Cinematography by Dan Fridman, Sean Porter, Ari Issler, Reuben Atlas Edited by Keiko Deguchi Festivals: South By Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many moby Dan Fridman, Sean Porter, Ari Issler, Reuben Atlas Edited by Keiko Deguchi Festivals: South By Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many moby Keiko Deguchi Festivals: South By Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many moBy Southwest Film Festival, HotDocs Film Festival, Los Angeles Film Festival, Leeds International Film Festival, Indie Memphis Film Festival, Sound Unseen and many more
EXTRAS: In addition to an audio commentary by co-directors Pete Docter and Ronnie del Carmen and producer Jonas Rivera, there's a behind - the - scenes look at the movie's evolution, featurettes on sound design, film editing and creating the emotions and the inside of Riley's mind, as well some deleted scenes, the short film «Lava» and an all - new short titled «Riley's First Date?»
Moderated by Tim Gray, the honorees were Paul D. Austerberry, production design, The Shape of Water; Mark Bridges, costume design, Phantom Thread; Alexandre Desplat, music score, The Shape of Water; Morrison, cinematography, Mudbound; John Nelson, visual effects, Blade Runner 2049; Tatiana Riegel, editor, I, Tonya; Julian Slater, sound mixing, Baby Driver; Arjen Tuiten, makeup, Wonder; and Matthew Wood, sound editing, Star Wars: The Last Jedi.
Joel and Ethan Coen, «No Country for Old Men» Year: 2007 Cast: Javier Bardem, Josh Brolin, Garret Dillahunt, Tess Harper, Woody Harrelson, Tommy Lee Jones, Kelly Macdonald Distributor: Miramax Films / Paramount Vantage Premiere history: Cannes Film Festival May 19, 2007; wide release Nov. 9, 2007 Other awards won: British Academy Film Awards (BAFTA) Best Direction, Best Supporting Actor (Javier Bardem); Critics» Choice Awards Best Film, Best Director, Best Supporting Actor (Javier Bardem); Golden Globe Awards Best Screenplay; Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Other Oscar nominations: Best Director (won), Best Supporting Actor (Javier Bardem, won), Best Adapted Screenplay (won), Best Cinematography, Best Film Editing, Best Sound Editing, Best Sound Mixing
Best Film: Three Billboards Outside Ebbing, Missouri Best Director: Guillermo del Toro (The Shape of Water) Best Actress: Frances McDormand (Three Billboards Outside Ebbing, Missouri) Best Actor: Gary Oldman (Darkest Hour) Best Cinematography: Roger Deakins (Blade Runner 2049) Best Supporting Actress: Allison Janney (I, Tonya) Best Supporting Actor: Sam Rockwell (Three Billboards Outside Ebbing, Missouri) Best Adapted Screenplay: James Ivory (Call Me By Your Name) Best Original Screenplay: Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Best Debut by a British Writer, Director or Producer: I Am Not a Witch Best Sound: Dunkirk Best Production Design: The Shape of Water Best Special Visual Effects: Blade Runner 2049 Best Film Not in the English Language: The Handmaiden Best Documentary: I Am Not Your Negro Best Editing: Baby Driver Best Animated Film: Coco Best Makeup and Hair: Darkest Hour Best Original Music: Alexander Desplat (The Shape of Water) Best British Film: Three Billboards Outside Ebbing, Missouri Best British Short Film: Cowboy Dave EE Rising Star Award: Daniel KaluuBy Your Name) Best Original Screenplay: Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Best Debut by a British Writer, Director or Producer: I Am Not a Witch Best Sound: Dunkirk Best Production Design: The Shape of Water Best Special Visual Effects: Blade Runner 2049 Best Film Not in the English Language: The Handmaiden Best Documentary: I Am Not Your Negro Best Editing: Baby Driver Best Animated Film: Coco Best Makeup and Hair: Darkest Hour Best Original Music: Alexander Desplat (The Shape of Water) Best British Film: Three Billboards Outside Ebbing, Missouri