The sound effects guys did their job well with all the sounds of the pool table sounding like they would in real life.
Not exact matches
Endless fast cuts complete with whooshy
sound effects, thumping techno bass lines, ugly on - screen graphics, garish colour filters, and * cringe * a hero who talks directly to camera (Michael Caine is STILL the only actor to EVER get away with that...) Every tacky, irritating and superficial MTV affectation is on display here, in an unbelievably lame attempt to make an american rip - off of a
Guy Ritchie heist movie.
The
sound effects are ripped right from the shows and movies, and the voice work is handled by the same
guys from the movies; truly outstanding.
Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer,
Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood;
sound (Dolby Digital / SDDS / Datasat), Lee Orloff;
sound designers, Tony Lamberti, Victor Ray Ennis; supervising
sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special
effects coordinator, Bruno Van Zeebroeck; visual
effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual
effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.
The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special
effects supervisor Max Poolman, lead set decorator
Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey,
sound design & alien vocals Dave Whitehead, supervising
sound editor Brent Burge, and film editor Julian Clarke.
There were a few pretty solid
sound effects that really
effected the power behind the
guy's fists but I think you're right: we have been spoiled by Creed.
Sound mixing: it's not really what you hear (that's the sound editing guys, below) but how you hear them, from choices about which effect to make the loudest to moments of silence that can be just as dram
Sound mixing: it's not really what you hear (that's the
sound editing guys, below) but how you hear them, from choices about which effect to make the loudest to moments of silence that can be just as dram
sound editing
guys, below) but how you hear them, from choices about which
effect to make the loudest to moments of silence that can be just as dramatic.
These
guys make adding music and
sound effects to e-books possible for anyone from a big publisher to a self - publisher.
In place of Batman, we get to see the game's robotic mascot Claptrap lose his nuts and bolts at a boom - droppin», sandwich - chompin»
sound guy, to rather humorous
effect.
I didn't think the
sound effects for a moving soldier would be a simple as a
guy shaking a metal glove.
Instead of a nasty edit, I gave you
guys a nice little video game music /
sound effects interpretation of the crash.
Add to that the annoying
sound effect that plays every time you scan — or fail to scan in my case, which triggers that
sound over and over again — and it's enough to drive a
guy crazy.
Our great audio
guys are also going to pick out some of the best
sound effects and music for you to have a little of Project Eternity on your phone.
You
guys loved the YSP - 4300 for its surround
sound effects, but the new YSP - 5600 should be even better but with WiFi support.