He has focused on managing the sound team at Nintendo Entertainment & Development, which includes seven composers and multiple
sound effects designers, sound programmers, and sound editors.
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special
sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
Brian began his career in game audio in 1987 as a composer,
sound effects designer and music programmer for Williams Electronic Games in Chicago writing music and creating sound effects for pinball machines and coin - operated video games.
Brian began his career in game audio in 1987 as a composer,
sound effects designer and music programmer for Williams Electronic Games in Chicago writing music and creating sound effects for pinball machines and coin - operated video games.
He is a composer / producer, audio director / consultant,
sound effects designer and voice director as well as a highly accomplished live and studio session keyboard player, producer and songwriter (published by Allied Songwriters / Notting Hill Music).
Not exact matches
Three - dimensional
sound effects are also improving, and
designers are making fewer impossible demands of today's technology as they get used to the limitations of VR.
Produced by the Space Telescope Science Institute's Office of Public Outreach Narration: Alia Shawkat Writing: Joel Green and Vanessa Thomas
Designer: Marc Lussier Music: Associated Production Music (www.pm.com)
Sound effects: CSSMusic.com, FreeSound.org, and SoundBible.com (users Sonidor, espectral, Mark DiAngelo, and Mike Koenig)
Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production
designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume
designer, Lauren Howard;
sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual
effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.
Camera (color, widescreen, HD), Bobby Bukowski; music, Anthony Partos, Matteo Zingales; music supervisor, Michael Hill; production
designer, Alex DiGerlando; art director, Christina Kim; set decorator, Monique Champagne; costume
designer, Meghan Kasperlik;
sound (Dolby Digital), Micah Bloomberg; supervising
sound editor, Odin Benitez; re-recording mixer, Mark Mangini; visual
effects supervisor, Tarn Fox; stunt coordinators, Kevin Beard, Danny Cosmo; assistant director, Thomas Deckaj; casting, Douglas Aibel, Tracy Kilpatrick.
Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production
designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume
designer, Ane Crabtree;
sound (Dolby Digital), Paul Sorohan; supervising
sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual
effects supervisor, Sean Thigpen; visual
effects, Wunderfilm, Stargate Studios; special
effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.
Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production
designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman;
sound (Dolby Digital / Datasat), Brannon Brown; supervising
sound editor /
designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special
effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.
Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production
designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume
designer, Olivier Beriot;
sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker;
sound designer, Shannon Mills; re-recording mixer, David Parker; special
effects supervisor, Philippe Hubin; senior visual
effects supervisor, Nicholas Brooks; visual
effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual
Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.
Camera (color, HD), Daniel Grant, Amar Ahrab; editor, Eamonn O'Connor; music, Phil Strong;
sound, Jason Milligan, Dominique Kerboeuf;
sound designer / supervising
sound editor, Strong; re-recording mixers, Daniel Pellerin, Christopher Guglick; animation / visual
effects, Mark Alberts.
Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume
designer, Justine Seymour;
sound (Dolby Digital), Kim Ornitz;
sound designer, Ryan Collins; supervising
sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual
effects supervisor, Jack Cloud; visual
effects, Cloudesign; special
effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.
«The Soundscapes of Middle - earth» lasts 21 minutes and 25 seconds as it presents remarks from Peter Jackson, Barrie Osborne, Rick Porras, Christopher Lee, Mike Horton, Mark Ordesky, supervising
sound editor / co-
designer Ethan Van der Ryn, supervising
sound editor Mike Hopkins, ADR recordist Chris Ward,
sound designer David Farmer, re-recording mixers Chris Boyes and Michael Semanick, foley artists Simon Hewit and Phil Heywood,
sound effects editor Brent Burge, and foley engineer Martin Oswin.
Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production
designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume
designer, Chasia;
sound, Woody Stubblefield; supervising
sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special
effects makeup, Geneva Nash Morgan; visual
effects supervisor, Jonas Drehn, Matt Bramante; visual
effects executive producer, Gresham Lochner; visual
effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.
Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume
designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production
designer Nathan Crowley, special
effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister,
sound designer Richard King, IMAX consultant David Keighley, visual
effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.
Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production
designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume
designer, Martin;
sound (Dolby Digital / Datasat / SDDS), Guntis Sics;
sound designer / supervising
sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual
effects supervisor, Chris Godfrey; visual
effects producer, Joyce Cox; visual
effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.
Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production
designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume
designer, Amy Wescott;
sound (Datasat / Dolby Digital), Shawn Holden;
sound designer / supervising
sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual
effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.