Best British Short Film: Cowboy Dave EE Rising Star Award: Daniel Kaluuby a British Writer, Director or Producer: I Am Not a Witch Best Sound: Dunkirk Best Production Design: The Shape of Water Best Special Visual Effects: Blade Runner 2049 Best Film Not in the English Language: The Handmaiden Best Documentary: I Am Not Your Negro Best Editing: Baby Driver Best Animated Film: Coco Best Makeup and Hair: Darkest Hour Best Original Music: Alexander Desplat (The Shape of Water) Best British Film: Three Billboards Outside Ebbing, Missouri Best British Short Film: Cowboy Dave EE Rising Star Award: Daniel Kaluuya
Tom Hooper, «The King's Speech» Year: 2010 Cast: Anthony Andrews, Helena Bonham Carter, Jennifer Ehle, Colin Firth, Michael Gambon, Derek Jacobi, Guy Pearce, Geoffrey Rush, Timothy Spall Director: Tom Hooper Distributor: Momentum Pictures Premiere history: Sept. 6, 2010 Telluride Film Festival; UK - wide release Jan. 7, 2011 Other awards won: British Academy Film Awards (BAFTA) Best Film, Outstanding British Film, Best Actor in a Leading Role (Colin Firth), Best Original Screenplay; British Independent Film Awards, Best British Independent Film, Best Actor (Colin Firth), Best Screenplay; Critics» Choice Awards Best Actor (Colin Firth), Best Original Screenplay; Golden Globe Award Best Actor Motion Picture Drama (Colin Firth); Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, Best Actor (Colin Firth) Other Oscar nominations: Best Actor Colin Firth (won), Best Director (won), Best Actor in a Supporting Role (Geoffrey Rush), Best Actress in a Supporting Role (Helena Bonham Carter), Original Screenplay (won), Best Original Score, Best Cinematography, Best Film Editing, Best Art Direction, Best Set Direction, Best Costume Design, Best Sound Mixing
But no, talk like that is silly; Dunkirk is the serious sort of capital - f Film that wins technical Oscars by the score, and sound editing should be no different.
There is a step by step look into the film processing technique used to achieve the sun - blasted look of the Mexican scenes; a demonstration of the editing choices and process of three scenes narrated by editor Stephen Mirrione (watching each scene become subtly sharpened and focused through each successive cut is a real education in the art of editing); and an instructional look at the art and technique of sound editing, hosted by sound editor Larry Blake.
Even in the early sequences of the film, before things go south, scene changes and edits are accompanied by the sounds of guns being loaded, contributing to an intense, suffocating feeling that violence lurks just around the corner.
Danny Boyle, «Slumdog Millionaire» Year: 2008 Cast: Rubina Ali, Tanay Hemant Chheda, Ashutosh Lobo Gajiwala, Azharuddin Mohammed Ismail, Anil Kapoor, Irrfan Khan, Ayush Mahesh Khedekar, Tanvi Ganesh Lonkar, Madhur Mittal, Dev Patel, Freida Pinto Distributor: Fox Searchlight Pictures Premiere history: Telluride Film Festival Aug. 30, 2008; UK - wide release, Jan. 9, 2009 Other awards won: British Academy Film Awards (BAFTA) Best Film, Best Director, Best Adapted Screenplay, British Film Independent Awards Best Director; Golden Globe, Best Director of a Motion Picture, Best Motion Picture Drama; Toronto International Film Festival People's Choice Awards; Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Other Oscar nominations: Best Director (won), Best Adapted Screenplay (won), Best Cinematography (won), Best Editing (won), Best Original Score (won), Best Original Song (won), Best Sound Editing, Best Sound Mixing
Almost sweeping the Oscars with seven wins, Dances With Wolves won the Academy Awards for Best Picture, Best Director, Best Adapted Screenplay, Best Cinematography, Best Sound, Best Film Editing, and Best Original Score as well as Golden Globes for Best Picture, Best Director and Best Original Score, by John Barry.
