Sentences with phrase «sound editor»

Detroit Annapurna Pictures Supervising Sound Editor: Paul N.J. Ottosson Supervising ADR Editors: Daniel Saxlid, Laura Graham Dialogue Editor: Robert Troy

Associate Members are Sound Specialists, such as Sound Editors, Technicians, Recordists, and Microphone Boom Operators.

Academy Award winning sound editor Richard King has worked on such films as The Dark Knight, War of the Worlds, and Master & Commander, to date, King has captured three Best Sound Editing Oscars, the most recent in 2010 for his work on Inception.

He earned his first credit as supervising sound editor on the 2008 sci - fi hit Cloverfield.

However, supervising sound editor Richard King and production recordist Ed Novick have revealed that ADR sessions were not necessary for Ledger's performance.

Supervising sound editor Andrew DeCristofaro talked about the importance of background sounds, and how «the sound of the plane engine, the sound of the crickets... is as much a part of the score as the score.»

Supervising Sound Editor Alan Robert Murray presented the Career Achievement Award to Sound Designer and Field Recordist John P. Fasal.

Featured interviews include Supervising Sound Editor Wylie Stateman, Re-recording Mixer Andy Koyama, Re-recording Mixer Beau Borders, Sound Designer -LSB-...]

Director, co-writer, and co-star Krasinski recommended that supervising sound editors Aadahl and Ethan Van der Ryn («The Lord of the Rings: The Two Towers») create sonic points of view — or «envelopes» — for each member of the Abbott family as well as for the creatures.

«Audiences assume that movies with lots of sound are the hardest to do,» said supervising sound editor Erik Aadahl («Transformers: The Last Knight»).

«Do we really have to listen to acceptance speeches from sound editors, sound mixers, and doc shorts?»

I and DJANGO UNCHAINED and has received two Golden Reel Awards from the Motion Picture Sound Editors for his mixing work as well as a Golden Satellite nomination.

When director Angelina Jolie told supervising sound editor Becky Sullivan that she wanted Unbroken to be «an elegant - sounding film,» Sullivan was up for the challenge.

In a special guest post, Star Wars: The Force Awakens «supervising sound editor reveals many of the voices behind stormtroopers, Resistance pilots, and more!

For more information about computers recording spoken words, go to Apple's iLife GarageBand page or, for PC users, visit the Web site for the free cross-platform sound editor Audacity.

Motion Picture Sound Editors Announce 2015 Golden Reel Nominations The 62nd MPSE Golden Reel Awards 2015 MPSE FILMMAKER AWARD Darren Aronofsky 2015 MPSE CAREER ACHIEVEMENT AWARD Skip Lievsay 2015 MPSE Golden Reel Award Nominees...

In this exclusive SoundWorks Collection interview we talk with the sound team of Director Dan Trachtenberg's film, 10 Cloverfield Lane including Supervising Sound Editor Robert Stambler, effects sound re-recording mixer Will Files and dialogue and music sound re-recording mixer Lindsey Alvarez.

The SoundWorks Collection is honored to be the official media sponsors for the Cinema Audio Society Annual CAS Awards and the Motion Picture Sound Editors Golden Reel Awards.

I've got an enormous sound effects library, and when I needed something that I didn't have, I would call [supervising sound editor] Wylie Stateman or one of the members of his team and say, «I need this sound effect.»

The documentary follows sound editor and designer Matthew Wood and Ren Klyce, both of whom received an Oscar nomination for sound editing for The Last Jedi, as they go about their work at Skywalker Sound.

Sound editor Walter Murch asked for «R2 - D2, the abbreviation for «reel two, dialogue track two.»

«Silent Nights» isn't the only immigration story amongst the contenders; prolific French sound editor Selim Azzazi makes his directorial debut with «Ennemis Intérieurs,» which depicts a French police officer interrogating a French - Algerian man seeking naturalization during the Algerian civil war in the 1990s.

Films sound team from Skywalker Ranch: Steve Bissinger, sound designer & supervising sound editor Zach Martin, re-recording mixer & additional effects editor Shaun Farley, dialogue editor

Moderator: Ozzie Sutherland, AVID Pro Audio Solutions Specialist Mathew Waters, Re — recording Mixer Tim Kimmel, Supervising Sound Editor Brett Voss, Foley Editor / Foley Mixer Dylan Tuomy - Wilhoit, Foley Artist Paula Fairfield, Sound Designer

It includes interviews with star Turturro, supporter Lerner, executive producer Ben Barenholtz, and composer Carter Burwell with supervising sound editor Skip Lievsay.

His first job was as a cartoon sound editor at Hanna Barbera Studios followed by a 25 year run as owner and operator of the successful Post Production Sound Company, Weddington Productions Inc..

We chat with supervising sound editor Nicholas Renbeck, sound designer and sound re-recording mixer Eugene Gearty and sound re-recording mixer Chris Jenkins.

Paul also discusses working with editor Pietro Scalia and sound designer / supervising sound editor Oliver Tarney to craft the multiple futz and radio instances throughout the film.

The first thing you notice about «Unsane» is the ambient sounds throughout the film, and not the kind sound editors win awards for.

Meanwhile, sound editors Christopher S. Aud and Aaron Glascock discuss their unique approach to foley on the film, which involved creating effects in locations that acoustically mimicked the environments depicted on screen — an ethos Kaufman says carried over into leaving in the imperfections of the dialogue recording (like breathing) that animation studios normally edit out.

Sound editor Sylvain Bellemare accepts Best Sound Editing for «Arrival» onstage during the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California.

* With his win for «Dunkirk,» Richard King made the record books as the most Oscar - bestowed sound editor with a total of four.

The Motion Picture Sound Editors annual Golden Reel Awards announced its winners Sunday.

Leonard Rosenman's score and sound editor John Stacy's aural staging of the action are the main beneficiaries of the disc's two high - fidelity sound options, a merely clamorous DTS - HD MA 2.0 stereo mix and a superior 5.1 DTS - HD MA track with cleaner separations and a thicker low end.

Underneath it all plays Ten Years After's «I'd Love To Change The World,» the absolute nadir of Woodstock - era protest rock; the movie's sound editor deserves some kind of award for smoothly deleting the song's opening volley against «dykes and fairies.»

There is an audio commentary with Writer / Producer Michael Schlesinger, Editor Mike Mahoney, and Supervising Sound Editor Darren Paskal on the English version only.

Time for my annual #soundmixing vs. #soundediting primer: sound editors create / sample the sounds you hear, usually during production; mixers put them all together in post-production.

New conversation between sound editor / re-recording mixer Larry Blake and composer Cliff Martinez

We get new interviews with DeGovia, screenwriter Steven E. DeSouza, special effects coordinator Al Di Sarro, supervising sound editor Stephen Hunter Flick, producer Lawrence Gordon, composer Michael Kamen, editor John F. Link, stunt coordinator Charlie Picerni, and actor Alan Rickman.

Other Canadians nominated for the film include production designers Paul Austerberry, Jeff Melvin and Shane Vieau; sound editors Nathan Robitaille and Nelson Ferreira; sound mixers Christian Cooke, Brad Zoern and Glen Gauthier; costume designer Luis M. Sequeira; and film editor Sidney Wolinsky.