David Lazan; set decorator, Leslie E. Rollins; set
designers, Amy Heinz - Barnett, Sarah Contant, Jeremy Woodward; costume
designer, David Robinson;
sound (Datasat / Dolby Digital), Tom Williams;
sound designer, David Esparza; supervising
sound editor, Mandell Winter; re-recording mixers, Steve Pederson, Daniel J. Leahy; visual
effects supervisor, Sean Devereaux; visual
effects, Zero VFX; stunt coordinators, Keith Woulard, Lin Oeding; associate producer, Kat Samick; assistant director, Philip A. Patterson; casting, Mary Vernieu, Lindsay Graham.
Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production
designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual
designer / set decorator Alan Lee, conceptual
designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual
effects supervisors Jim Rygiel and Joe Letteri, supervising
sound editor Ethan Van der Ryn, supervising
sound editor Mike Hopkins, Weta animation
designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual
effects DP Brian Van't Hul, and visual
effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis
Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production
designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume
designer, Ariyela Walk - Cohain;
sound, Buck Robinson;
sound designer, Martyn Zub; supervising
sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual
effects supervisor, James Hattin; visual
effects producer, Nate Smalley; visual
effects, Legion; special makeup
effects, Fractured FX; special
effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.
Films
sound team from Skywalker Ranch: Steve Bissinger,
sound designer & supervising
sound editor Zach Martin, re-recording mixer & additional
effects editor Shaun Farley, dialogue editor
Odin Benitez - Co-supervising
sound editor Todd Toon - Co-supervising sound editor Michael Minkler - sound re-recording mixer Dean A. Zupancic - sound re-recording mixer Eliza Pollack Zebert - supervising adr and dialog editor Charlie Campagna - sound effects recordist Bill Dean - Sound Des
sound editor Todd Toon - Co-supervising
sound editor Michael Minkler - sound re-recording mixer Dean A. Zupancic - sound re-recording mixer Eliza Pollack Zebert - supervising adr and dialog editor Charlie Campagna - sound effects recordist Bill Dean - Sound Des
sound editor Michael Minkler -
sound re-recording mixer Dean A. Zupancic - sound re-recording mixer Eliza Pollack Zebert - supervising adr and dialog editor Charlie Campagna - sound effects recordist Bill Dean - Sound Des
sound re-recording mixer Dean A. Zupancic -
sound re-recording mixer Eliza Pollack Zebert - supervising adr and dialog editor Charlie Campagna - sound effects recordist Bill Dean - Sound Des
sound re-recording mixer Eliza Pollack Zebert - supervising adr and dialog editor Charlie Campagna -
sound effects recordist Bill Dean - Sound Des
sound effects recordist Bill Dean -
Sound Des
Sound Designer
(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production
designers, Lou Romano, Celine Desrumaux;
sound designer (Dolby Digital), Tim Nielsen; supervising
sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual
effects supervisor, Pascal Bertrand; character
designer, Peter De Seve; co-character
designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production
designer and character
designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.
Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production
designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume
designer, Colleen Atwood;
sound (Dolby Digital / SDDS / Datasat), Lee Orloff;
sound designers, Tony Lamberti, Victor Ray Ennis; supervising
sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special
effects coordinator, Bruno Van Zeebroeck; visual
effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual
effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.
Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production
designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume
designer, Marylou Lim;
sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual
effects supervisor, Woei Hsi Lee; visual
effects, Atomic Fiction; special
effects coordinator, Mark Gullesserian; stunt coordinators, David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.
Kenichiro Imaizumi (MGS4 / PW / R / V producer) Ayako Terashima (Kojima's PA) Aiko Sakamoto (MGS: PW lead programmer) Daizoburo Nakamura (MGSV lead programmer) Yuta Hoshino (MGSV FX engineer) Nozomu Takeuchi (MGSV art / programmer) Hideki Sasaki (MGS series art director / character modeler) Yasuhiro Ikoma (MGS3 - V / ZOE2 / PT
effects artist) Ludvig Forssell (MGSV / PT music composition) Jorge Ken Hashimoto (Kojima's translator) Takaaki Ishikawa (MGSV graphics engineer) Fumito Miyauchi (MGSV Fox Engineer / UI programmer) Hiroyuki Nakayama (MGSV
sound designer) Akira Inamura (MGSV character artist) Kohei Ishiyama (MGSV
effects programmer) Makoto Abe (MGSV UI programmer) Kazuya Adachi (MGSV Fox Engine tech director) Satoshi Matsuno (MGS3 - V level design / artist) Satoshi Matsuno (MGS3 - V programming) Takayuki Uchida (MGS4 - V environment design / artist) Hiroaki Arai (MGSV programmer / lead tech artist)
Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production
designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume
designer, Ngila Dickson;
sound (Dolby Digital / Datasat), Fred Enholmer;
sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special
effects supervisor, Ken Durey; visual
effects producer, Ineke Majoor; visual
effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.