Tags 2018 oscar predictions 2018 oscars baby driver beauty and the beast best animated feature best cinematography best costume design best film editing best makeup & hairstyling Best Original Score Best Original Song best production design best sound editing best sound mixing best visual effects blade runner 2049 call me by your name darkest hour dunkirk get out lady bird mudbound oscar predictions oscars 2018 phantom thread star wars the last jedi the post the shape of water three billboards victoria and abdul war for the planet of the apes
Featuring brilliant editing and sound design by Walter Murch, very much a genius in his own right, «The Conversation» may not be as well known as Coppola's «Godfather» films and «Apocalypse Now,» but it remains one of the most devastating thrillers ever made.
The Academy offered a major surprise by not only honoring the film with nominations for Best Actor Andrew Garfield, Editing, Sound Editing, and Mixing, but also for Director and Best Picture, signaling that scandal - tainted Mel Gibson, who directed «Braveheart» to five Oscar wins including director and picture back in 1996, made such a strong movie that the Academy couldn't deny him.
Return to Oz is the only film directed by Walter Murch, who is famous for his sound editing work on such films as Francis Ford Coppola's The Conversation and Apocalypse Now.
Shelton's films have been observational and dialogue - driven in recent years and «Touchy Feely» tries to break this form by experimenting with sound, tenor, editing and cinematography.
Costume Design ** Director of Photography ** Editing ** Make Up & Hair ** sponsored by MAC Cosmetics Original Score ** Production Design ** Sound **
Tags 2018 oscar predictions 2018 oscars 90th academy awards adapted screenplay allison janney animated feature best actor best actress best director best picture blade runner 2049 call me by your name cinematography coco costume design dunkirk film editing frances mcdormand gary oldman get out guillermo del toro i tonya original score original screenplay original song oscar predictions oscars 2018 production design sam rockwell sound editing sound mixing supporting actor supporting actress the shape of water three billboards
«Sony Pictures has embraced modern workflows by creating technically - advanced rooms that allow sound artists to begin mixing as soon as they begin editing.
PLEASE SIGN OUR PETITION (Now endorsed by the Motion Picture Sound Editors, Art Directors Guild, Cinema Audio Society, American Society of Cinematographers, Canadian Cinema Editors, and Guild of British Film and Television Editors) We the undersigned support the efforts of the American Cinema Editors and the Motion Picture Editors Guild to recognize the category of Film Editing in Awards Festivals and Critics Organizations.
Picture: Get Out Director: Guillermo del Toro, The Shape of Water Actor: Gary Oldman, Darkest Hour Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri Supporting Actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri Supporting Actress: Laurie Metcalf, Lady Bird Original Screenplay: Three Billboards Outside Ebbing, Missouri Adapted Screenplay: Call Me by Your Name Foreign Language: A Fantastic Woman Documentary Feature: Icarus Animated Feature Film: Coco Documentary Short: Heaven Is a Traffic Jam on the 405 Animated Short: Revolting Rhymes Live Action Short: The Eleven O'Clock Film Editing: Dunkirk Production Design: The Shape of Water Cinematography: The Shape of Water Costume Design: Phantom Thread Makeup and Hairstyling: Darkest Hour Score: The Shape of Water Song: «Remember Me,» Coco Sound Editing: Dunkirk Sound Mixing: Dunkirk Visual Effects: War for the Planet of the Apes
Best Film: Three Billboards outside Ebbing, Missouri Best Director: Guillermo del Toro, The Shape of Water Best Actor: Gary Oldman, Darkest Hour Best Actress: Frances McDormand, Three Billboards outside Ebbing, Missouri Best Supporting Actor: Sam Rockwell, Three Billboards outside Ebbing, Missouri Best Supporting Actress: Allison Janney, I, Tonya Best Original Screenplay: Martin McDonagh, Three Billboards outside Ebbing, Missouri Best Adapted Screenplay: James Ivory, Call Me by Your Name Best Editing: Baby Driver Best Cinematography: Blade Runner 2049 Best Production Design: The Shape of Water Best Costume Design: Phantom Thread Best Make Up & Hair: Darkest Hour Best Original Music: The Shape of Water Best Sound: Dunkirk Best Special Visual Effects: Blade Runner 2049 Best Animated Film: Coco Best Documentary: I am Not Your Negro Best Film Not in the English Language: The Handmaiden Best British Short Film: Cowboy Dave Best British Short Animation: Poles Apart
Its formal strategies are borderline radical, largely eschewing the bedrock grammar of editing and eventually doing away with synchronized sound, as scenes building to the climax are scored to the cacophonous rhythms of a percussion band conducted by Amadou.
