Sentences with phrase «sound effect master»

Series composer and sound effect master Akira Yamaoka once again lends his eerie talents to the project to create a number of requisite background tracks and even a few solid vocal pieces implemented at the appropriate moments.

Not exact matches

Many different sound effects can be created and manipulated, while rotating the bow also creates a vibrato effect, a technique that novice violin players find difficult to master.

Likewise, the 5.1 DTS - HD master audio leaves nothing to be desired, distributing strong sound effects, evenly - distributed elements, and a good amount of atmosphere.

The DTS - HD MA (Master Audio) 5.1 lossless mix has clear dialogue and fairly good sound effects, though the recorders and mixers are a but too gun shot happy.

The 5.1 DTS - HD master audio consistently pleases while serving the film well, from early»90s British pop songs to a creative Steven Price song to the aggressive sound effects befitting the more fantastical elements.

The DTS - HD Master Audio Mono track works well the 60's horror score and the classic sound effects.

The 5.1 DTS - HD Master Audio track included is another standout aspect on this Blu - Ray edition, and though it's a film that remains light on the explosions and mayhem, the score sounds terrific, dialogue comes through very clear and precise, and background noise and effects are dynamic and well balanced across all channels.

The 5.1 DTS - HD master audio mix is more remarkable, a delicious piece of sound design that uses all the channels to striking effect.

The DTS - HD Master Audio 5.1 works perfectly with the films score and sound effects, which gracefully drive the film along.

The 5.1 DTS - HD master audio mix is full of aggressive and impactful effects above and beyond what teenagers relying on the sound from consumer cameras should secure.

The 5.1 DTS - HD master audio also serves the film well, engaging the ears with African - flavored score, suitable needle drops, and the dialogue and sound effects that drive the comedy.

The 5.1 DTS - HD master audio soundtrack is perfectly satisfactory, staying crisp throughout while frequently getting your attention with dynamic sound effects.

Raimi's old - fashioned approach to sound design (and the age of the film) spell a relatively underwhelming lossless DTS - HD Master Audio 5.1 mix, but every cartoony sound effect is perfectly clear and Danny Elfman's score sounds robust; just don't expect maximum exploitation of the surround channels — it's a fairly front - heavy mix.

The 5.1 DTS - HD Master Audio is outstanding, giving you all of the dialogue, sound effects, and soundtrack in excellent quality.

The Blu - Ray's 5.1 master audio track sounds superb, with dialogue coming through as clearly as you would hope for, punctuated by occasionally beefy sound effects and James Newton Howard's interesting score which tends to downplay, if not outright contradict, the horrors of what's happening on - screen.

While other Twilight Time discs may leave sound effects or licensed music intact, this track is truly an isolated score, presenting Ennio Morricone's score and nothing else in 2.0 DTS - HD master audio.

Master cinematographer Roger Deakins provides austere photography, and the soundtrack — from crisp sound effects to James Newton Howard's score (featuring Hilary Hahn on violin)-- is practically all Shyamalan has going for him in terms of frightening misdirection.

Every frame, sound effect, and performance in his films is made with a specific intention behind it at times disrupting the audiences» ideas for where his movies are headed whether it's Magnolia, The Master, or Boogie Nights.

Though it isn't quite as flashy as some of the more explosive nominees, Scott Pilgrim mastered the oft - tried - but - rarely - successful art of translating the more abstract aspects of comic book art - such as sound effects and panel transitions - and brought them to life in a style that homaged not just sequential art, but classic video games.

The DTS - HD Master Audio tracks are good but if you know the show there is not much in terms of dialogue, more like sound effects..

A nice bonus, but pretty useless, since the film's Cantonese track is mastered in a robust Dolby 5.1 mix, and the overtly synth score is reduced to a flat mono track, sharing limited headroom with intrusive sound effects.

To operate it you do not need to master the skills in processing music, remixes, and make sound effects.

Features: • Voiceover from Chris Tarrant — asks questions, provides answers, and comments • A variety of single and multi-player modes • Music score and sound effects from TV show • Over 1000 new questions from the TV show's question masters • New intro and FMV sequences, improved set and studio audience