Crew: Camera (Deluxe color), Don Burgess; editor, Arthur Schmidt; music, Alan Silvestri; production
designer, Rick Carter; art directors, Jim Teegarden, Stefan Dechant, Elizabeth Lapp; set decorators, Rosemary Brandenburg, Karen O'Hara; costume
designer, Joanna Johnston;
sound (Dolby / SDDS), William B. Kaplan;
sound designer, Randy Thom; visual
effects supervisor, Ken Ralston; associate producer, Steven Boyd; assistant directors, Alan B. Curtiss, Josh McLaglen; casting, Victoria Burrows.
Camera (color, widescreen), Wang Yu; editor, Manda Wai; music, Eli Marshall; production
designer, Zhao Hai; costume
designer, Man Lim - Chung;
sound (Dolby Digital), Tu Duu - Chih; visual
effects, Illumina; assistant director, Thomas Chow; casting, Cheng Jie.
(Color, widescreen); editor, Chris Plummer; music, Marius de Vries; feature animation, Industrial Light & Magic; animation supervisor, Kim Ooi;
sound designer (Dolby Atmos), E.J. Holowicki; supervising
sound editor, Steve Slanec; re-recording mixers, Tom Johnson, Juan Peralta; senior visual
effects supervisor, Tony Plett; visual
effects supervisor, Nigel Sumner; senior animation producer, Jacqui Lopez; casting, David Rubin, Richard Hicks, Lindsay Perlman.
I talked to cinematographer Barry Ackroyd, editors Chris Innis and Bob Murawski,
sound designer Paul Ottosson and special
effects supervisor Richard Stutsman about their contributions to this humble spectacular.
Camera (Deluxe color, Arri Alexa digital, widescreen), Ben Seresin; editors, Roger Barton, Matt Chesse; music, Marco Beltrami; production
designer, Nigel Phelps; supervising art director, Jon Billington; senior art directors, Alan Gilmore, Julian Ashby; art directors, Ben Collins, Matthew Gray, James Foster; set decorator, Jennifer Williams; costume
designer, Mayes C. Rubio;
sound (Datasat / Dolby Surround 7.1), Stuart Wilson; supervising
sound editors, Nigel Stone, Ethan Van Der Ryn; re-recording mixers, Anna Behlmer, Lora Hirschberg; visual
effects producer, Robin Saxen; visual
effects, MPC, Cinesite, Industrial Light & Magic, Lola VFX; assistant director, Toby Hefferman; second unit director / stunt coordinator, Simon Crane; second unit camera, Igor Meglic; casting, Kate Dowd.
Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production
designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume
designer, Penny Rose;
sound (Dolby Digital / Datasat), Lee Orloff; supervising
sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes;
sound designers, Teague, Mills, Boyes, Gary Rydstrom; special
effects supervisor, John Frazier; special
effects coordinators, Jim Schwalm, Jon G. Belyeu; visual
effects supervisors, Tim Alexander, Gary Brozenich; visual
effects producer, Shari Hanson; visual
effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual
effects supervisor, Matt Middleton; special makeup
effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.
Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production
designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set
designers, Mayumi Konishi - Valentine, Aaron Linker; costume
designer, Renee April;
sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis;
sound designer, Tom Ozanich; supervising
sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual
effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee
Camera (Deluxe color, widescreen, 35 mm), Rachel Morrison; editor, Suzy Elmiger; music, Marcelo Zarvos; production
designer, Chris Trujillo; art director, Max Piersol; set decorator, Jess Royal; costume
designer, Meghan Kasperlik;
sound, Mike Guarino;
sound designer / re-recording mixer, Brandon Proctor; visual
effects supervisor, Mike Feuer; visual
effects, MindSmack TV; stunt coordinator, Rick Kain; associate producers, Braden Friedman, Shani Geva; assistant director, Scott Larkin; casting, Laura Rosenthal Casting, Jessica Kelly.