Tags 2018 oscar predictions 2018 oscars blade runner 2049 call me by your name darkest hour dunkirk film editing get out oscar predictions oscars 2018 sound editing sound mixing star wars the last jedi the florida project the post the shape of water three billboards outside ebbing missouri
From the costumes and production design to the cinematography to the film editing (done by End of Watch alum Roman Vasyanov), not to mention the score (from last year's category winner Steven Price), sound effects, and visual effects, it's all top notch.
Stereo sound recording and editing is crisp, but ran too loud at trade show; exhibs should watch the volume — its dramatic effect will not be lessened by lower decibels.
All Predictions: Picture: Three Billboards Director: Del Toro Actor: Oldman Actress: McDormand Supporting Actor: Rockwell Supporting Actress: Janney Animated Feature: Coco Animated Short: Dear Basketball Adapted Screenplay: Call Me By Your Name Original Screenplay: Three Billboards Cinematography: Blade Runner 2049 Documentary Feature: Faces Places Documentary Short: Heaven... 405 Live Action Short: Dekalb Elementary Foreign Language: The Insult Editing: Dunkirk Sound Editing: Dunkirk Sound Mixing: Dunkirk Original Song: Greatest Showman Original Score: Shape of Water Production Design: Shape of Water Costume Design: Phantom Thread Makeup & Hair: Darkest Hour Visual Effects: War for the Planet of the Apes Jimmy Kimmel hosts the 90th Academy Awards Sunday night, March 4th on ABC.
For the second year in a row, Michael Kunkes and Editors Guild Magazine polled recent Oscar - winning and - nominated guild members, along with a sampling of film critics, to gauge the prevailing award - winds in the three catagories of guild achievement recognized by the Academy of Motion Picture Arts and Sciences: Best Achievement in Film Editing, Sound Editing and Sound Mixing.
It's not until you get in the editing room and cut it together and find the perfect sound effect... which by the way, when he hit her in the face, we tried about 50 sound effects before we came up with Henry Aaron hitting his 715th home run.
This morning, the film received nominations in Best Editing, Best Sound Mixing, and Best Sound Editing, marking the first time one of Wright's movies was recognized by the Academy.
Call Me by Your Name is truly spectacular filmmaking from sound, editing, cinematography to the directing and acting we are privileged to witness so rarely.
Related Reviews: 2012 Oscar Nominees: Argo • Beasts of the Southern Wild • Flight • The Master • Searching for Sugar Man • Brave New: Seal Team Six: The Raid on Osama Bin Laden • The Intouchables • The Insider • Wreck - It Ralph From Director Kathryn Bigelow and Screenwriter Mark Boal: The Hurt Locker Written by Mark Boal: In the Valley of Elah Jessica Chastain: Lawless • The Help • The Tree of Life • Take Shelter • Coriolanus • Madagascar 3: Europe's Most Wanted Mark Strong: Body of Lies • Stardust Kyle Chandler: Early Edition: The First Season James Gandolfini: Welcome to the Rileys Joel Edgerton: Animal Kingdom Chris Pratt: Moneyball Jennifer Ehle: Contagion Edgar Ramirez: Vantage Point Zodiac • Traffic • Extremely Loud & Incredibly Close • Forrest Gump • The Fighter Best Sound Editing Oscar Winners: Hugo • The Incredibles • Titanic • Braveheart • Raiders of the Lost Ark • Bram Stoker's Dracula Golden Globe Best Actress in a Drama Winners: The Iron Lady • Black Swan • Revolutionary Road • The Queen • Misery
«The Curious Case of Benjamin Button,» a Kennedy / Marshall Production (Paramount and Warner Bros.)(13 nominations) Brad Pitt - Performance by an actor in a leading role Taraji P. Henson - Performance by an actress in a supporting role Art direction Cinematography Costume design Directing Film editing Makeup Original score Best picture Sound mixing Visual effects Adapted screenplay
«Birdman (or the Unexpected Virtue of Ignorance)» Year: 2014 Director: Alejandro G. Iñárritu Cast: Zach Galifianakis, Michael Keaton, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts Distributor: Fox Searchlight Pictures Premiere history: Venice Film Festival Aug. 27, 2014; limited release Oct. 17, 2014; wide release Nov. 14, 2014 Other awards won: Independent Spirit Awards Best Male Lead (Michael Keaton), Best Cinematography; British Academy Film Awards (BAFTA) Best Cinematography; Critics» Choice Awards Best Actor (Michael Keaton), Best Acting Ensemble, Best Original Screenplay, Best Cinematography, Best Editing, Best Score; Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Academy Award nominations: Best Picture (won), Best Director (won), Best Original Screenplay (won), Best Actor (Michael Keaton), Best Supporting Actor (Edward Norton), Best Supporting Actress (Emma Stone), Best Cinematography, Best Sound Editing, Best Sound Mixing
«The Dark Knight,» a Cape Road Limited Production (Warner Bros.)(8 nominations) Heath Ledger - Performance by an actor in a supporting role Art direction Cinematography Film editing Makeup Sound editing Sound mixing Visual effects
It all sounds mighty impressive, and, judging by the clip, it's tartly edited and calls back to a different era of the city that never sleeps.
While 2049 «s director was snubbed by the Academy this time around, following a Directing nomination last year for inventive sci - fi mystery Arrival, his art house blockbuster was recognized with four Oscar nominations, for Best Production Design, Best Sound Editing, Best Sound Mixing, and Best Visual Effects, winning in the latter category.
The next day, Sunday, February 22, the movie will be in the running for five Oscars: Best Motion Picture, Best Performance by an Actor in a Supporting Role, Best Writing, Best Achievements in Editing and Best Achievement in Sound Mixing.
Co-Directed by Marc O'Gleasain and Marcus Stewart, DOP Raja Nundlall, produced by Marcus Steward, edited by Marc O'Gleasain, music composed by Fergus Ryan, production manager Cillian Mcloughlin and sound mixed at Gorilla Post, Dublin.
The journal's «dossier» section, edited by Jacob Smith, is as wide - ranging as ever, with (among many others) Michel Chion exploring a phone conversation in The Player; Mack Hagood on the audio cue he calls the «tinnitus trope» (and for which I would never have guessed we have Arthur Hiller to thank); Jean Ma on a song from an early Chinese sound film whose soundtrack has been lost, and has thus reverted to silence; and Keir Keightley on some deliberately disastrous, «schizophrenic» lipsynching in Lewis's The Patsy.
Picture: The Hurt Locker Directing: Kathryn Bigelow, The Hurt Locker Actor: Jeff Bridges, Crazy Heart Actress: Sandra Bullock, The Blind Side Actor in a Supporting Role: Christoph Waltz, Inglourious Basterds Actress in a Supporting Role: Mo'Nique, Precious: Based on the Novel Push by Sapphire Original Screenplay: The Hurt Locker Adapted Screenplay: Precious: Based on the Novel Push by Sapphire Foreign Language Film: The Secret in Their Eyes Documentary Feature: The Cove Animated Feature Film: Up Documentary Short: Music by Prudence Animated Short: Logorama Live Action Short: The New Tenants Film Editing: The Hurt Locker Art Direction: Avatar Cinematography: Avatar Costume Design: The Young Victoria Makeup: Star Trek Score: Up Song: «The Weary Kind,» Crazy Heart Sound Editing: The Hurt Locker Sound Mixing: The Hurt Locker Visual Effects: Avatar