Camera (color, Arri Alexa widescreen), Reed Morano; editor, Kate Abernathy; music, Dave Eggar, Chuck Palmer, Amy Lee; production
designer, Jorge Barba; art director, Victoria Cuevas; costume
designer, Liz Lash;
sound (Dolby Digital), Omar Barraza;
sound designer / re-recording mixer, Dennis Leonard; visual
effects, Outlier Post; stunt coordinator, Massimiliano Ubaldi; line producer, Alex G. Scott; assistant director, Gino Allegro; casting, Samy Burch, Cecilia Maggio.
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production
designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume
designer, Judianna Makovsky;
sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising
sound editors, Shannon Mills, Daniel Laurie;
sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual
effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual
effects and animation, Industrial Light & Magic, Method Studios; visual
effects, Trixter Film, Rise Visual
Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production
designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set
designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume
designer, Betsy Heimann;
sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual
effects supervisor, Michael Owens; special visual
effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.
Part I participants include Tamahori, Kinberg, Dafoe, producer Arne L. Schmidt, Ice Cube, Sunny Mabrey, Scott Speedman, Samuel L. Jackson, Nona Gaye, production
designer Gavin Bocquet, costume
designer Sanja Milkovic Hayes, with Part II adding comments from technical advisors Dave Kennedy and Harry Humphries, assistant stunt coordinator Mike Gunther, fight coordinator Marcus Young, 2nd unit stunt coordinator Freddie Hice, Xzibit, score mixer Dennis Sands, composer Marco Beltrami,
sound designer / re-recording mixer Christopher Boyes, Farrar, De Qattro, visual
effects animation supervisor James Tooley, and visual
effects associate supervisor Samir Hoon.
Camera (Fotokem color, widescreen), Russ Alsobrook; editor, Roger Nygard; music, Terence Blanchard; production
designer, Christian Wintter; costume
designer, Clare Breaux;
sound (Datasat / Dolby Digital), Dan Izen; supervising
sound editor, Christopher Eakins; visual
effects supervisor / producer, Raymond McIntyre Jr.; casting, Sharon Bialy.
Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production
designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume
designer, Trish Summerville;
sound (Dolby Atmos / Datasat), Mark Weingarten; supervising
sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson;
sound designer, Peirson; visual
effects supervisor, Janek Sirrs; visual
effects producer, Mitchell Ferm; visual
effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special
effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debra Zane.
The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special
effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production
designer Philip Ivey,
sound design & alien vocals Dave Whitehead, supervising
sound editor Brent Burge, and film editor Julian Clarke.
One final «prop» to the
designers for the
sound effects and music.
Camera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production
designer, Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set
designer, Walter Schneider; costume
designer, Shay Cunliffe;
sound, Pud Cusack;
sound designer, Robert L. Stephton; supervising
sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual
effects, Temprimental Films, Skulley
Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus Kanani.
From the movie's production circle, we hear from producer Ron Bozman, screenwriter Ted Tally, former Orion Pictures VP Mike Medavoy, production
designer Kristi Zea, composer Howard Shore, set dresser Ken Turek, set decorator Karen O'Hara, art director Tim Galvin, special makeup
effects Carl Fullerton and Neil Martz, costume
designer Colleen Atwood, editor Craig McKay, production
sound mixer Christopher Newman, moth wrangler Ray Mendez, re-recording mixer Tom Fleischman,
sound designer Skip Lievsay, and actors Anthony Hopkins, Roger Corman, Diane Baker, Brooke Smith, Anthony Heald, and Ted Levine.
Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production
designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set
designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume
designer, Susan Matheson;
sound (Datasat / Dolby Digital), Whit Norris;
sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual
effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.
These last a total of 42 minutes, 16 seconds and offer comments from director of photography Daniel Landin, co - writer / director Jonathan Glazer, editor Paul Watts, music supervisor / producer Peter Raeburn, production
designer Chris Oddy, producer James Wilson,
sound designer Johnnie Burn, 2nd unit director / visual
effects supervisor Tom Debenham, one - cam camera engineer Arron Smith, one - cam technical supervisor Louis Mustill, Kahleen Crawford, locations manager Eugene Strange, composer Mica Levi, graphic
designer Neil Kellerhouse, visual
effects supervisor Dominic Parker and co - writer / executive producer Walter Campbell.
Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production
designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume
designer, Anney Perrine;
sound, Dan Bricker; supervising
sound editor, Michael Feuser; re-recording mixer, Leslie Shatz;
sound designer, Andrea Bella; visual
effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual
effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.